Quotes from River of Stars

Guy Gavriel Kay ·  656 pages

Rating: (5.2K votes)


“There are so many stories, she thinks, and most of them end up lost.”
― Guy Gavriel Kay, quote from River of Stars


“We are not gods. We make mistakes. We do not live very long.

Sometimes someone grinds ink, mixes it with water, arranges paper, takes up a brush to record our time, our days, and we are given another life in those words.”
― Guy Gavriel Kay, quote from River of Stars


“Some writers later, describing the events of that night and day, wrote that Wan'yen of the Altai had seen a spirit-dragon of the river and become afraid. Writers do that sort of thing. They like dragons in their tales.”
― Guy Gavriel Kay, quote from River of Stars


“Lazy poets try to elicit a reader's response with words designed to tug at the heart.”
― Guy Gavriel Kay, quote from River of Stars


“He wasn't a poet, not everyone is.”
― Guy Gavriel Kay, quote from River of Stars



“A writer’s brush is a warrior’s bow, the letters it shapes are arrows that must hit the mark on the page. The calligrapher is an archer, or a general on a battlefield. Someone wrote that long ago. She feels that way this morning. She is at war.”
― Guy Gavriel Kay, quote from River of Stars


“He didn't look back but he knew his wife and his brother's wife, all the women of the house, would be flying, as if into battle, to make East Slope as ready as it could ever be for what had arrived.”
― Guy Gavriel Kay, quote from River of Stars


“You're too clever to be a soldier." Then she shook her head. "Don't say it. I know. We need our soldiers to be clever. I do know."

"Thank you," he murmured. "You can do all of the conversation. Make it easier for me.”
― Guy Gavriel Kay, quote from River of Stars


“It had taken skill, tact, an ability to choose friends well, and a great deal of luck”
― Guy Gavriel Kay, quote from River of Stars


“Ambitions and dreams put you at a drinking table with unexpected companions. Cups were filled and refilled, making you drunk with the illusion of changing the world.”
― Guy Gavriel Kay, quote from River of Stars



“You’d never killed anyone. Then you had.”
― Guy Gavriel Kay, quote from River of Stars


“I cannot speak for those who come after, or what the world will be. We are not made that way.”
― Guy Gavriel Kay, quote from River of Stars


“It is not easy, she thinks, to make your way in the world while insisting on a new path.”
― Guy Gavriel Kay, quote from River of Stars


“It was different, though, knowing something in your thoughts and then hearing it confirmed, made real, planted in the world like a tree”
― Guy Gavriel Kay, quote from River of Stars


“Not every man or woman sailing down the river will be a figure of force or significance. Some are merely in the boat with all of us.”
― Guy Gavriel Kay, quote from River of Stars



“It had taken skill, tact, an ability to choose friends well, and a great deal of luck... Luck was always part of it, one way or another”
― Guy Gavriel Kay, quote from River of Stars


“Lin Kuo himself would have said that his legacy was his daughter. Or no. He’d have believed that, but never voiced the thought, for fear of putting a burden of such weight upon her shoulders, which would be an improper thing to do to anyone, let alone a child so dearly loved from the beginning of her days to the end of his.”
― Guy Gavriel Kay, quote from River of Stars


About the author

Guy Gavriel Kay
Born place: in Weyburn, Saskatchewan, Canada
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Popular quotes

“Not as others had wanted to learn, for power or excitement, or for the prosecution of some enmity or private greed; but because he had seen, darkly with a child's eyes, how the gods move with the winds and speak with the sea and sleep in the gentle herbs; and how God himself is in the sum of all that is on the face of the lovely earth.”
― Mary Stewart, quote from The Last Enchantment


“The Dying Man"

in memoriam W.B. Yeats

1. His words

I heard a dying man
Say to his gathered kin,
“My soul’s hung out to dry,
Like a fresh salted skin;
I doubt I’ll use it again.

