“We look at each other with shy relief. It's the look two odd socks give when they recognise each other in the wild.”
― Fiona Wood, quote from Six Impossible Things
“Stress level: extreme. It's like she was a jar with the lid screwed on too tight, and inside the jar were pickles, angry pickles, and they were fermenting, and about to explode.”
― Fiona Wood, quote from Six Impossible Things
“My problems are like waves - just as one disappears with a snarl and a hiss there’s another shaping up to knock me down.”
― Fiona Wood, quote from Six Impossible Things
“Something large and happy has unfolded in my chest, erupting in a smile that won’t quit. I can’t remember ever feeling so light-hearted. Or is my heart full? Or bursting? Not aching, that’s for sure.”
― Fiona Wood, quote from Six Impossible Things
“... you cow,' Estelle added. 'I heard that.' 'Give the woman the geriatric audiology medal,' Estelle said. 'I heard that, too', her mother said, from the other side of the door.”
― Fiona Wood, quote from Six Impossible Things
“Guys, please, one life-changing shock at a time, I felt like saying.”
― Fiona Wood, quote from Six Impossible Things
“REVISITING THE LIST
1. Kiss Estelle
Okay, at least I've met her. She thinks I'm a creep. And that's withought her knowing I've read her diaries. Unless we somehow fall over, exactly aligned, lip to lip, and gravity causes the pressure, or we find ourselves in a darkened room and through a series of Shakespearian ID muddles she thinks she's kissing someone else, I can't say how this is ever going to happen.”
― Fiona Wood, quote from Six Impossible Things
“It’s the look two odd socks give when they recognise each other in the wild.”
― Fiona Wood, quote from Six Impossible Things
“Fred is staying with his mother these holidays. She's living in London for six months, in Chelsea, studying Georgian underwear at the National Art Library. It's a thesis, not a fetish.”
― Fiona Wood, quote from Six Impossible Things
“There's nothing more satisfying than being stupid with a friend.”
― Fiona Wood, quote from Six Impossible Things
Fiona Wood
Born place: Melbourne, Australia
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“... je t'emmènerais dans une contrée resplendissante et prospère, au foyer d'une famille aristocratique des lettrés, fastueux domaine où abondent les fleurs et les saules, terroir de la douceur, de richesse et d'honneurs, pour t'installer dans la joie et en toute sécurité.
Cao Xueqin, "Le Rêve dans le pavillon rouge", trad, fr. par Li Tche-Houa, J. Alézaïs, révision par A. D'Hormon, Paris, Gallimard, "Bibliothèque de la Pléiade", 1981, vol. 1, p. 8.”
― Cao Xueqin, quote from The Dream of the Red Chamber
“Kerran he joutuivat jättämään haavoittuneen, perääntyessään eräältä kukkulalta. Kun he valtasivat mäen takaisin, löysivät he miehen alusvaatteilleen riisuttuna, pistimen reikä kyljessä. Muuan Kariluodon konepistoolimies ampui siitä hyvästä ohimennen, kainalostaan tähdäten, kolme antautunutta. Kaksi päivää myöhemmin sama mies katkesi keskeltä kranaatin täysosumasta. Kuolema lakkasi olemasta moraalinen kysymys”
― Väinö Linna, quote from The Unknown Soldier
“He could not blame the Army, Angelo could blame the Army; Angelo hated the Army. But he didnt hate the Army, not even now. He remembered what Maureen had told him once that it was the system that was at fault. But he could not even blame the system, because the system was not anything, it was only a kind of accumulation of everybody, and you could not blame everybody, not unless you wanted the blame to become diluted into a meaningless term, a just nothing. Besides, this system here in this country was the best system the world had ever produced, wasnt it? This system was by far and above the best system anywhere else in the world today. He felt if he did not find somebody to blame pretty soon he would hate everybody.”
― James Jones, quote from From Here to Eternity
“It is not the ink and the paper that matter, but the hand that holds the pen.”
― quote from The Paladin Prophecy
“Her face had the usual fulness of expression which is developed by a life of solitude. Where the eyes of a multitude continuously beat like waves upon a countenance they seem to wear away its mobile power ; but in the still water of privacy every feeling and sentiment unfolds in visible luxuriance, to be interpreted as readily as a printed word by an intruder. In years she was no more than nineteen or twenty, but the necessity of taking thought at a too early period of life had forced the provisional curves of her childhood's face to a premature finality.”
― Thomas Hardy, quote from The Woodlanders
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