“You know, there is only one letter's difference between lonely and lovely," I told him once when he was down. "There is only one letter's difference between loner and loser," he retorted.”
― quote from Torture the Artist
“Ich weiß nicht, ob die verdummte Unterhaltung nach und nach dem kollektiven Intellekt unserer Nation geschadet hat oder ob die geistige Faulheit des Publikums zuerst da war und wir sie nur bedient haben.”
― quote from Torture the Artist
“I've taken the liberty of giving us a full moon. I've arranged for all stoplights to stay green. I've made some phone calls to make sure you keep smiling. I've reserved the space underneath our feet. I've gone all out for you, so why don't you go with me?”
― quote from Torture the Artist
“Sieh sie dir an", sagte Vincent. "Alle finden einfach zueinander. Sie kommen so mühelos zusammen. Warum passiert mir das nicht?”
― quote from Torture the Artist
“I thought about how in movies, usually action movies, a cheap way of getting the audience to invest in the plot is to endanger the life of a dog. There can be fifty men graphically terminated by machine-gun fire or an entire building full of workers destroyed, but no one will stand for a cute little dog being killed. And almost always, the dog's life is spared to the relief of the audience.”
― quote from Torture the Artist
“- Galima gauti saulės smūgį, bet mėnulio smūgio negausi.”
― quote from Torture the Artist
“She was flustered; he could see it in the
way she kept twisting her fingers together. Did she think he was going to throw her down
on the seat and rape her? After all, he was a renegade Indian, and capable of anything.
Then again, the way she looked, maybe this was the most excitement she'd ever had.”
― Linda Howard, quote from Mackenzie's Mountain
“I knew exactly what I should have said: Be careful what you give children, for sooner or later you are sure to get it back.”
― Barbara Kingsolver, quote from High Tide in Tucson
“It would be sheer hell to be privy to thoughts and memories without some power to control and block. I don’t like to pry into personal thoughts. And it hurts,”
― J.D. Robb, quote from Ceremony in Death
“There cannot be any hard and fast rules. But there can be suggestions and useful analogies. The most useful, to my mind, is that of the difference between the English and French judicial systems. In England (and America), the task of the court in criminal cases, which it devolves upon a jury, is to arrive at a verdict of ‘guilty’ or ‘not guilty’ on the evidence presented by prosecuting and defending counsel in turns. Trials are conflicts and verdicts are decisions; the two sides ‘win’ or ‘lose’. In France, and other countries which observe Roman Law, the task of the court in a criminal case is to arrive at the truth, as far as it can be perceived by human eyes, and the business of establishing the outlines of the truth falls not on a jury, which is strictly asked to enter a judgement, but upon a juge d’instruction. This officer of the court, unknown to English law, is accorded very wide powers of interrogation–of the suspect, his family, his associates–and of investigation–of the circumstances and scene of the crime–at which the suspect is often required to participate in a reconstruction. Only when the juge is satisfied that a crime has indeed occurred and that the suspect is responsible will he allow the case to go forward for prosecution. The character of these two different legal approaches is usually defined as ‘accusatorial’ (English) and ‘inquisitorial’ (French) respectively.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“There was reality, and then there was perception, and rarely the two shall meet.”
― Tom Clancy, quote from Dead or Alive
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