“People were always saying to Margaret, 'Well, Julia sings and Betsy writes. Now what is little Margaret going to do?' Margaret would smile politely, for she was very polite, but privately she stormed to Betsy with flashing eyes, 'I'm not going to do anything. I want to just live. Can't people just live?”
― Maud Hart Lovelace, quote from Betsy and Joe
“Then he kissed her. Betsy didn't believe in letting boys kiss you. She thought it was silly to be letting first this boy and then that one kiss you, when it didn't mean a thing. But it was wonderful when Joe Willard kissed her. And it did mean a thing.”
― Maud Hart Lovelace, quote from Betsy and Joe
“Say, you told me you thought Les Miserables was the greatest novel ever written. I think Vanity Fair is the greatest. Let's fight. - Joe Willard”
― Maud Hart Lovelace, quote from Betsy and Joe
“I've got to stop thinking about myself so much--about how I look, how I'm impressing someone, whether I'm popular or not. I've got to start thinking about other people, all the people I meet.”
― Maud Hart Lovelace, quote from Betsy and Joe
“The older I get the more mixed up life seems. When you're little, it's all so plain. It's all laid out like a game ready to play. You think you know exactly how it's going to go. But things happen...”
― Maud Hart Lovelace, quote from Betsy and Joe
“You don't grow up, she reasoned now, until you begin to evaluate yourself, to recognize your good traits and acknowledge that you have a few faults.”
― Maud Hart Lovelace, quote from Betsy and Joe
“After Commencement Day, the world!" Joe said. "With Betsy.”
― Maud Hart Lovelace, quote from Betsy and Joe
Maud Hart Lovelace
Born place: in Mankato, MN, The United States
Born date April 25, 1892
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“If you are here because you think writing will always be fun, you're in for a disappointment. Writing -- real writing -- is among the most difficult work you will ever face in your life. The irony is that the harder you work at it, the harder it gets.”
― M. Molly Backes, quote from The Princesses of Iowa
“Jim, because he was angry even back then and trying to control it, she felt, and Bob because his heart was big. She didn’t care much for Susan. “Nobody did, far as I know,” she said.”
― Elizabeth Strout, quote from The Burgess Boys
“I felt like that kite. Hanging on by a slender thread, with no certainty or control over which direction life would turn me next.”
― Tracy Brogan, quote from Crazy Little Thing
“Mary has produced, together with the Holy Ghost, the greatest thing which has been or ever will be—a God-Man; and she will consequently produce the greatest saints that there will be in the end of time.”
― St. Louis de Montfort, quote from True Devotion to Mary
“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
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