“You have only one job as a human: Hold on. That’s it. When life gets terrifying, cruel and unbearable, hold on. Death will come soon enough.”
― Lola St. Vil, quote from The Triplex
“taught us at an early age that love is pain. I”
― Lola St. Vil, quote from The Triplex
“You have only one job as a human: Hold on. That’s it. When life gets terrifying, cruel and unbearable, hold on. Death will come soon enough.”
― Lola St. Vil, quote from The Triplex
“So long as there is breath in your body, nothing is that bad. Nothing. You must remember that.”
― Lola St. Vil, quote from The Triplex
“I did it because I love you. That doesn’t mean I’m good, it just means I’m weak.”
― Lola St. Vil, quote from The Triplex
“what no one tells you when you’re human is this: So long as there is breath in your body, nothing is that bad. Nothing. You must remember that.” “Okay.”
― Lola St. Vil, quote from The Triplex
“حين يكون الصوت الإنساني حقيقيًا، حين يولد من الحاجة، لا أحد يستطيع أن يوقفه.”
― Eduardo Galeano, quote from The Book of Embraces
“I was a protestor. I was such a protestor that I regularly protested things that might have been good for me.”
― Maria Dahvana Headley, quote from The Year of Yes
“She knew Indians were obsessed with authenticity. Colonized, genocided, exiled, Indians formed their identities by questioning the identities of other Indians. Self-hating,”
― Sherman Alexie, quote from Ten Little Indians
“but now he was addressing her as president of a sovereign state of which he was a citizen. He had to put on a lot of dignity, because if he didn’t, none of the others would either, and pretty soon when Mrs. Wiggins gave an official order, nobody would pay any attention to it. As”
― quote from Freddy and the Ignormus
“Don't believe that, dear. Don't ever believe that. Nobody's bad just because of the way they look. It's what's inside a person that counts.' 'But, Ma, what's inside a person? When people look different are they different inside, too?' Ma didn't answer, she was looking at her hands now, kneading a ball of dough. Saroj thought she had forgotten her and so she said, 'Ma?' Ma turned her eyes back to Saroj. 'I'll show you in a moment, dear. I'll just finish making these.' Saroj watched the stack of dhal puris grow into a flat round tower and then Ma said she was finished and covered them with a cloth and washed her hands. Then she opened the cupboard where she kept her spare jars and bottles and took out six jars and placed them on the kitchen counter. 'Do you see these jars, Saroj? Are they all the same?' Saroj shook her head. 'No, Ma.' The glasses were all different. There was a short flat one and a tall thin one and a medium-sized one, and other shapes in between. Some were different colours: green or brown or clear. 'All right. Now, just imagine these jars are people. People with different shapes of bodies and colours of skin. Can you do that?' Saroj nodded. 'Right. Well, now the bodies are empty. But look…’ Ma picked up a big glass jug, filled it at the tap and poured water into all the jars. 'See, Saroj? Now all the glasses are filled. All the bodies are alive! They have what we call a spirit. Now, is that spirit the same in all the glasses, or different?' 'It's the same, Ma. So people are —' But Ma broke in. 'Now, can you run into the pantry and get the tin where I keep my dyes? You know it, don't you?' Saroj was back even before Ma had finished speaking. Ma opened the tin and picked up one of the tiny bottles of powdered dye. It was cherry-coloured. Ma held the bottle over one of the jars and tipped a little of the powder into the water. Immediately, the water turned pink-red. Ma returned the cap to the bottle and picked up another one. The water turned lime-green. She did that six times and each time the water turned a different colour so that in the end Ma had six different shaped jars of six different colours. 'So, Saroj, now you answer me. Are these people here all the same inside, or are they all different?' Saroj took her time before answering. She puckered her brow and thought hard. Finally she said, 'Well, Ma, really they're all the same but the colours make them different.' 'Yes, but what is more real, the sameness or the differences?' Saroj thought hard again. Then she said: 'The sameness, Ma. Because the sameness holds up the differences. The differences are only the powders you put in.' 'Exactly. So think of all these people as having a spirit which is the same in each one, and yet each one is also different — that is because each person has a different personality. A personality is made up of thoughts, and everyone has different kinds of thoughts. Some have loving thoughts, some have angry thoughts, some have sad thoughts, some have mean thoughts. Most people have jumbles of thoughts — but everybody's thoughts are different, and so everybody is different. Different outside and different inside. And they see those differences in each other and they squabble and fight, because everyone thinks the way he is, is right. But if they could see through the differences to the oneness beyond, linking them all, then…’ 'Then what, Ma?' 'Then we would all be so wise, Saroj, and so happy!”
― Sharon Maas, quote from Of Marriageable Age
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