“What’s done is yet to come;
The flesh deserts the bone,
But a kiss widens the rose
I know, as the dying know
Eternity is Now.

“A man sees, as he dies,
Death’s possibilities;
My heart sways with the world.
I am that final thing,
A man learning to sing.

2. What Now?

Caught in the dying light,
I thought myself reborn.
My hand turn into hooves.
I wear the leaden weight
Of what I did not do.

Places great with their dead,
The mire, the sodden wood,
Remind me to stay alive.
I am the clumsy man
The instant ages on.

I burned the flesh away,
In love, in lively May.
I turn my look upon
Another shape than hers
Now, as the casement blurs.

In the worst night of my will,
I dared to question all,
And would the same again.
What’s beating at the gate?
Who’s come can wait.

3. The Wall

A ghost comes out of the unconscious mind
To grope my sill: It moans to be reborn!
The figure at my back is not my friend;
The hand upon my shoulder turns to horn.
I found my father when I did my work,
Only to lose myself in this small dark.

Though it reject dry borders of the seen,
What sensual eye can keep and image pure,
Leaning across a sill to greet the dawn?
A slow growth is a hard thing to endure.
When figures our of obscure shadow rave,
All sensual love’s but dancing on a grave.

The wall has entered: I must love the wall,
A madman staring at perpetual night,
A spirit raging at the visible.
I breathe alone until my dark is bright.
Dawn’s where the white is. Who would know the dawn
When there’s a dazzling dark behind the sun.

4. The Exulting

Once I delighted in a single tree;
The loose air sent me running like a child–
I love the world; I want more than the world,
Or after image of the inner eye.
Flesh cries to flesh, and bone cries out to bone;
I die into this life, alone yet not alone.

Was it a god his suffering renewed?–
I saw my father shrinking in his skin;
He turned his face: there was another man,
Walking the edge, loquacious, unafraid.
He quivered like a bird in birdless air,
Yet dared to fix his vision anywhere.

Fish feed on fish, according to their need:
My enemies renew me, and my blood
Beats slower in my careless solitude.
I bare a wound, and dare myself to bleed.
I think a bird, and it begins to fly.
By dying daily, I have come to be.

All exultation is a dangerous thing.
I see you, love, I see you in a dream;
I hear a noise of bees, a trellis hum,
And that slow humming rises into song.
A breath is but a breath: I have the earth;
I shall undo all dying with my death.

5. They Sing, They Sing

All women loved dance in a dying light–
The moon’s my mother: how I love the moon!
Out of her place she comes, a dolphin one,
Then settles back to shade and the long night.
A beast cries out as if its flesh were torn,
And that cry takes me back where I was born.

Who thought love but a motion in the mind?
Am I but nothing, leaning towards a thing?
I scare myself with sighing, or I’ll sing;
Descend O gentlest light, descend, descend.
I sweet field far ahead, I hear your birds,
They sing, they sing, but still in minor thirds.

I’ve the lark’s word for it, who sings alone:
What’s seen recededs; Forever’s what we know!–
Eternity defined, and strewn with straw,
The fury of the slug beneath the stone.
The vision moves, and yet remains the same.
In heaven’s praise, I dread the thing I am.

The edges of the summit still appall
When we brood on the dead or the beloved;
Nor can imagination do it all
In this last place of light: he dares to live
Who stops being a bird, yet beats his wings
Against the immense immeasurable emptiness of things.”
― Theodore Roethke, quote from The Collected Poems


“I have been conditioned by Philip Morris," he said with a smile.”
― John Joseph Adams, quote from The Living Dead


“Olivia," he sighed as he held her tight against him. "I like the way you leap."

For once her laughter was free and easy. "And I like the way you catch me when I land.”
― Marie Force, quote from Everyone Loves a Hero


“At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep - just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don't do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life's length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression: instead, it is all there is.”
― Annie Dillard, quote from Teaching a Stone to Talk: Expeditions and Encounters


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