“Shay," she said. "Shay McKenna," as if trying out his name, saying it for the first time. "Did you ever love me, even a little?"
Love you?" He turned his head and brushed his lips across her fingers. "I'm loving you now, mo chridh. After I'm dead, a thousand years from now, whatever's left of me, be it a soul or just a handful of dust, that will be loving you.”
“We are all of us both light and dark, do you not find it so, Miss Tremayne? Wanting in our hearts to do right and able to do wrong. And so it’s the choices we’ve made, surely, that make of us what we are”
“When Emma sat down on a rock to take off her shoes and stockings, he said to her, “You’ve Yankee feet. Long and skinny.”
“And you’ve Irish feet,” she said, right back at him. “Big and always in your mouth”
“We are all of us both light and dark, do you not find it so, Miss Tremayne? Wanting in our hearts to do right and able to do wrong. And so it’s the choices we’ve made, surely, that make of us what we are.”
“She’d just spent the last hours engaged in endless small talk. Now, when it mattered so much, she seemed to have no words to say, or even breath to speak them with. All her life she’d always had such trouble with words: finding them and losing them, hoarding them and wasting them.”
“No one. I'm not seeing anyone," Robert said, sitting back on the chair, still holding Kane's hand. Having two gay fathers had made his own coming out incredibly easy. His grip tightened when he considered how accepted he'd always been in his life compared to many of his gay friends who still struggled to this day. "There are lots of single professional men in this town, Son," Kane started, his voice raspy and low. "I know, Daddy. I'm not settling for just anyone, not until I find what you and Dad had," Robert said, stopping himself as sadness crossed his father's face. His eyes returned to that hollow look again. Damn, why had he said that?”
“Was it love or wasn't it that she felt for Carol? And how absurd it was that she didn't even know. She had heard about girls falling in love, and she knew what kind of people they were and what they looked like. Neither she nor Carol looked like that. Yet the way she felt about Carol passed all the tests for love and fitted all the descriptions.”
“Rosemary thought of what Lovey said if you gave her one task too many: I’m sorry, but that’ll have to wait a moment. If I put anything more in my databanks, my processing streams will stall. And I hate that.”
“I thought about how in movies, usually action movies, a cheap way of getting the audience to invest in the plot is to endanger the life of a dog. There can be fifty men graphically terminated by machine-gun fire or an entire building full of workers destroyed, but no one will stand for a cute little dog being killed. And almost always, the dog's life is spared to the relief of the audience.”
“The deep secret of the brain is that not only the spinal cord but the entire central nervous system works this way: internally generated activity is modulated by sensory input. In this view, the difference between being awake and being asleep is merely that the data coming in from the eyes anchors the perception. Asleep vision (dreaming) is perception that is not tied down to anything in the real world; waking perception is something like dreaming with a little more commitment to what´s in front of you. Other examples of unanchored perception are found in prisoners in pitch-park solitary confinement, or in people in sensory deprivation chambers. Both of these situations quickly lead to hallucinations.”
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