“We must be what we are, or we become our enemies. ”
― Guy Gavriel Kay, quote from A Song for Arbonne
“For all his frustrations and his chronic sense of being overburdened. He was proud of that; he’d always felt that it was worth doing a task properly if it was worth doing at all. That was part of his problem, of course; that was why he ended up with so much to do. It was also the source of his own particular pride: he knew--and he was certain they knew that there was no one else who could handle details such as these as well as he.”
― Guy Gavriel Kay, quote from A Song for Arbonne
“Even the birds above the lake
Are singing of my love,
And even the flowers along the shore
Are growing for her sake.
All the vines are ripening
And the trees come into bud,
For my love's footsteps passing by
Are summoning the spring.
Rian's stars in the night
Shine more brightly over her,
The god's moon and the goddess's
Guard her with their light.
Even the birds above the lake
Are singing of my love,
And even the flowers along the shore
Are growing for her sake”
― Guy Gavriel Kay, quote from A Song for Arbonne
“Rudel Correze is far from the first to seek to aid me in my passage to Rian. But I find myself still among the living, and I have discovered that I value this world for itself, not merely as a matter for someone's song. I love it for its heady wines and its battles, for the beauty of its women and their generosity and their pride, for the companionship of brave men and clever ones, the promise of spring in the depths of winter and the even surer promise that Rian and Corannos are waiting for us, whatever we may do. And I find now, your highness, long past the fires of my heart's youth and yours, that there is one thing I love more, even more than the music that remains my release from pain.'
'Love, de Talair? This is a word I did not expect to hear from you. I was told you foreswore it more than twenty years ago. The whole world was speaking of that. This much I am certain I remember. My information, so far distant in our cold north, seems to have been wrong in yet another matter. What is the one thing, then, my lord duke? What is it you still love?'
'Arbonne.”
― Guy Gavriel Kay, quote from A Song for Arbonne
“He was still on his feet, and before him was a man who stood in the path of...what? Of a great many things, his own dream of Gorhaut not least of all. Of what his home should be, in the eyes of the world, in the sight of Corannos, in his own soul. He had said this two nights ago, words very like this, King Daufridi of Valensa. He's been asked if he loved his country.
He did. He loved it with a heart that ached like an old man's fingers in rain, hurting for the Gorhaut of his own vision, a land worthy of the god who had chosen it, and of the honour of men. Not a place of scheming wiles, of a degraded, sensuously corrupt king, of people dispossessed of their lands by a cowardly treaty, or of ugly designs under the false, perverted aegis of Corannos for nothing less than annihilation here south of the mountains.”
― Guy Gavriel Kay, quote from A Song for Arbonne
“Anxious, inexperienced writers obey rules. Rebellious, unschooled writers break rules. Artists master the form.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“Space doesn't just encompass the sublime and the ridiculous. It erases the line between.”
― Mary Roach, quote from Packing for Mars: The Curious Science of Life in the Void
“I found myself within a forest dark, for the straightfoward pathway had been lost. Ah me! How hard a thing is to say, what was this forest savage, rough, and stern, which in the very thought renews the fear. So bitter is it, death is little more...”
― Dante Alighieri, quote from La Divina Comedia
“It is said that in breathing man recapitulates the rhythm of the universe. When the mind is fastened to the rhythm of breathing, it tends to become absorbed and calm. Whether on or off the court, I know of no better way to begin to deal with anxiety than to place the mind on one’s breathing process.”
― W. Timothy Gallwey, quote from The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance
“If you talk to these extraordinary people, you find that they all understand this at one level or another. They may be unfamiliar with the concept of cognitive adaptability, but they seldom buy into the idea that they have reached the peak of their fields because they were the lucky winners of some genetic lottery. They know what is required to develop the extraordinary skills that they possess because they have experienced it firsthand. One of my favorite testimonies on this topic came from Ray Allen, a ten-time All-Star in the National Basketball Association and the greatest three-point shooter in the history of that league. Some years back, ESPN columnist Jackie MacMullan wrote an article about Allen as he was approaching his record for most three-point shots made. In talking with Allen for that story, MacMullan mentioned that another basketball commentator had said that Allen was born with a shooting touch—in other words, an innate gift for three-pointers. Allen did not agree. “I’ve argued this with a lot of people in my life,” he told MacMullan. “When people say God blessed me with a beautiful jump shot, it really pisses me off. I tell those people, ‘Don’t undermine the work I’ve put in every day.’ Not some days. Every day. Ask anyone who has been on a team with me who shoots the most. Go back to Seattle and Milwaukee, and ask them. The answer is me.” And, indeed, as MacMullan noted, if you talk to Allen’s high school basketball coach you will find that Allen’s jump shot was not noticeably better than his teammates’ jump shots back then; in fact, it was poor. But Allen took control, and over time, with hard work and dedication, he transformed his jump shot into one so graceful and natural that people assumed he was born with it. He took advantage of his gift—his real gift. ABOUT”
― K. Anders Ericsson, quote from Peak: Secrets from the New Science of Expertise
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