“We live in an age of reproduction. Most of what makes up our personal picture of the world we have never seen with our own eyes--or rather, we've seen it with our own eyes, but not on the spot: our knowledge comes to us from a distance, we are televiewers, telehearers, teleknowers.”
― Max Frisch, quote from I'm Not Stiller
“Freunde müssen einander verstehen um Freunde zu bleiben. Brüder sind immer Brüder.”
― Max Frisch, quote from I'm Not Stiller
“The demand that we love our neighbor as ourselves contains as an axiom the demand that we shall love ourselves, shall accept ourselves as we were created.”
― Max Frisch, quote from I'm Not Stiller
“Cause and effect are never divided between two people.”
― Max Frisch, quote from I'm Not Stiller
“Oh, this yearning to be white, this yearning to have straight hair, this lifelong striving to be different from the way one is created this great difficulty in accepting oneself, I knew it and saw only my own longing from outside, saw the absurdity of our yearning to be different from what we are...”
― Max Frisch, quote from I'm Not Stiller
“Es gibt allerlei Arten, einen Menschen zu morden oder wenigstens seine Seele, und das merkt keine Polizei der Welt. Dann genügt ein Wort, eine Offenheit im rechten Augenblick. Dann genügt ein Lächeln. Ich möchte den Menschen sehen, der nicht durch Lächeln umzubringen ist oder durch Schweigen.”
― Max Frisch, quote from I'm Not Stiller
“Wenn ich so allein bin, siehst du, und mich an alles erinnere, das ist das Schlimmste, daß man allein nicht darüber lachen kann, oder dann ist es nur so ein böses und bitteres Lachen, so daß man später über genau die gleichen Dinge doch wieder heult.”
― Max Frisch, quote from I'm Not Stiller
“Nothing is harder than to accept oneself.”
― Max Frisch, quote from I'm Not Stiller
“Man kann alles erzählen, nur nicht sein wirkliches Leben; – diese Unmöglichkeit ist es, was uns verurteilt zu bleiben, wie unsere Gefährten uns sehen und spiegeln, sie, die vorgeben, mich zu kennen, sie, die sich als meine Freunde bezeichnen und nimmer gestatten, daß ich mich wandle [...].”
― Max Frisch, quote from I'm Not Stiller
“Stiller jo je debelo gledal.
»Tako torej gledaš name!« je rekla Julika. »Si pač naredil podobo o meni, to pač vidim, dokončno podobo za vselej, in konec. Drugače kot takšne, saj to čutim, me zdaj kratko in malo več ne moreš videti. Kajne?« Stiller si je prižgal cigareto. »Jaz sem v zadnjem času tudi o mnogočem premišljevala,« je rekla Julika in pihala snežne kristale s svoje odeje tudi zdaj, ko je govorila sama, »- v zapovedih ne stoji kar tako: ne smeš si ustvariti podobo! Vsaka podoba je greh. Tole je ravno nasprotno kot ljubezen, vidiš, kar zdajle počneš s takim govorjenjem. Ne vem, če to razumeš. Če takega človeka ljubiš, mu vendar pustiš odprto možnost in si kljub vsem spominom kratko in malo pripravljen čuditi se, zmerom znova se čuditi, kako je drugačen, kako različen in ne takšenle, ne dokončna podoba, kakršno si delaš ti o svoji Juliki. Lahko ti rečem samo to: ni tako. Vselej se z govorjenjem v kaj zapičiš – ne smeš si delati podobe o meni! To je vse, kar ti na to lahko rečem.”
― Max Frisch, quote from I'm Not Stiller
Max Frisch
Born place: in Zurich, Switzerland
Born date May 15, 1911
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“Jack took the note:
My lord, Lady Kincaid announced she would be out this evening. When I asked where, she said she
was going “carousing.” That is a direct quote. Please advise. Devonsgate.”
― Karen Hawkins, quote from How to Abduct a Highland Lord
“Strange to dream in the right shape and build in the wrong shape, but maybe that is what we do every day, never believing that a dream could tell the truth.”
― Jeanette Winterson, quote from The Stone Gods
“They say that when you’re really in love, the world becomes gossamer and gorgeous, but in my experience the world gets grimy, and the love object is in stark relief from the surroundings. This is love, a pretty thing on an ugly street.”
― Daniel Handler, quote from Adverbs
“It was Hitler’s style, his oratorical talents and his remarkable ability to transmit emotions and feelings in his speeches, that took him to the leadership of the ragtag party of misfits and adventurers that he joined in Munich in 1919 and that called itself the German Workers’ Party. The ideas he and the party spouted were all tattered; they were nothing but jargon inherited from the paranoid Austro-German border politics of the pre-1914 era, which saw “Germanness” threatened with inundation by “subject nationalities.” Even the combination “national socialist,” which Hitler added to the party’s name when he became leader in 1920, was borrowed from the same era and same sources. It was not the substance—there was no substance to the frantic neurotic tirades—that allowed the party to survive and later to grow. It was the style and the mood. It was above all the theater, the vulgar “art,” the grand guignol productions of the beer halls and the street.”
― Modris Eksteins, quote from Rites of Spring: The Great War and the Birth of the Modern Age
“I will meet the cruel and the cowardly today, she thought, liars and the envious, the uncaring and unknowing: they will be all around. But their numbers and their carelessness do not mean I have to be like them. For my own part, I know my job; my commissions comes from Those Who Are.”
― Diane Duane, quote from The Book of Night with Moon
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