Revolutionary Road
Quotes from the Book
Dying for love might be pitiable, but it wasn't much different, finally, from any other kind of dying.
34
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it. "I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear. "Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well." Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes. And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us." But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair. "Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
8
Some things you did were worth regretting; others not.
8
And you know what else I used to love? I loved to watch you get into your car and drive away - just because it meant you knew exactly what you were doing, and because you always did it so well.
7
Rachel became slowly aware now, even while talking and listening to her own voice, that there might well be something universal about the pleasure a grown girl could take in disparaging her mother.
6
The movies were wonderful because they took you out of yourself, and at the same time they gave you a sense of being whole. Things of the world might serve to remind you at every turn that your life was snarled and perilously incomplete, that terror would never be far from possession of your heart, but those perceptions would nearly always vanish, if only for a little while, in the cool and nicely scented darkness of any movie house, anywhere.
6
There was probably nothing to be done about a woman like this. Dying for love might be pitiable, but it wasn't much different, finally, from any other kind of dying.
6
Anybody's marriage might benefit from an occasional embargo on talk.
6
Will you call me?" she asked helplessly. "Will you call me again, Evan?" "Well of course I will," he said, looking back to smile at her in a way that would soon become habitual: a mixture of pity, fond teasing, and readiness for love.
6
Surely the man was too old to be her boyfriend - he looked about fifty - but maybe he took a fatherly interest in her; maybe she had come to rely on his plain, straightforward advice in meeting the various uncertainties of her young life.
5
Oh, Jesus, it was the loveliest and most terrible thing he'd ever seen; it was the source of the world; and his shame was so immediate that he let the fabric slip back into place after only a second or two.
5
I seem to have to lost confidence in just about everything else. I've come to believe that only a very, very few matters in the world can ever be trusted to make sense.
5
Warren Cox, God knew, was no prize; a commercial person, a sales person, the kind of man who said things like "x numbers of dollars". At lunch today, laboriously trying to explain some business procedure, he had said "x number of dollars" three times.
5
He knew it was possible for shame to be nursed and doctored like an illness, if you wanted to keep it separate from the rest of your life, but that didn't mean there'd be any way to keep from knowing it was there.
5
There's never been anything funny about a woman dying for love.
5
And maybe things like this really did get better of their own accord, if you gave them time; maybe all you could ever do, beyond suffering, was wait and see what might be going to happen next.
5
If you lived like a proletarian long enough, among proletarians, weren’t you almost certain to become a proletarian too?
4
All her life, from the time she was eight or nine years old, Gloria had relied on a neat, nearly automatic little trick of her mind for adjusting to minor disappointments. When you opened the bright wrappings of some meager or poorly chosen gift, you simply let your mind tell you it was just what you wanted; that way you could always make the right response, and you could even believe it.
4
Rachel was a girl who depended on small, recurrent rituals - that was one of the things he'd come to know about her, and his very ability to identify so specific a trait made him proud of his own capacity for tenderness.
2
On nights when Gloria stayed up late enough to see Rachel come dreamily home she was always unsettled by the girl's appearance: clothes crushed and hair awry, eyes dazed and mouth swollen, with the lipstick eaten away. Love was often said to be torment, but Rachel could make it seem like punishment as well.
2
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About Richard Yates
More by Richard Yates
Revolutionary Road
Eleven Kinds of Loneliness
About the book
When the Shepards' car breaks down in pre-War New York City, a chain of events is set in motion that will transform the lives of the beautiful but stupid Evan Shepard, his doomed lover Rachel, and both their families. Fated to play out the mistakes of their parents, Evan and Rachel quickly discover the betrayal behind the dream, and desperately try every avenue of escape, only to find that all paths lead back to the small Long Island coastal town of Cold Spring Harbor, and to each other. But if there is no better chronicler than Yates of the quiet tragedy of thwarted suburban lives, Cold Spring Harbor is a testament to the absolute necessity of dreaming; for Yates's protagonists, hope may be all there is.
Book details
- First published
- 1986
- Author
- Richard Yates
- Genre
- Fiction
- Goodreads rating
- 3.72 (3k ratings)
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