“If it's not difficult, it's not worth it.”
― Carey Heywood, quote from Him
“Ever been so happy for someone and so aware of how lonely their happiness makes you feel at the same time?”
― Carey Heywood, quote from Him
“Please." It's one word, but the way I say it means so much more. Please don’t say anything. Please don’t look at me. Please don’t hurt me. Please just stay away. Please.”
― Carey Heywood, quote from Him
“It's clear he still feels something, but what? Is the whole reason he made such a big deal about wanting to talk to me so he could have a chance to apologize? Well, I don't want his apology. You don't get to break someone's heart and think everything is fine just because you say sorry. That's just not fair.”
― Carey Heywood, quote from Him
“You don’t get to break someone's heart and think everything is fine just because you say sorry. That's just not fair.”
― Carey Heywood, quote from Him
“I excuse myself and go to the ladies’ room. Washing my hands, I give myself a little you
can do this type pep talk. When I walk out, I see him leaned up against the wall opposite the door.
"Long line for the men's room?" I try to joke, moving past him.
His hand circles my wrist, stopping me. I inhale, frozen in place. My back is to him. I don't
try to pull away. I can't move. I just look down at his hand, staring at his damn freckle.
"Sarah."
"What are you playing at, Will?'
"Playing?" He tugs my arm back so I'm facing him. "I promise you this is no game."
"Alright, what do you want from me? Is that better?" I practically spit.
"Everything." He's moved his hands up to hold my biceps. "I want everything from you."
Everything. That one word still breaks my heart when I think back to that night.
My head snaps back as though he's struck me. Don’t cry, just don’t cry. "I gave you
everything once. Now I have nothing left for you."
I pull myself from his grasp and hurry back to the table.”
― Carey Heywood, quote from Him
“not getting away this time, Sarah," he murmurs in my ear. "Aww. That’s sweet and all, but unless you're into golden showers you're going to wanna let me go to the bathroom." He squeezes tighter. "Will, if you make me pee in my big brother's bed I will never forgive you." "Where's the”
― Carey Heywood, quote from Him
Carey Heywood
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“WHAT'S WRONG WITH ASSHOLES, BABY? YOU'VE GOT AN ASSHOLE, I'VE GOT AN ASSHOLE! YOU GO TO THE STORE AND BUY A PORTERHOUSE STEAK, THAT HAD AN ASSHOLE! ASSHOLES COVER THE EARTH! IN A WAY TREES HAVE ASSHOLES BUT YOU CAN'T FIND THEM, THEY JUST DROP THEIR LEAVES. YOUR ASSHOLE, MY ASSHOLE, THE WORLD IS FULL OF BILLIONS OF ASSHOLES. THE PRESIDENT HAS AN ASSHOLE, THE CARWASH BOY HAS AN ASSHOLE, THE JUDGE AND THE MURDERER HAVE ASSHOLES . . . EVEN THE PURPLE STICKINPIN HAS AN ASSHOLE!”
― Charles Bukowski, quote from Post Office
“One of these days Princess, I promise you.”
I turned to scowl at him once more, “I would never be desperate enough to want you.” Okay that was a lie; my breaths were already quickening just feeling his sculpted body pressed against mine.
His smile was slow and sexy, “We'll see.”
― Molly McAdams, quote from Taking Chances
“Where there is great love there are always miracles,' he said at length. 'One might almost say that an apparition is human vision corrected by divine love. I do not see you as you really are, Joseph; I see you through my affection for you. The Miracles of the Church seem to me to rest not so much upon faces or voices or healing power coming suddenly near to us from afar off, but upon our perceptions being made finer, so that for a moment our eyes can see and our ears can hear what is there about us always.”
― Willa Cather, quote from Death Comes for the Archbishop
“Sometimes the truth has difficulty breaching the city walls of our beliefs. A lie, dressed in the correct livery, passes through more easily.”
― Rachel Hartman, quote from Seraphina
“Здрачът изведнъж се спуска върху прозореца. Забулва го с воал от почти невидима дрезгавина. Всичко е още тук както преди — светлината вън, зеленината, жълтите пътища, двете палми в големите саксии от фаянс, небето с облачните фронтове, далечното, сиво и червено гъмжило от покриви в града, зад горите… И нищо не е вече тук както преди — здрачът го е изолирал, покрил го е с лака на преходността, приготвил го е за храна на вълци на нощта — както домакините приготвят печено с кисел сос. Само Изабел е още тук, вкопчила се в последното въже на светлината, но то вече я въвлича в драмата на вечерта, която никога не е била драма, а е драма само защото знаем, че се нарича преходност. Едва откакто сме узнали, че трябва да умрем, и защото знаем това, идилията се е превърнала в драма, кръгът — в копие, развитието — в упадък, викът — в страх, а бягството — в присъда.”
― Erich Maria Remarque, quote from The Black Obelisk
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