“We live in an age of reproduction. Most of what makes up our personal picture of the world we have never seen with our own eyes--or rather, we've seen it with our own eyes, but not on the spot: our knowledge comes to us from a distance, we are televiewers, telehearers, teleknowers.”
― Max Frisch, quote from I'm Not Stiller
“Freunde müssen einander verstehen um Freunde zu bleiben. Brüder sind immer Brüder.”
― Max Frisch, quote from I'm Not Stiller
“The demand that we love our neighbor as ourselves contains as an axiom the demand that we shall love ourselves, shall accept ourselves as we were created.”
― Max Frisch, quote from I'm Not Stiller
“Cause and effect are never divided between two people.”
― Max Frisch, quote from I'm Not Stiller
“Oh, this yearning to be white, this yearning to have straight hair, this lifelong striving to be different from the way one is created this great difficulty in accepting oneself, I knew it and saw only my own longing from outside, saw the absurdity of our yearning to be different from what we are...”
― Max Frisch, quote from I'm Not Stiller
“Es gibt allerlei Arten, einen Menschen zu morden oder wenigstens seine Seele, und das merkt keine Polizei der Welt. Dann genügt ein Wort, eine Offenheit im rechten Augenblick. Dann genügt ein Lächeln. Ich möchte den Menschen sehen, der nicht durch Lächeln umzubringen ist oder durch Schweigen.”
― Max Frisch, quote from I'm Not Stiller
“Wenn ich so allein bin, siehst du, und mich an alles erinnere, das ist das Schlimmste, daß man allein nicht darüber lachen kann, oder dann ist es nur so ein böses und bitteres Lachen, so daß man später über genau die gleichen Dinge doch wieder heult.”
― Max Frisch, quote from I'm Not Stiller
“Nothing is harder than to accept oneself.”
― Max Frisch, quote from I'm Not Stiller
“Man kann alles erzählen, nur nicht sein wirkliches Leben; – diese Unmöglichkeit ist es, was uns verurteilt zu bleiben, wie unsere Gefährten uns sehen und spiegeln, sie, die vorgeben, mich zu kennen, sie, die sich als meine Freunde bezeichnen und nimmer gestatten, daß ich mich wandle [...].”
― Max Frisch, quote from I'm Not Stiller
“Stiller jo je debelo gledal.
»Tako torej gledaš name!« je rekla Julika. »Si pač naredil podobo o meni, to pač vidim, dokončno podobo za vselej, in konec. Drugače kot takšne, saj to čutim, me zdaj kratko in malo več ne moreš videti. Kajne?« Stiller si je prižgal cigareto. »Jaz sem v zadnjem času tudi o mnogočem premišljevala,« je rekla Julika in pihala snežne kristale s svoje odeje tudi zdaj, ko je govorila sama, »- v zapovedih ne stoji kar tako: ne smeš si ustvariti podobo! Vsaka podoba je greh. Tole je ravno nasprotno kot ljubezen, vidiš, kar zdajle počneš s takim govorjenjem. Ne vem, če to razumeš. Če takega človeka ljubiš, mu vendar pustiš odprto možnost in si kljub vsem spominom kratko in malo pripravljen čuditi se, zmerom znova se čuditi, kako je drugačen, kako različen in ne takšenle, ne dokončna podoba, kakršno si delaš ti o svoji Juliki. Lahko ti rečem samo to: ni tako. Vselej se z govorjenjem v kaj zapičiš – ne smeš si delati podobe o meni! To je vse, kar ti na to lahko rečem.”
― Max Frisch, quote from I'm Not Stiller
Max Frisch
Born place: in Zurich, Switzerland
Born date May 15, 1911
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“All these people like my mother paying counselors and clinics to reattach them to reality; all of us people here paying Sony and Sega to reattach us to unreality.”
― David Mitchell, quote from number9dream
“The thing is, Fallon . . . I told you before to lock the door if you wanted me to stay out. Funny thing is . . .” I leaned in. “You. Never. Did.”
― Penelope Douglas, quote from Rival
“Stands at the sea,
wonders at wondering: I
a universe of atoms
an atom in the universe”
― Richard Feynman, quote from What Do You Care What Other People Think?
“Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby grand, a wood fire leaped on a wide old-fashioned hearth, and the Sèvres vases on the chimneypiece were filled with ruddy and gold chrysanthemums. To the eyes of the young man who was ushered in from the raw November fog it seemed not only rare and unattainable, but friendly and familiar, like a colourful and gilded paradise in a mediæval painting”
― Dorothy L. Sayers, quote from Whose Body?
“Mother, have you noticed that this society we’re in tends to be a little…repressive?”
“What does that mean, Eugenie? What does that mean, that strange new word, ‘repressive,’ that I have never heard before?”
“It means…it’s like when you decide to do something, and you get up out of your chair to do it, and you take a step, and then become aware of frosty glances being directed at you from every side.”
“Frosty glances?”
“Your desires are stifled.”
“What desires are you talking about?”
“Just desires in general. Any desires. It’s a whole…I guess atmosphere is the…word…a tendency on the part of the society…”
“You’d better sew some more pillow cases, Eugenie.”
― Donald Barthelme, quote from Sixty Stories
The Dark Light of Da...
Branded by Fire
A Mercy
Cast in Fury
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