“We live in an age of reproduction. Most of what makes up our personal picture of the world we have never seen with our own eyes--or rather, we've seen it with our own eyes, but not on the spot: our knowledge comes to us from a distance, we are televiewers, telehearers, teleknowers.”
― Max Frisch, quote from I'm Not Stiller
“Freunde müssen einander verstehen um Freunde zu bleiben. Brüder sind immer Brüder.”
― Max Frisch, quote from I'm Not Stiller
“The demand that we love our neighbor as ourselves contains as an axiom the demand that we shall love ourselves, shall accept ourselves as we were created.”
― Max Frisch, quote from I'm Not Stiller
“Cause and effect are never divided between two people.”
― Max Frisch, quote from I'm Not Stiller
“Oh, this yearning to be white, this yearning to have straight hair, this lifelong striving to be different from the way one is created this great difficulty in accepting oneself, I knew it and saw only my own longing from outside, saw the absurdity of our yearning to be different from what we are...”
― Max Frisch, quote from I'm Not Stiller
“Es gibt allerlei Arten, einen Menschen zu morden oder wenigstens seine Seele, und das merkt keine Polizei der Welt. Dann genügt ein Wort, eine Offenheit im rechten Augenblick. Dann genügt ein Lächeln. Ich möchte den Menschen sehen, der nicht durch Lächeln umzubringen ist oder durch Schweigen.”
― Max Frisch, quote from I'm Not Stiller
“Wenn ich so allein bin, siehst du, und mich an alles erinnere, das ist das Schlimmste, daß man allein nicht darüber lachen kann, oder dann ist es nur so ein böses und bitteres Lachen, so daß man später über genau die gleichen Dinge doch wieder heult.”
― Max Frisch, quote from I'm Not Stiller
“Nothing is harder than to accept oneself.”
― Max Frisch, quote from I'm Not Stiller
“Man kann alles erzählen, nur nicht sein wirkliches Leben; – diese Unmöglichkeit ist es, was uns verurteilt zu bleiben, wie unsere Gefährten uns sehen und spiegeln, sie, die vorgeben, mich zu kennen, sie, die sich als meine Freunde bezeichnen und nimmer gestatten, daß ich mich wandle [...].”
― Max Frisch, quote from I'm Not Stiller
“Stiller jo je debelo gledal.
»Tako torej gledaš name!« je rekla Julika. »Si pač naredil podobo o meni, to pač vidim, dokončno podobo za vselej, in konec. Drugače kot takšne, saj to čutim, me zdaj kratko in malo več ne moreš videti. Kajne?« Stiller si je prižgal cigareto. »Jaz sem v zadnjem času tudi o mnogočem premišljevala,« je rekla Julika in pihala snežne kristale s svoje odeje tudi zdaj, ko je govorila sama, »- v zapovedih ne stoji kar tako: ne smeš si ustvariti podobo! Vsaka podoba je greh. Tole je ravno nasprotno kot ljubezen, vidiš, kar zdajle počneš s takim govorjenjem. Ne vem, če to razumeš. Če takega človeka ljubiš, mu vendar pustiš odprto možnost in si kljub vsem spominom kratko in malo pripravljen čuditi se, zmerom znova se čuditi, kako je drugačen, kako različen in ne takšenle, ne dokončna podoba, kakršno si delaš ti o svoji Juliki. Lahko ti rečem samo to: ni tako. Vselej se z govorjenjem v kaj zapičiš – ne smeš si delati podobe o meni! To je vse, kar ti na to lahko rečem.”
― Max Frisch, quote from I'm Not Stiller
Max Frisch
Born place: in Zurich, Switzerland
Born date May 15, 1911
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“Let the smoky Käll sustain himself on Mars, and Yuko lay rue on Beethoven’s grave. Let the lord of the manor of Rochdale clap his coffin into a canoe and disport himself on the waters. Let Zsa-Zsa sleep on a pillow of haddock in Maria’s cello case. Let Mrs Wessen live to see her thousandth moon. Let Ysobel unknit her forehead. Let not poor Virginie weep. Let all and no things come to pass, for how will I pass these days?”
― Vikram Seth, quote from An Equal Music
“.« Nik has obviously spoken to Nat about my candy preferences.
Written in raspberry bullets is ‘I’m sorry’.
Written in green apple jellybeans is ‘I miss you’.
Written in cherry jellybeans is ‘I love you’.
