“Shay," she said. "Shay McKenna," as if trying out his name, saying it for the first time. "Did you ever love me, even a little?"
Love you?" He turned his head and brushed his lips across her fingers. "I'm loving you now, mo chridh. After I'm dead, a thousand years from now, whatever's left of me, be it a soul or just a handful of dust, that will be loving you.”
― Penelope Williamson, quote from The Passions of Emma
“We are all of us both light and dark, do you not find it so, Miss Tremayne? Wanting in our hearts to do right and able to do wrong. And so it’s the choices we’ve made, surely, that make of us what we are”
― Penelope Williamson, quote from The Passions of Emma
“When Emma sat down on a rock to take off her shoes and stockings, he said to her, “You’ve Yankee feet. Long and skinny.”
“And you’ve Irish feet,” she said, right back at him. “Big and always in your mouth”
― Penelope Williamson, quote from The Passions of Emma
“We are all of us both light and dark, do you not find it so, Miss Tremayne? Wanting in our hearts to do right and able to do wrong. And so it’s the choices we’ve made, surely, that make of us what we are.”
― Penelope Williamson, quote from The Passions of Emma
“She’d just spent the last hours engaged in endless small talk. Now, when it mattered so much, she seemed to have no words to say, or even breath to speak them with. All her life she’d always had such trouble with words: finding them and losing them, hoarding them and wasting them.”
― Penelope Williamson, quote from The Passions of Emma
Penelope Williamson
Born place: in Fairbanks, Alaska, The United States
Born date January 1, 1949
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“The moon and sun are eternal travelers. Even the years wander on. A lifetime adrift in a boat or in old age leading a tired horse into the years, every day is a journey, and the journey itself is home. —Bashō: Oku-no-hosomichi”
― Matsuo Bashō, quote from Backroads to Far Towns: Basho's Travel Journal
“With Tom, there had never been a door to close, only the grass to lie on, never a bed; no walls, no ceiling to shut them in - or others out. Only the moon to see them, only the moon, some stars and whatever it was that had flown up out of the field when Ede had cried 'don't' in the final seconds of their embrace. Don't - meaning don't withdraw.”
― Timothy Findley, quote from The Piano Man's Daughter
“Nature had once produced an Englishman whose domed head had been a hive of words; a man who had only to breathe on any particle of his stupendous vocabulary to have that particle live and expand and throw out tremulous tentacles until it became a complex image with a pulsing brain and correlated limbs. Three centuries later, another man, in another country, was trying to render these rhythms and metaphors in a different tongue. This process entailed a prodigious amount of labour, for the necessity of which no real reason could be given. It was as if someone, having seen a certain oak tree (further called Individual T) growing in a certain land and casting its own unique shadow on the green and brown ground, had proceeded to erect in his garden a prodigiously intricate piece of machinery which in itself was as unlike that or any other tree as the translator's inspiration and language were unlike those of the original author, but which, by means of ingenious combination of parts, light effects, breeze-engendering engines, would, when completed, cast a shadow exactly similar to that of Individual T - the same outline, changing in the same manner, with the same double and single spots of sun rippling in the same position, at the same hour of the day. From a practical point of view, such a waste of time and material (those headaches, those midnight triumphs that turn out to be disasters in the sober light of morning!) was almost criminally absurd, since the greatest masterpiece of imitation presupposed a voluntary limitation of thought, in submission to another man's genius.”
― Vladimir Nabokov, quote from Bend Sinister
“He stopped. “You're upset. I'll shut up and leave you”
― Iris Johansen, quote from The Killing Game
“Weddings, I began to understand, were vile, filthy things when they ran amuck.”
― Laurie Notaro, quote from Autobiography of a Fat Bride: True Tales of a Pretend Adulthood
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The Millionaire Fast...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.
