“It seems to me them that sees an evil thing unfold and don't do nothin' to prevent it, are just as bad as them that does the evil.”
― Kate Constable, quote from The Singer of All Songs
“all the gods are the same unknowable mystery, just as each face of a jewel strikes light in a different direction”
― Kate Constable, quote from The Singer of All Songs
“...There is a tale, as old as the Ancient Ones themselves, that one would arise who has that gift: to sing all the chantments, the high notes and the low, the swift rhythms and the slow. And this person would be more powerful than even the Ancient Ones were, as powerful as the gods themselves.”
― Kate Constable, quote from The Singer of All Songs
“Calwyn stopped in her tracks, and her song faltered on her lips. For the space of a heartbeat she thought she must be dreaming; the steady chantment she’d been singing without pause since dawn jerked almost into silence.”
― Kate Constable, quote from The Singer of All Songs
“Calwyn felt suddenly very solemn and serious. Usually during lessons and lectures she felt only a fierce desire to be elsewhere or an irresistible urge to fidget, but now she sat as still as a statue, sensing that what Marna was about to tell her was more important, and certainly more interesting, than herb lore or weaving patterns.”
― Kate Constable, quote from The Singer of All Songs
Kate Constable
Born place: in Sandringham, Melborne (Victoria), Australia
Born date January 1, 1966
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“Meanwhile, Mme Mao and her cohorts were renewing their efforts to prevent the country from working. In industry, their slogan was: "To stop production is revolution itself." In agriculture, in which they now began to meddle seriously: "We would rather have socialist weeds than capitalist crops." Acquiring foreign technology became "sniffing after foreigners' farts and calling them sweet." In education: "We want illiterate working people, not educated spiritual aristocrats." They called for schoolchildren to rebel against their teachers again; in January 1974, classroom windows, tables, and chairs in schools in Peking were smashed, as in 1966. Mme Mao claimed this was like "the revolutionary action of English workers destroying machines in the eighteenth century." All this demagoguery' had one purpose: to create trouble for Zhou Enlai and Deng Xiao-ping and generate chaos. It was only in persecuting people and in destruction that Mme Mao and the other luminaries of the Cultural Revolution had a chance to "shine." In construction they had no place.
Zhou and Deng had been making tentative efforts to open the country up, so Mme Mao launched a fresh attack on foreign culture. In early 1974 there was a big media campaign denouncing the Italian director Michelangelo Antonioni for a film he had made about China, although no one in China had seen the film, and few had even heard of it or of Antonioni. This xenophobia was extended to Beethoven after a visit by the Philadelphia Orchestra.
In the two years since the fall of Lin Biao, my mood had changed from hope to despair and fury. The only source of comfort was that there was a fight going on at all, and that the lunacy was not reigning supreme, as it had in the earlier years of the Cultural Revolution. During this period, Mao was not giving his full backing to either side.
He hated the efforts of Zhou and Deng to reverse the Cultural Revolution, but he knew that his wife and her acolytes could not make the country work.
Mao let Zhou carry on with the administration of the country, but set his wife upon Zhou, particularly in a new campaign to 'criticize Confucius." The slogans ostensibly denounced Lin Biao, but were really aimed at Zhou, who, it was widely held, epitomized the virtues advocated by the ancient sage. Even though Zhou had been unwaveringly loyal, Mao still could not leave him alone. Not even now, when Zhou was fatally ill with advanced cancer of the bladder.”
― Jung Chang, quote from Wild Swans: Three Daughters of China
“I love you." she whispered into the rough wool of his sweater.”
― L.J. Smith, quote from The Awakening / The Struggle
“Where do we go from here?"-Kiera
"We go nowhere."-Denny”
― S.C. Stephens, quote from Thoughtless
“Salander was dressed for the day in a black T-shirt with a picture on it of E.T. with fangs, and the words I AM ALSO AN ALIEN. She had on a black skirt that was frayed at the hem, a worn-out black, mid-length leather jacket, rivet belt, heavy Doc Marten boots, and horizontally striped, green-and-red knee socks. She had put on make-up in a colour scheme that indicated she might be colourblind. In other words, she was exceptionally decked out.”
― Stieg Larsson, quote from The Millennium Trilogy
“Nobody looks good in their darkest hour. But it's those hours that make us what we are. We stand strong, or we cower. We emerge victorious, tempered by our trails, or fracture by a permanent, damning fault line.”
― Karen Marie Moning, quote from Faefever
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