My heart skips a beat at the last line.
Written in gummy bears is ‘Marry me’.
Did Nik just propose using candy?
Why, yes, brain. Yes, he did. »”
― Belle Aurora, quote from Friend-Zoned
“I started to feel as though I were disappearing. Perhaps I myself was figment of my own imagination, a storm cloud, a wisp of smoke, a burning ember.”
― Alice Hoffman, quote from Green Angel
“She didn’t want to believe the pretty gentleman capable of such violence, but she had learned the hard way that pretty gentlemen were often the worst of the lot.”
― Kady Cross, quote from The Girl in the Steel Corset
“Manmut oseti kako mu se organski slojevi ježe kada je shvatio da je naglas progovorio preko privatne linije. “Ništa. Zbog čega ljubav nije dovela do odgovora na zagonetku života?”
“Zbog toga što je Prust znao - a njegovi likovi to otkrivaju - da ni ljubav, ni njen plemenitiji rođak, prijateljstvo, nikada ne mogu da prežive entropijska sečiva ljubomore, dosade, navike i egoizma”, reče Orfi i Manmut prvi put u toku njihove direktne komunikacije nasluti prizvuk tuge u glasu krupnog moraveka.
“Nikad?”
“Nikad”, reče Orfi i grmnu dubokim uzdahom. “Sećaš se poslednjih redova Zaljubljenog Svana? - “Kad pomislim da sam protraćio godine svog života, da sam želeo da umrem, da sam najveću ljubav doživeo sa ženom koja me nije privlačila, koja čak nije bila moj tip!”
“Primetio sam to”, reče Manmut, “ali nisam tada znao da li to treba da bude strašno smešno, užasno gorko ili neizrecivo tužno. Šta je u pitanju?”
“Sve troje, prijatelju”, odasla Orfi sa Ija. “Sve troje”.
“Koji je bio treći put Prustovih likova prema zagonetki života?” - upita Manmut. Povećao je priliv O2 u svoju komoru kako bi razvejao paučinaste niti tuge koje su pretile da mu se isprepleću u srcu.
“O tome ćemo neki drugi put”, reče Orfi, naslutivši možda raspoloženje svog sabesednika. “Koros III će povećati raspon zahvata i biće zabavno da posmatramo vatromet u spektru rendgenskih zraka”.”
[...]
“ “E vidiš, to nije toliko neuobičajeno”, reče Orfi. “Slušaj, evo jednog pasusa koji sledi posle onoga o nicanju krila i novih pluća na Marsu. Hoćeš na francuskom ili engleskom?”
“Na engleskom”, reče Manmut brzo. Ovako blizu strašnoj smrti od gušenja, nije želeo da se još dodadno muči slušajući francuski.
“Jedino pravo putovanje, jedina Fontana Mladosti”, izdeklamova Orfi, “neće se pronaći na putu u nepoznate zemlje, već u drugačijim očima, u posmatranju vaseljene očima druge osobe, stotinu drugih, i spoznaji stotine vaseljena koje svako od njih vidi, koje svako od njih predstavlja”.
Dok je razmišljao o ovome, Manmut je na tren zaista zaboravio na njihovo neumitno gušenje. “To je Marselov četvrti i konačni odgovor na zagonetku života, Orfi, zar ne?”
Ijanin oćuta.
“Hoću da kažem”, nastavi Manmut, “rekao si da su prva tri za Marsela bila nedovoljna. Pokušao je da veruje u snobovštinu. Pokušao je da veruje u prijateljstvo i ljubav. Pokušao je da veruje u umetnost. Ništa od svega toga nije proradilo kao transcendentna tema. Stoga je ovo četvrto. Ovo…” Nije mogao da pronađe odgovarajuću reč ili frazu.
“Bekstvo svesti iz ograničenja svesti”, reče Orfi tiho. “Imaginacija koja nadilazi domen imaginacije”.
“Da”, prodahta Manmut. “Shvatam”.
“Treba da shvatiš”, reče Orfi. “Ti sada predstavljaš moje oči. Treba da vidim vaseljenu kroz tvoje oči”.
Manmut je na minut ostao da sedi u tišini remećenoj samo šištanjem O2 iz priključenog creva. Onda reče: “Pokušajmo da podignemo Crnu gospu”.”
― Dan Simmons, quote from Ilium
Shattered Glass
Metamorphosis
Women of the Silk
Killer Spirit
Hood
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