“If death is your lover, you don't got to be afraid ever that he will ever leave you”
― Francesca Lia Block, quote from Echo
“I wanted him to hold me, to take care of me. To make the pain dissolve away. I know that this was part of what had ruined everything but I wanted it once more anyway.”
― Francesca Lia Block, quote from Echo
“And then I cried a flood of tears as if I really were a mermaid who had absorbed too much sea into herself. The tears spilled like a balm, like a potion, like a charm. In them swam a little girl whose father was dying without ever having seen her. In them swam a girl whose mother’s magic – the only thing the girl envied more than anything else in the world, the thing that had made her invisible, the most precious thing –might be dying too. In them swam a green-haired girl who had never been touched by the boy to whom she was so devoted that she would have lived with him forever in a shack by the sea or a ruined sand castle even if he never made love to her. My tears were for me, but they were also for him. They were to wash away the thing that had frightened him so much so long ago. The wound inside his thigh. My tears poured out of me and he drank them down his throat. He drank them in gulps deep into himself, swallowing sorrow.
Someday,” he said, “when we are ready, I will give you back your tears.”
― Francesca Lia Block, quote from Echo
“Flowers are reincarnation. They come out of the earth of our ashes. Nothing else looks so soul-like.”
― Francesca Lia Block, quote from Echo
“I will not eat cakes or cookies or food. I will be thin, thin, pure. I will be pure and empty. Weight dropping off. Ninety-nine... ninety-five... ninety-two... ninety. Just one more to eighty-nine. Where does it go? Where in the universe does it go?”
― Francesca Lia Block, quote from Echo
“The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.”
― Francesca Lia Block, quote from Echo
“He squinted up at the straining muscular backs of the stone men supporing the dome. "You'll have to take me to some museums," he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country. "But I did see a show of Hopper once. And I like his light. It was kind of lonely or something.
Or, "The world's a mess, it's in my kiss,' like John and Exene say," he mumbled. We were in a leather store on Market Street being punks on acid with skunk-striped hair and steel-toed boots.”
― Francesca Lia Block, quote from Echo
“You’ll have to take me to some museums,” he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men’s rooms across the country.”
― Francesca Lia Block, quote from Echo
Francesca Lia Block
Born place: in Los Angeles, The United States
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“Hope was always out ahead of fact, possibility obscured the outlines of reality.”
― Wallace Stegner, quote from Angle of Repose
“Rhage's hand landed on Butch's shoulder. "Besides, you don't look a thing like him. I mean...hello? You're this beefy Irish boy. He's like...bus exhaust or some shit.”
― J.R. Ward, quote from Lover Revealed
“Sometimes, instead of going down the road less taken, you just charge down the beaten path.”
― Charlaine Harris, quote from Club Dead
“The repetitive phases of cooking leave plenty of mental space for reflection, and as I chopped and minced and sliced I thought about the rhythms of cooking, one of which involves destroying the order of the things we bring from nature into our kitchens, only to then create from them a new order. We butcher, grind, chop, grate, mince, and liquefy raw ingredients, breaking down formerly living things so that we might recombine them in new, more cultivated forms. When you think about it, this is the same rhythm, once removed, that governs all eating in nature, which invariably entails the destruction of certain living things, by chewing and then digestion, in order to sustain other living things. In The Hungry Soul Leon Kass calls this the great paradox of eating: 'that to preserve their life and form living things necessarily destroy life and form.' If there is any shame in that destruction, only we humans seem to feel it, and then only on occasion. But cooking doesn't only distance us from our destructiveness, turning the pile of blood and guts into a savory salami, it also symbolically redeems it, making good our karmic debts: Look what good, what beauty, can come of this! Putting a great dish on the table is our way of celebrating the wonders of form we humans can create from this matter--this quantity of sacrificed life--just before the body takes its first destructive bite.”
― Michael Pollan, quote from The Omnivore's Dilemma: A Natural History of Four Meals
“That's when I heard the sounds of a certified genius spinning around in circles like a dog chasing its tail.”
― Ally Carter, quote from I'd Tell You I Love You, But Then I'd Have to Kill You
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