“I am a collection of oddities, a circus of neurons and electrons: my heart is the ringmaster, my soul is the trapeze artist, and the world is my audience. It sounds strange because it is, and it is, because I am strange.”
“Every great character, Iz, be it on page or screen, is multidimensional. The good guys aren't all good, the bad guys aren't all bad, and any character wholly one or the other shouldn't exist at all. Remember this when I describe the antics that follow, for though I am not a villain, I am not immune to villainy.”
“When you were born, you cried while the world rejoiced. Live your life so that when you die, the world cries while you rejoice.”
“I'm feeling reckless - or honest, maybe. Sometimes, it's hard to tell the difference.”
“I swear the older I get, the more I value bad examples over good ones. It's a good thing too, because most people are egotistical, neurotic, self-absorbed peons, insistent on wearing near-sighted glasses in a far-sighted world. And it's this exact sort of myopic ignorance that has led to my groundbreaking new theory. I call it Mim's Theorem of Monkey See Monkey Don't, and what it boils down to is this: it is my belief that there are some people whose sole purpose of existence is to show the rest of how not to act.”
“You spend you life roaming the hillsides, scouring the four corners of the earth, searching desperately for just one persons to fucking get you. And I’m thinking, if you can find that, you’ve found home.”
“As simple as it sounds, I think understanding who you are—and who you are not—is not the most important thing of all Important Things.”
“You know–I think my best course of action is to just let the ridiculousness of that sentence marinate.”
“I swear, the longer I live, the less things make sense.”
“Life can be a real son of a bitch sometimes, bringing things back around long after you've said good-bye.”
“Home is hard. Harder than Reasons. It's more a storage unit for your life and its collections. It's more than an address, or even the house you grew up in. People say home is where the heart is, but I think maybe home is the heart. Not a place or a time, but an organ, pumping life into my life. There may be more mosquitos and stepmothers than I imagined, but it's still my heart. My home.”
“Sometimes, things are more embarrassing when you're alone. I guess when no one's around to hear your stupidity, you're forced to bear the brunt of it.”
“I think about how quickly things have changed for me. But that’s the personality of change, isn’t it? When it’s slow, it’s called growth; when it’s fast, it’s change. And God, how things change: some things, nothings, anythings, everything… all the things change.”
“Life, it seems, delivers the best punch lines only after we've forgotten we were part of a joke.”
“Sometimes a thing doesn’t seem real until we say it out loud.”
“I wish wishing were enough, but it's not. Sometimes you need a thing.”
“Remember that, Iz. Be a kid of honesty. Wave it like a banner for all to see. Also, while I'm thinking about it - be a kid who loves surprises. Squeal with delight over puppies and cupcakes and birthday parties. Be curious, but content. Be loyal, but independent. Be kind. To everyone. Treat every day like you're making waffles. Don't settle for the first guy (or girl) unless he's the right guy (or girl). Live your effing life. Do so with gusto, because my God, there's nothing sorrier than a gusto-less existence. Know yourself. Love yourself. Be a good friend. Be a kid of hope and substance. Be a kid of appetite, Iz. You know what I mean, don't you? (Of course you do. You're a Malone.) Okay, that's all for now. Catch you on the flip side.
Blimey, get ready.
Signing off,
Mary Iris Malone,
Your Big Sister”
“Sometimes you walk into a room one person, and when you come out the other side, you're someone else altogether.”
“I have limited experience, but I know this: moments of connection with another human being are patently rare. But rarer still are those who can recognize such a connection when they see one.”
“What if … what if … what if … I play the What If? game all the time. But it’s rigged, is the thing. Impossible to win. Asking What If? can only lead to Maybe Things Could Have Been Different, via Was It My Fault?”
“My Reasons may be hard, but my Objectives are quite simple.”
“But that’s the personality of change, isn’t it? When it’s slow, it’s called growth; when it’s fast, it’s change.”
“He wraps an arm around me, and I swear we were once a single unit, a supercontinent divided millions of years ago - like my fifth grade science project - now reunited into some kaleidoscopic New Pangea. "I'm Madagascar," I say, sleepily. "You're what?" "I'm Madagascar. And you're Africa." He squeezes my shoulder, and - I think he gets it. I bet he does.”
“Exactly why I don't have a boyfriend," I whisper, turning to the window. Because you've referenced The Lord of the Rings twice before lunch, or because you're talking to yourself? I have to admit, I've got me there.”
“Pain makes people who they are.”
“So I float in silence, watching the final touches of this perfect moonrise, and in a moment of heavenly revelation, it occurs to me that detours are not without purpose. They provide safe passage to a destination, avoiding pitfalls in the process.”
“Do so with gusto, because my God, there's nothing sorrier than a gusto-less existence.”
“Closing his eyes again, Beck repositions his head on the back of his seat, and in one sure movement, reaches over and grabs my hand. Even with his eyes closed, he knew where to find me. I want to cry for a thousand reasons, laugh for a thousand others; this is my anomalous balance, the place where Beck and I can let the ridiculousness of our collective sentences marinate, and other things, too. It’s a singular moment of clarity between two people, and rare or not, I’m not about to let go.
I’m done roaming hillsides.
I’ve scoured the corners of the earth.
And I’ve found my people.
God, I’m almost jealous of myself.
Holding Beck’s hand in my lap, I find a courage I never knew I had and drop my head on his shoulder.”
“She never said so out loud, but some things speak loud enough on their own.”
“You ever have the feeling you lost something important, only to discover it was never there to begin with?”
“كانت على الدوام تُحب أحداً ما، ولا تستطيع أن تعيش من دون ذلك. في الماضي أحبت أباها الذي أصبح يجلس الآن مريضاً في مقعد، في غرفة مُظلمة، ويتنفس بصعوبة. وأحبت خالتها التي كانت تأتي من بريانسك أحياناً، مرة كل عامين. وقبل ذلك، عندما كانت تدرس في المدرسة المتوسطة، أحبت مدرس اللغة الفرنسية. كانت آنسة هادئة، طيّبة حنوناً، بنظرة وديعة ناعمة، وفي غاية الصحة. وعندما ينظر الرجال إلى خديّها الممتلئين المتورديّن، وإلى عنقها الأبيض الناعم ذي الشامة الداكنة، وإلى ابتسامتها الطيّبة الساذجة التي ترتسم على وجهها عندما تسمع شيئاً سارّاَ، كانوا يفكرون: "نعم، لا بأس بها.." ويبتسمون هم أيضاً، أما النساء فلا يتمالكن أنفسهن في أثناء الحديث من الإمساك بيدها والقول في غمرة السرور: يا حبّوبة!”
“would ride into fire. For Odysseus that whip was pride.”
“And I can imagine Farmer saying he doesn't care if no one else is willing to follow their example. He's still going to make these hikes, he'd insist, because if you say that seven hours is too long to walk for two families of patients, you're saying that their lives matter less than some others', and the idea that some lives matter less is the root of all that's wrong with the world.”
“How did you hear about that?'
'Are you kidding me? So far, I had that runt Kyle-'
'I hate him. I hate all vamps. That complete toad, Michael-'
'-tell me you were pregnant by a vamp-'
'kidnnaped me and-Kyle said WHAT?'
'and then a member of the Domi shows up and informs me-'
'The Domi sent someone HERE?'
'-that you're actually pregnant by the late king of the Fey.'
'Late?!' Heidar squeaked.”
“And when it comes down to cases, everything written is at least in part a fantasy. Except maybe for the national budget. That’s horror.”
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