“... je t'emmènerais dans une contrée resplendissante et prospère, au foyer d'une famille aristocratique des lettrés, fastueux domaine où abondent les fleurs et les saules, terroir de la douceur, de richesse et d'honneurs, pour t'installer dans la joie et en toute sécurité.
Cao Xueqin, "Le Rêve dans le pavillon rouge", trad, fr. par Li Tche-Houa, J. Alézaïs, révision par A. D'Hormon, Paris, Gallimard, "Bibliothèque de la Pléiade", 1981, vol. 1, p. 8.”
― Cao Xueqin, quote from A Dream of Red Mansions
Cao Xueqin
Born place: Nanjing, China
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“..."Nature" is not to be understood as that which is just present-at-hand, nor as the power of Nature. The wood is a forest of timber, the mountain a quarry of rock; the river is water-power, the wind is wind 'in the sails'. As the 'environment' is discovered, the 'Nature' thus discovered is encountered too. If its kind of Being as ready-to-hand is disregarded, this 'Nature' itself can be discovered and defined simply in its pure presence-at-hand. But when this happens, the Nature which 'stirs and strives', which assails us and enthralls us as landscape, remains hidden. The botanist's plants are not the flowers of the hedgerow; the 'source' which the geographer establishes for a river is not the 'springhead in the dale'.”
― Martin Heidegger, quote from Being and Time
“Unfortunately, the sort of individual who is programmed to ignore personal distress and keep pushing for the top is frequently programmed to disregard signs of grave and imminent danger as well. This forms the nub of a dilemma that every Everest climber eventually comes up against: in order to succeed you must be exceedingly driven, but if you’re too driven you’re likely to die. Above 26,000 feet, moreover, the line between appropriate zeal and reckless summit fever becomes grievously thin. Thus the slopes of Everest are littered with corpses.”
― Jon Krakauer, quote from Into Thin Air: A Personal Account of the Mount Everest Disaster
“Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them.”
― quote from The Arabian Nights
“During the fire:
'Some of the drunker ones don't move. Some of them laugh. One person says, "Where's the marshmallows?" Mark slaps him across the face. "GET OUT!" he screams.”
― Pittacus Lore, quote from I Am Number Four
“What does it mean to regret when you have no choice? It's what you can bear. And there it is... It was death. I chose life.”
― Michael Cunningham, quote from The Hours
Dragonflight
Eva Luna
Rebel Angels
O Pioneers!
Ghost Story
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