Anaïs Nin · 304 pages
Rating: (8.7K votes)
“I hate men who are afraid of women's strength.”
“Do not seek the because - in love there is no because, no reason, no explanation, no solutions.”
“There are two ways to reach me: by way of kisses or by way of the imagination. But there is a hierarchy: the kisses alone don't work.”
“Sometimes we reveal ourselves when we are least like ourselves.”
“I will always be the virgin-prostitute, the perverse angel, the two-faced sinister and saintly woman.”
“What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again.”
“Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving.”
“Last night I wept. I wept because the process by which I have become woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality....I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because I have lost my pain and I am not yet accustomed to its absence.”
“I want to make my own discoveries…….penetrate the evil which attracts me”
“I'm sick of my own romanticism!”
“I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.”
“And sometimes I believe your relentless analysis of June leaves something out, which is your feeling for her beyond knowledge, or in spite of knowledge. I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.
What will you do after you have revealed all there is to know about June? Truth. What ferocity in your quest of it. You destroy and you suffer. In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you. And you, the same. We will be stronger for it, each of us, stronger with our love and our hate. When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world.”
“The monster I kill every day is the monster of realism. The monster who attacks me every day is destruction. Out of the duel comes the transformation. I turn destruction into creation over and over again.”
“His life rushes onward in such torrential rhythm that...only angels and devils can catch the tempo of it.”
“Often, though, the passivity of the woman's role weighs on me, suffocates me. Rather than wait for his pleasure, I would like to take it, to run wild. Is it that which pushes me into lesbianism? It terrifies me. Do women act thus? Does June go to Henry when she wants him? Does she mount him? Does she wait for him? He guides my inexperienced hands. It is like a forest fire, to be with him. New places of my body are aroused and burnt. He is incendiary. I leave him in an unquenchable fever.”
“You are the only woman who ever answered the demands of my imagination.”
“This great handsomeness I took into myself later when he desired me, but I took it as one breathes air, or swallows a snowflake, or yields to the sun.”
“You are so terribly nimble, so clever. I distrust your cleverness. You make a wonderful pattern, everything is in its place, it looks convincingly clear, too clear. And meanwhile, where are you? Not on the clear surface of your ideas, but you have already sunk deeper, into darker regions, so that one only thinks one has been given all your thoughts, one only imagines you have emptied yourself in that clarity. But there are layers and layers -- you're bottomless, unfathomable. Your clearness is deceptive. You are the thinker who arouses most confusion in me, most doubt, most disturbance.”
“I don't hear your words: your voice reverberates against my body like another kind of caress, another kind of penetration. I have no power over your voice. It comes straight from you into me. I could stuff my ears and it would find its way into my blood and make it rise.”
“She lacks the core of sureness, she craves admiration insatiably. She lives on reflections of herself in others' eyes. She does not dare to be herself.”
“Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives.”
“I want to run out and kiss her fantastic beauty, kiss it and say, "You carry away with you a reflection of me, a part of me. I dreamed you, I wished for your existence. You will always be part of my life. If I love you, it must be because we have shared at some time the same imaginings, the same madness, the same stage.”
“He has, like me, a sense of smell. I let him inhale me, then I slip away.”
“The impetus to grow and live intensely is so powerful in me I cannot resist it. I will work, I will love my husband, but I will fulfill myself.”
“But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.”
“I have no fear of God, and yet fear keeps me awake at night,fear of the devil. And if I believe in the devil, I must believe in God. And if evil is abhorrent to me, I must be a saint.
Henry, save me from beatification, from the horrors of static perfection. Precipitate me into the inferno.”
“Women always think that when they have my shoes, my dress my hairdresser, my make-up, it will work the same way. They do not conceive of the witchcraft that is needed. They do not know that I am not beautiful but that I only appear to be at certain moments.”
“If I fall asleep, it is because I am overloaded. I sleep because one hour with Henry contains five years of my life, and one phrase, one caress answers the expectations of a hundred nights. When I hear him laugh, I say, "I have heard Rabelais.". And I swallow his laughter like bread and wine.”
“We sit on the kitchen exchanging these diabolical outgrowths of overfertile minds.”
“Our age has need of violence," he writes. And he is violence.”
“Влюбванията са силно преувеличени. Влюбванията се състоят от 45 процента ужас, че ще ни отхвърлят, 45 процента маниакална надежда, че точно този път ужасът ще излезе неоправдан, и още десет жалки процента призрачно чувство за възможна любов.”
“I don't know what I was expecting a vampire's room to look like. Maybe lots of black, a bunch of books by Camus... oh, and a sensitive portrait of the only human the vamp ever loved, who had no doubt died of something beautiful and tragic, thus dooming the vamp to an eternity of moping and sighing dramatically.
What can I say? I read a lot of books.”
“It's like you came along and woke up my soul”
“As for she's concerned the world has two king of people in it: predators and prey.”
“You enjoy making my heart stop, don't you?”
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