“Privatio presupponit habitum"
"Yokluk varlığı şart koşar.”
― François Rabelais, quote from Gargantua
“Ben kendimi duaların buyruğuna sokmam hiçbir zaman. Dualar insan için yapılmıştır, insan dualar için değil."
syf:186”
― François Rabelais, quote from Gargantua
“Gymnastes, Gargantua’ya düşmanın ardına düşmenin gerekli olup olmadığını sordu.
Gargantua şöyle karşılık verdi ona:
“Hiç gerekli değil, çünkü gerçek askerlik sanatı gereğince düşmanı umutsuzluğa düşürmemeliyiz; bıçak kemiğe dayandı mı, düşman yıpranıp tükenmekte olan gücünü ve yüreğini yeniden toparlayıverir. Hiçbir kurtuluş umudu kalmaması, bitmiş tükenmiş insanları diriltip kurtaracak olan ilaçların en iyisidir. Nice zaferler, yenenlerin elinden kaçıp yenilenlerin eline geçmiştir, çünkü yenenler hak ettikleri kadarıyla yetinmeyip her şeyi çiğneyip yok etmeye, düşmanlarını haber götürecek tek kişi bırakmamacasına öldürmeye kalkmışlardır! Düşmanlarınıza kapıları, yolları açın her zaman; hatta gümüşten bir köprü kurun onlara geçip gitmeleri için.”
― François Rabelais, quote from Gargantua
“Knowledge without conscience is but the ruin of the soul.”
― François Rabelais, quote from Gargantua
“Un homme de bien, un homme de bon sens, croit toujours ce qu’on lui dit et ce qu’il trouve dans les livres.”
― François Rabelais, quote from Gargantua
François Rabelais
Born place: in Chinon, France
Born date July 23, 1492
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“What is serious to men is often very trivial in the sight of God. What in God might appear to us as "play" is perhaps what he Himself takes most seriously. At any rate, the Lord plays and diverts Himself in the garden of His creation, and if we could let go of our own obsession with what we think is the meaning of it all, we might be able to hear His call and follow Him in His mysterious, cosmic dance. We do not have to go very far to catch echoes of that game, and of that dancing. When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Bashō we hear an old frog land in a quiet pond with a solitary splash--at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance.
For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things; or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not.
Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance.”
― Thomas Merton, quote from New Seeds of Contemplation
“لقد إتضح في أواخر القرن 20 أن نظامي هتلر و ستالين إنما كانا طريقين فرعيين للتاريخ لم يوصلا إلى شيء، و لم يكونا بديلين حقيقيين للتنظيم الإجتماعي البشري”
― Francis Fukuyama, quote from The End of History and the Last Man
“Why do I need TV when I have forty-eight apartment windows to watch across the vacant lot, and a sliver of Lake Erie? I've seen history out this window. So much. I was four when we moved here in 1919. The fruit-sellers' carts and coal wagons were pulled down the street by horses back then. I used to stand just here and watch the coal brought up by the handsome lad from Groza, the village my parents were born in. Gibb Street was mainly Rumanians back then. It was "Adio" - "Good-bye"- in all the shops when you left. Then the Rumanians started leaving. They weren't the first, or the last. This has always been a working-class neighborhood. It's like a cheap hotel - you stay until you've got enough money to leave.”
― Paul Fleischman, quote from Seedfolks
“When I tell you you’ll fart and pee in your pants with terror.”
― Shi Nai'an, quote from Outlaws of the Marsh
“already know by instinct
we're not comfortably at home
in our translated world.”
― Amitav Ghosh, quote from The Hungry Tide
The Camel Club
The High King
Fighting Destiny
The Inkheart Trilogy...
The Mortal Instrumen...
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