“... je t'emmènerais dans une contrée resplendissante et prospère, au foyer d'une famille aristocratique des lettrés, fastueux domaine où abondent les fleurs et les saules, terroir de la douceur, de richesse et d'honneurs, pour t'installer dans la joie et en toute sécurité.
Cao Xueqin, "Le Rêve dans le pavillon rouge", trad, fr. par Li Tche-Houa, J. Alézaïs, révision par A. D'Hormon, Paris, Gallimard, "Bibliothèque de la Pléiade", 1981, vol. 1, p. 8.”
― Cao Xueqin, quote from A Dream of Red Mansions
Cao Xueqin
Born place: Nanjing, China
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“You mean we won't get to run through burning buildings?" I could see he wanted to laugh, but instead he watched me intently. "What? Why are you staring at me?"
"I'm not staring. I'm observing."
I smiled through my tears. "And what do you observe?"
He brushed his lips against my ear. "A brave young woman who has always fought for what was right, even when it was unpopular. A woman who can't return to the land of her birth, but is wlcome to cross the seas and rebuild Alexandria in mine. And a woman who has suffered enough in Rome and deserves happiness for a change. Will you come to Mauretania and be my queen?"
He drew back to look at me, but I held him closer. "Yes."
"Just yes?"
I nodded and pressed my lips against his.”
― Michelle Moran, quote from Cleopatra's Daughter
“Listen to me. I know something else. It will begin again. 200,000 dead and 80,000 wounded in nine seconds. Those are the official figures. It will begin again. It will be 10,000 degrees on the earth. Ten thousand suns, people will say. The asphalt will burn. Chaos will prevail. An entire city will be lifted off the ground, and fall back to earth in ashes…I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you?”
― Marguerite Duras, quote from Hiroshima Mon Amour
“To be good or bad doesn't count: life out in this world doesn't depend on that. It depends on a relation of forces based on violence. And survival is violence. You'll wear leather shoes because someone has killed a cow and skinned it to make leather.”
― Oriana Fallaci, quote from Letter to a Child Never Born
“On one end it had a few tables and a little kitchen that served as a diner where the old men sat and drank their coffee in the morning. “Sweaty Betty” Johnson (we called her Mrs. Johnson to her face) ran the diner and has for longer than I can remember. She’s a one woman operation - she cooks, waitresses, and manages it all on her own. She makes fluffy homemade donuts and the best greasy french fries on the planet. Everything she makes is deep-fried, and her face has a permanent sheen from the grease and the heat – which is how she got the nickname Sweaty Betty. Even cleaned up for church on Sundays her face glows and sadly, it isn’t from the Holy Spirit.”
― Amy Harmon, quote from Running Barefoot
“He starts with the character's eyes and by the time he moves to her hair, a mess of blonde curls, I realize he's drawing me. "Superheroes. You can finally have those super powers you want.”
― Kasie West, quote from Pivot Point
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