“... je t'emmènerais dans une contrée resplendissante et prospère, au foyer d'une famille aristocratique des lettrés, fastueux domaine où abondent les fleurs et les saules, terroir de la douceur, de richesse et d'honneurs, pour t'installer dans la joie et en toute sécurité.
Cao Xueqin, "Le Rêve dans le pavillon rouge", trad, fr. par Li Tche-Houa, J. Alézaïs, révision par A. D'Hormon, Paris, Gallimard, "Bibliothèque de la Pléiade", 1981, vol. 1, p. 8.”
― Cao Xueqin, quote from A Dream of Red Mansions
Cao Xueqin
Born place: Nanjing, China
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“No; I did not hate him. The word is too weak. There is no word in the language strong enough to describe my feelings. I can say only that I knew the gnawing of a desire for vengeance on him that was a pain in itself and that exceeded all the bounds of language. ”
― Jack London, quote from The Star Rover
“Cuando hay nubes es como si el mundo tuviera una capa de lana. Se está más calentito y eso.”
― Annabel Pitcher, quote from Ketchup Clouds
“Las palabras tienen poder.
Hay palabras que nos obligan a reír y nos hacen llorar. Palabras con las que empezar y palabras con las que terminar. Palabras que agarran los corazones en nuestros pechos y los aprietan fuerte, que hacen que nos hormiguee la piel sobre los huesos. Palabras tan bonitas que nos moldean, nos cambian para siempre, viven en nuestro interior durante todo el tiempo que tengamos aliento para pronunciarlas. Hay palabras olvidadas. Palabras que matan. Palabras enormes y aterradoras y terribles. Hay palabras Verdaderas.
Y luego hay imágenes.”
― Jay Kristoff, quote from Kinslayer
“The emphasis on shifting essences, uncertainty, and fiercely contrasting opposite states was, of course, neither new nor unique to Byron. He and the other Romantic poets, however, took the ideas and emotions to a particularly intense extreme. Shelley's belief that poetry "marries exultation and horror, grief and pleasure, eternity and change," and that it "subdues to union, under its light yoke, all irreconcilable things," was in sympathy not only with the views of Byron but those of Keats as well. "Negative capability," wrote Keats, exists "when a man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching out after fact & reason." The "poetical Character," he said:
has no self-it is every thing and nothing-It has no character-it enjoys light and shade; it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated-It has as much delight in conceiving an Iago as an Imogen. What shocks the virtuous philosopher, delights the camelion Poet. It does no harm from its relish of the dark side of things any more than from its taste for the bright one; because they both end in speculation.”
― Kay Redfield Jamison, quote from Touched with Fire: Manic-Depressive Illness and the Artistic Temperament
“McCoy, drained and hollow-eyed, couldn't take his eyes off the life vest belonging to the boy who'd slipped away from the group during the night. The empty vest spooked McCoy. All its straps were still tightly tied-it looked like some trick that Houdini might've played. Then McCoy peered into the water and got another shock: the boy was floating below him, spread-eagled, about fifteen feet below the surface. He lay motionless until a current caught him; then it was as if he were flying in the depths. Jesus, McCoy thought, Mother of God. He started saying the rosary over and over. McCoy had never been overly religious; his mom was the spiritual one in the family. But now he began the process of what he'd later call his purification; he'd started asking God to forgive him of his sins. He was resolved to live but he was getting ready to die.”
― Doug Stanton, quote from In Harm's Way: The Sinking of the USS Indianapolis and the Extraordinary Story of Its Survivors
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