Ronald Takaki · 508 pages
Rating: (3.2K votes)
“I believe our education system as a whole has not integrated the histories of all people into our education system, just the Eurocentric view of itself, and the White-centered view of African Americans, and even this is slim to nonexistent. What I find is that most people don't know the fact they don't know, because of the complete lack of information.”
― Ronald Takaki, quote from A Different Mirror: A History of Multicultural America
“the study of diversity is essential for understanding how and why America became what Walt Whitman called a “teeming nation of nations.”
― Ronald Takaki, quote from A Different Mirror: A History of Multicultural America
“Jefferson exploded with guilt: “The torment of mind, I will endure till the moment shall arrive when I shall not owe a shilling on earth is such really as to render life of little value.”
― Ronald Takaki, quote from A Different Mirror: A History of Multicultural America
“ The whole commerce between master and slave is a perpetual exercise of the most boisterous passions, the most unremitting despotism on the one part, and degrading submissions on the other. Our children see this, and learn to imitate it; for man is an imitative animal. This quality is the germ of all education in him. From his cradle to his grave he is learning to do what he sees others do. If a parent could find no motive either in his philanthropy or his self-love, for restraining the intemperance of passion toward his slave, it should always be a sufficient one that his child is present. But generally it is not sufficient. The parent storms, the child looks on, catches the lineaments of wrath, puts on the same airs in the circle of smaller slaves, gives a loose to his worst of passions, and thus nursed, educated, and daily exercised in tyranny, cannot but be stamped by it with odious peculiarities. The man must be a prodigy who can retain his manners and morals undepraved by such circumstances.”
― Ronald Takaki, quote from A Different Mirror: A History of Multicultural America
“What I find is that most people don’t know the fact that they don’t know, because of the complete lack of information.”4”
― Ronald Takaki, quote from A Different Mirror: A History of Multicultural America
“War is our only recourse. There is no other remedy.”
― Ronald Takaki, quote from A Different Mirror: A History of Multicultural America
“War exists notwithstanding all our efforts to avoid it.”8”
― Ronald Takaki, quote from A Different Mirror: A History of Multicultural America
“In 1852, of the 11,794 Chinese in California, only seven were women.”
― Ronald Takaki, quote from A Different Mirror: A History of Multicultural America
Ronald Takaki
Born place: in Oahu, Hawaii, The United States
Born date April 12, 1939
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“There isn't any fear in existence itself, or any uncertainty, but living creates it.”
― Yukio Mishima, quote from The Sailor Who Fell from Grace with the Sea
“I don’t believe she’ll be available for the rest of the day,” Gabriel said.
“No? Is she in Velora, perhaps? I could go to the school and meet with her there.”
“No, she’s not in Velora.”
Raphael’s voice took on a note of concern. “Is she ill, then? I hope not. Is it a fever?”
“No, not a fever—I mean, she’s not ill at all. She’s just unavailable.”
“Raphael’s face took on a quizzical expression. “She has not been locked in her room, has she? Really, Gabriel—”
― Sharon Shinn, quote from Archangel
“From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster.
All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.)
Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.”
― David Foster Wallace, quote from A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments
“After seventeen days, one of the crew suggested that they cast lots. As it turned out, the lot fell to the man who had originally made the proposal, and after lots were cast again to see who should execute him, he was killed and eaten.”
― Nathaniel Philbrick, quote from In the Heart of the Sea: The Tragedy of the Whaleship Essex
“That evening it was announced that curfew would be postponed until midnight, so that the families of those ‘sent for labour’ would have time to bring them blankets, a change of underwear and food for the journey. This ‘magnanimity’ on the part of the Germans was truly touching, and the Jewish police made much of it in an effort to win our confidence. Not until much later did I learn that the thousand men rounded up in the ghetto had been taken straight to the camp at Treblinka, so that the Germans could test the efficiency of the newly built gas chambers and crematorium furnaces.”
― Władysław Szpilman, quote from The Pianist: The Extraordinary Story of One Man's Survival in Warsaw, 1939–45
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