“If death is your lover, you don't got to be afraid ever that he will ever leave you”
― Francesca Lia Block, quote from Echo
“I wanted him to hold me, to take care of me. To make the pain dissolve away. I know that this was part of what had ruined everything but I wanted it once more anyway.”
― Francesca Lia Block, quote from Echo
“And then I cried a flood of tears as if I really were a mermaid who had absorbed too much sea into herself. The tears spilled like a balm, like a potion, like a charm. In them swam a little girl whose father was dying without ever having seen her. In them swam a girl whose mother’s magic – the only thing the girl envied more than anything else in the world, the thing that had made her invisible, the most precious thing –might be dying too. In them swam a green-haired girl who had never been touched by the boy to whom she was so devoted that she would have lived with him forever in a shack by the sea or a ruined sand castle even if he never made love to her. My tears were for me, but they were also for him. They were to wash away the thing that had frightened him so much so long ago. The wound inside his thigh. My tears poured out of me and he drank them down his throat. He drank them in gulps deep into himself, swallowing sorrow.
Someday,” he said, “when we are ready, I will give you back your tears.”
― Francesca Lia Block, quote from Echo
“Flowers are reincarnation. They come out of the earth of our ashes. Nothing else looks so soul-like.”
― Francesca Lia Block, quote from Echo
“I will not eat cakes or cookies or food. I will be thin, thin, pure. I will be pure and empty. Weight dropping off. Ninety-nine... ninety-five... ninety-two... ninety. Just one more to eighty-nine. Where does it go? Where in the universe does it go?”
― Francesca Lia Block, quote from Echo
“The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.”
― Francesca Lia Block, quote from Echo
“He squinted up at the straining muscular backs of the stone men supporing the dome. "You'll have to take me to some museums," he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country. "But I did see a show of Hopper once. And I like his light. It was kind of lonely or something.
Or, "The world's a mess, it's in my kiss,' like John and Exene say," he mumbled. We were in a leather store on Market Street being punks on acid with skunk-striped hair and steel-toed boots.”
― Francesca Lia Block, quote from Echo
“You’ll have to take me to some museums,” he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men’s rooms across the country.”
― Francesca Lia Block, quote from Echo
“That period had been the peak of his life, though he had not realized it then. It had gone by without time for reflection, ending while he was still thinking things were going to get better.”
― Leonard Gardner, quote from Fat City
“Literature...describes a descent. First, gods. Then demigods. Then epic became tragedy: failed kings, failed heroes. Then the gentry. Then the middle class and its mercantile dreams. Then it was about you--Gina, Gilda: social realism. Then it was about them: lowlife. Villains. The ironic age...Literature, for a while, can be about us...:about writers. But that won't last long. How do we burst clear of all this? And he asked them: Whither the novel? ... Supposing...that the progress of literature (downward) was forced in that direction by the progress of cosmology (upward--up, up). For human beings, the history of cosmology is the history of increasing humiliation. Always hysterically but less and less fiercely resisted, as one illusion after another fell away.”
― Martin Amis, quote from The Information
“But it was never over for me; I never quite found my way out. Sorrow was my constant companion, even though I no longer wept. It was the shadow that followed me on sunny days, the weight pressing down upon my spirits on cloudy ones.”
― Melanie Benjamin, quote from The Aviator's Wife
“The more I dealt with adults, the less I wanted to be one.”
― Alan Bradley, quote from As Chimney Sweepers Come to Dust
“We could speak about the meaning of life vis-a-vis non-consequential/deontological theories, apodictic transformation schemata, the incoherence of exemplification, metaphysical realism, Cartesian interactive dualism, revised non reductive dualism, postmodernist grammatology and dicey dichotomies. But we would still be left with Nietzsche's preposterous mustache which instills great anguish and skepticism in the brain, which leads (as it did in his case) to utter madness. I suggest we go to Paris instead. ”
― Maira Kalman, quote from The Principles of Uncertainty
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