“If death is your lover, you don't got to be afraid ever that he will ever leave you”
― Francesca Lia Block, quote from Echo
“I wanted him to hold me, to take care of me. To make the pain dissolve away. I know that this was part of what had ruined everything but I wanted it once more anyway.”
― Francesca Lia Block, quote from Echo
“And then I cried a flood of tears as if I really were a mermaid who had absorbed too much sea into herself. The tears spilled like a balm, like a potion, like a charm. In them swam a little girl whose father was dying without ever having seen her. In them swam a girl whose mother’s magic – the only thing the girl envied more than anything else in the world, the thing that had made her invisible, the most precious thing –might be dying too. In them swam a green-haired girl who had never been touched by the boy to whom she was so devoted that she would have lived with him forever in a shack by the sea or a ruined sand castle even if he never made love to her. My tears were for me, but they were also for him. They were to wash away the thing that had frightened him so much so long ago. The wound inside his thigh. My tears poured out of me and he drank them down his throat. He drank them in gulps deep into himself, swallowing sorrow.
Someday,” he said, “when we are ready, I will give you back your tears.”
― Francesca Lia Block, quote from Echo
“Flowers are reincarnation. They come out of the earth of our ashes. Nothing else looks so soul-like.”
― Francesca Lia Block, quote from Echo
“I will not eat cakes or cookies or food. I will be thin, thin, pure. I will be pure and empty. Weight dropping off. Ninety-nine... ninety-five... ninety-two... ninety. Just one more to eighty-nine. Where does it go? Where in the universe does it go?”
― Francesca Lia Block, quote from Echo
“The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.”
― Francesca Lia Block, quote from Echo
“He squinted up at the straining muscular backs of the stone men supporing the dome. "You'll have to take me to some museums," he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country. "But I did see a show of Hopper once. And I like his light. It was kind of lonely or something.
Or, "The world's a mess, it's in my kiss,' like John and Exene say," he mumbled. We were in a leather store on Market Street being punks on acid with skunk-striped hair and steel-toed boots.”
― Francesca Lia Block, quote from Echo
“You’ll have to take me to some museums,” he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men’s rooms across the country.”
― Francesca Lia Block, quote from Echo
“Los proyectos mejor urdidos por ratones y por hombres, como el poeta escocés podría haber dicho, terminan a veces pareciéndose a la merienda de un perro chiflado. El”
― Frederick Forsyth, quote from The Deceiver
“Truth was like an exploding star: violent, glitteringly beautiful. Now that I had seen it, felt it, it was impossible to settle for anything less.”
― Marie Rutkoski, quote from The Shadow Society
“Cos'è l'amore? Ognuno ha una risposta diversa a questa domanda. Questo demone ha tormentato un numero infinito di uomini valorosi e di donne virtuose e capaci.
Basandomi sulle storie d'amore del nonno, sugli amori tempestosi di mio padre e sul pallido deserto delle mie esperienze, ho desunto alcune costanti valide per le tre generazioni della mia famiglia. La prima fase, quella dell'amore ardente, è fatta di dolore lacerante, dal cuore trafitto gocciola un liquido simile alla resina di pino; il sangue versato per le pene d'amore sgorga dallo stomaco, attraversa gli intestini e viene espulso dal corpo sotto forma di feci nere come la pece. La seconda fase, quella dell'amore crudele, è la fase della critica impietosa; gli innamorati adorano scorticarsi vivi sul piano fisico, psicologico, spirituale e materiale; adorano strapparsi a vicenda le vene, i muscoli, gli organi e infine il cuore nero o rosso, e gettarlo in faccia all'altro, facendo sì che i due cuori si scontrino e vadano in pezzi. La terza fase, o dell'amore di ghiaccio, è caratterizzata da lunghi silenzi. La freddezza trasforma gli amanti in ghiaccioli. E' per questo che quelli che amano veramente hanno il viso bianco come brina e una temperatura corporea di venticinque gradi. Battono i denti senza riuscire a parlare, non perché non lo vogliano ma perché hanno disimparato, e agli altri danno l'impressione di esser muti.”
― Mo Yan, quote from Red Sorghum
“What happened?" I asked, squinting at his face.
Cole glanced at Max. "I wanted to jump in after you. Max disagreed with the appropriateness of that reaction. And then his face ran into my fist.”
― Brodi Ashton, quote from Everbound
“There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters. ”
― Neil Gaiman, quote from The Books of Magic
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