“The sidesaddle was designed to protect a maiden's virginity, while risking the maiden's neck. Rather much for rather little, I thought.”
― Sheri S. Tepper, quote from Beauty
“You have to notice people to be that sure about them.”
― Sheri S. Tepper, quote from Beauty
“And in the end, unable to feel terror, mankind will go, we will all go down, down, down to happyland.”
― Sheri S. Tepper, quote from Beauty
“Le he pedido a Bill que me lo explicara y él me ha hablado del crecimiento demográfico y la Iglesia católica y la lluvia ácida y la destrucción de los bosques tropicales para conseguir más comida. Todo el mundo discute sobre el tema, me ha dicho. Los economistas y hombres de negocios dicen que nada va mal. Los ecologistas y expertos en población dicen que se acerca el final. Mientras discuten, las cosas seguirán con la misma tendencia hasta que lleguemos al punto sin retorno, que será en algún momento de los próximos cien años. A partir de entonces, no habrá más espacio al aire libre porque cada centímetro cuadrado de tierra será necesario para producir comida.”
― Sheri S. Tepper, quote from Beauty
“Me ha hablado de la "presión social", lo que por lo visto quiere decir dejar que los demás te dirijan la vida.”
― Sheri S. Tepper, quote from Beauty
Sheri S. Tepper
Born place: in Littleton, Colorado
Born date July 16, 1929
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“Morality is more than what it evolved to be.”
― Joshua D. Greene, quote from Moral Tribes: Emotion, Reason, and the Gap Between Us and Them
“A tired operator and an energized monitor create a problematic imbalance in the mind. As the monitor searches for forbidden content, it continuously brings to mind what it is searching for. Neuroscientists have shown that the brain is constantly processing the forbidden content just outside of conscious awareness. The result: You become primed to think, feel, or do whatever you are trying to avoid.”
― Kelly McGonigal, quote from The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do to Get More of It
“During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling.
I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan.
I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster.
‘Delicious,’ he’d say, commenting on the food before even trying it.”
― quote from Today I'm Alice: Nine Personalities, One Tortured Mind
“What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.
What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?
There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.
For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.
Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.”
― Théophile Gautier, quote from Mademoiselle de Maupin
“You're beautiful, but you're empty. No one could die for you.”
― Antoine de Saint-Exupéry, quote from Der kleine Prinz
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