“You aren’t running from me, are you?” (Chase)
Her eyes meet mine and she smiles softly. “No. No running.”
“Good,” I say. “Because, regardless of my name, with this hard-on, I don’t think I could chase you.”
― Cheryl McIntyre, quote from Long After
“I think this is what love must be like. That one person that’s always inside your head, running through your thoughts before you even realize you’re thinking about them. That person you like thinking about all the time because the image of her makes you smile. The one that has you counting time by how soon you can see her again. The one that makes you feel good just by sharing the same air. The only one you want to touch your fingertips to and relish the sensation of her skin against yours. To kiss. To really kiss—mouths, lips, tongues, teeth, breaths. Eyes closed and world blocked out.”
― Cheryl McIntyre, quote from Long After
“Oh, joy. It’s going to be that kind of visit,” he says flatly. “Hold on. Let me gather all the fucks I give.” He pats his pockets and then his chest. “Okay, done,” he finishes, holding out empty palms. “What else do you want to complain about?”
― Cheryl McIntyre, quote from Long After
“Nobody is perfect until you fall in love with them.”
― Cheryl McIntyre, quote from Long After
“Love. It turns you into a murder planning lunatic with a penchant for stalking.”
― Cheryl McIntyre, quote from Long After
“I want you to be sure I’m who you want. Because I’m not playing around here. I’m all in. I don’t know if it’s right or wrong, and I’m at the point that I don’t really give a shit anymore. But I’m putting it out there so at least you understand how I feel.”
― Cheryl McIntyre, quote from Long After
“I didn’t kiss you just then because I fucking care about you. I’ve cared about you for a long time. When I kiss you for the first time, it’s not going to be overpowered with grief and trepidation. And you aren’t going to jump when I touch you.” I bring my hand up, grazing it along her cheek. She trembles and I don’t know how to take that. “You can be pissed at me all you want—I’m used to it—as long as you understand that I wanted to kiss you. That it’s a struggle, even right now, to keep myself from tasting you. Shit, Annie. It’s always been a struggle with you. But I want your lips healed. Your heart whole. And I want you to be sure I’m who you want. Because I’m not playing around here. I’m all in. I don’t know if it’s right or wrong, and I’m at the point that I don’t really give a shit anymore. But I’m putting it out there so at least you understand how I feel.” I push”
― Cheryl McIntyre, quote from Long After
“Screw this love shit. I’m done. Love isn’t a cure-all. It’s a fucking disease.”
― Cheryl McIntyre, quote from Long After
“That’s crazy, right? No, there’s crazy, there’s fucked up, and then there’s me. I’m all alone on this level of insanity.”
― Cheryl McIntyre, quote from Long After
Cheryl McIntyre
Born place: in Ohio, The United States
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“Mindfulness is to understand that there is a no moment left to be unhappy.”
― Amit Ray, quote from Mindfulness Living in the Moment - Living in the Breath
“When you are young you believe the world is all yours, glorious and exhilarating and fascinating and full of promise and trumpets and drums and marches and new worlds,” said Charles. “We don’t ask ourselves what we are living for then. We know. But we forget, later, or it all seems a foolish dream.”
― Taylor Caldwell, quote from Captains and the Kings
“I had a lovely childhood in Ireland, riding, hunting, and a great big, bare, draughty house with lots and lots of sun in it. If you’ve had a happy childhood, nobody can take that away from you, can they? It was afterwards—when I grew up—that things seemed always to go wrong.”
― Agatha Christie, quote from A Pocket Full of Rye
“The beauty myth sets it up this way: A high rating as an art object is the most valuable tribute a woman can exact from her lover. If he appreciates her face and body because it is hers, that is next to worthless. It is very neat: The myth contrives to make women offend men by scrutinizing honest appreciation when they give it; it can make men offend women merely by giving them honest appreciation. It can manage to contaminate the sentence "You're beautiful," which is next to "I love you" in expressing a bond of regard between a woman and a man. A man cannot tell a woman that he loves to look at her without risking making her unhappy. If he never tells her, she is destined to be unhappy. And the "luckiest" woman of all, told she is loved because she's "beautiful," is often tormented because she lacks the security of being desired because she looks like who she lovably is.”
― Naomi Wolf, quote from The Beauty Myth
“He seemed to be lying on the bed. He could not see very well. Her youthful, rapacious face, with blackened eyebrows, leaned over him as he sprawled there.
“‘How about my present?’ she demanded, half wheedling, half menacing.
“Never mind that now. To work! Come here. Not a bad mouth. Come here. Come closer. Ah!
“No. No use. Impossible. The will but not the way. The spirit is willing but the flesh is weak. Try again. No. The booze, it must be. See Macbeth. One last try. No, no use. Not this evening, I’m afraid.
“All right, Dora, don’t you worry. You’ll get your two quid all right. We aren’t paying by results.
“He made a clumsy gesture. ‘Here, give us that bottle. That bottle off the dressing-table.’
“Dora brought it. Ah, that’s better. That at least doesn’t fail.”
― George Orwell, quote from Keep the Aspidistra Flying
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