“That was the only decision there was once upon a time: what to do with the night.”
― Harry Crews, quote from A Feast of Snakes
“She felt the snake between her breasts, felt him there, and loved him there, coiled, the deep tumescent S held rigid, ready to strike. She loved the way the snake looked sewn onto her V-neck letter sweater, his hard diamondback pattern shining in the sun. It was unseasonably hot, almost sixty degrees, for early November in Mystic, Georgia, and she could smell the light musk of her own sweat. She liked the sweat, liked the way it felt, slick as oil, in all the joints of her body, her bones, in the firm sliding muscles, tensed and locked now, ready to spring--to strike--when the band behind her fired up the school song: "Fight On Deadly Rattlers of Old Mystic High.”
― Harry Crews, quote from A Feast of Snakes
“White people were dangerous and snakes were dangerous and now the two were working together, each doing what the other told it to. She was sure she had seen a snake in a weeded ditch with the head of a white man. Right after she came out of the house on the way to Big Joe's, which she had immediately forgotten, she saw it, long and black and diamond-patterned in the ditch with a white man's head. It had blue eyes. The bluest eyes any white man ever had. She was sure she had seen it. She thought she had seen it. Maybe it was only a dream or a memory of another time. Whatever it was, she still saw it every time she closed her eyes, coiled there on the back of her eyelids, blue-eyed and dangerous.”
― Harry Crews, quote from A Feast of Snakes
“He knew and accepted for the first time that things would not be different tomorrow. Or ever. Things got different for some people. But for some they did not. There were a lot of things you could do though. One of them was to go nuts trying to pretend things would someday be different.”
― Harry Crews, quote from A Feast of Snakes
“It was not any one thing that scared him. It was everything. It was his life. His life terrified him. He didn't see how he was going to get through the rest of it.”
― Harry Crews, quote from A Feast of Snakes
“Joe Lon and Willard slipped out of their shirts. Willard flipped over and walked around in the dirt on his hands. Joe Lon took the bottle of whiskey out of his back pocket, set it carefully on the step of the Winnebago, checking out Susan Gender's red pants again as he did. Then he went into a steady handstand and did six dips, his nose just short of the dirt each time he went down. They both came off their hands and looked at Duffy.
"I'm impressed," said Duffy, shortly. "What the hell are you, gymnasts?"
"Drunks," said Joe Lon picking up the bottle.”
― Harry Crews, quote from A Feast of Snakes
“He did not know what love was. And he did not know what good it was. But he knew he carried with him, a scabrous spot of rot, of contagion, for which there was no cure. Rage would not cure it. Indulgence made it worse, flamed it, made it grow like cancer. And it had ruined his life. Not now, not in this moment. Long before. The world had seemed a good and liveable place. Brutal, yes. but there was a certain joy in that. The brutality on the football fields, in the tonks, was celebration. Men were maimed without malice, sometimes--often even--in friendship. Lonely, yes. Running was lonely. Sweat was lonely. The pain of preparation was lonely. There's no way to share a pulled hamstring with somebody else. There's no way to farm out part of a twisted knee. But who in god's name ever assumed otherwise? Once you know that it was all bearable”
― Harry Crews, quote from A Feast of Snakes
“Of what use was it to be loved and lose one's beauty and become Real if it all ended like this? And a tear, a real tear, trickled down his little shabby velvet nose and fell to the ground.”
― Margery Williams Bianco, quote from The Velveteen Rabbit
“Even betting against myself, I could always find a way to lose.”
― Jonathan Tropper, quote from How To Talk To A Widower
“Perhaps I’m one of those novels where you have to keep turning the page until the very end to understand the meaning.”
― Brittainy C. Cherry, quote from The Gravity of Us
“There were, in Feo's experience, five kinds of cold. There was wind cold, which Feo barely felt. It was fussy and loud and turned your cheeks as red as if you'd been slapped, but couldn't kill you even if it tried. There was snow cold, which plucked at your arms and chapped your lips, but brought real rewards. It was Feo's favorite weather: The snow was soft and good for making snow wolves. There was ice cold, which might take the skin off your palm if you let it, but probably wouldn't if you were careful. Ice cold smelled sharp and knowing. It often came with blue skies and was good for skating. Feo had respect for ice cold. Then there was hard cold, which was when the ice cold got deeper and deeper until at the end of a month you couldn't remember if the summer had ever really existed. Hard cold could be cruel. Birds died in midflight. It was the kind of cold that you booted and kicked your way through.
And then there was blind cold. Blind cold smelled of metal and granite. It took all the sense out of your brain and blew the snow into your eyes until they were glued shut and you had to rub spit into them before they would blink. Blind cold was forty degrees below zero. This was the kind of cold that you didn't sit down to think in, unless you wanted to be found dead in the same place in May or June.
Feo had felt blind cold only once.”
― Katherine Rundell, quote from The Wolf Wilder
“Once the moon gets to be full somebody - some man or other - goes up every day and slices bits of one side until there isn't any more,and then after a bit a new one grows. Men do that with all sorts of things, actually - rose bushes for instance.... The man who slices the bits off brings them down here and then they're used for making those lights on the cars. Clever isn't it... They only last about one night, I should think, because you hardly ever see them shining by day.”
― Richard Adams, quote from The Plague Dogs
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