“But if you were Charlotte, and you had been feeling that life was some cosmic joke that had no punchline, and in the space of a moment you had gone from being Charlotte-without-a-kitten to being Charlotte-with-a-kitten, you too would have found it nothing short of remarkable.”
― Anne Ursu, quote from The Shadow Thieves
“Teachers loved to say people had potential; that's what teachers did to keep themselves from getting canned. What were they supposed to say-I'm sorry, your kid has no promise whatsoever? She's utterly mediocre in every way?”
― Anne Ursu, quote from The Shadow Thieves
“Charlotte sighed inwardly. She knew her mother was serious when she started referring to shellfish. What did that mean, anyway? What's so great about the world being your oyster? Does that mean it's really hard to open, and when you do, you have something slimy and gross on the inside?”
― Anne Ursu, quote from The Shadow Thieves
“She did not like seeing her loved ones like this, bent over with sorrow; everything in her wanted to cry out, to thrash and scream at the sight of it. But she knew that great grief came from great love, and that their grief was an honor to her. And she did love them so very much.”
― Anne Ursu, quote from The Shadow Thieves
“If shadows were caused by the interplay between light and Life, a child's was still forming. An adult's was inextricably bound to his body, but a child had a tenuous relationship to his own permanence, and thus, his own shadow.”
― Anne Ursu, quote from The Shadow Thieves
“Death The first of the Modoc Indians, Kumokums, built a village on the banks of a river. Although it left the bears plenty of room to curl up and sleep, the deer complained that it was very cold and there wasn’t enough grass. Kumokums built another village far from there and decided to spend half of every year in each. For this he divided the year into two parts, six moons of summer and six of winter, and the remaining moon was dedicated to moving. Life between the two villages was as happy as could be, and births multiplied amazingly; but people who died refused to get out, and the population got so big that there was no way to feed it. Then Kumokums decided to throw out the dead people. He knew that the chief of the land of the dead was a great man and didn’t mistreat anybody. Soon afterward Kumokums’s small daughter died. She died and left the country of the Modocs, as her father had ordered. In despair, Kumokums consulted the porcupine. “You made the decision,” said the porcupine, “and now you must take the consequences like anyone else.” But Kumokums journeyed to the far-off land of the dead and claimed his daughter. “Now your daughter is my daughter,” said the big skeleton in charge there. “She has no flesh or blood. What can she do in your country?” “I want her anyway,” said Kumokums. The chief of the land of the dead thought for a long time. “Take her,” he yielded, and warned, “Shell walk behind you. On approaching the country of the living, flesh will return to cover her bones. But you may not turn around till you arrive. Understand? I give you this chance.” Kumokums set out. The daughter walked behind him. Several times he touched her hand, which was more fleshy and warm each time, and still he didn’t look back. But when the green woods appeared on the horizon he couldn’t stand the strain and turned his head. A handful of bones crumbled before his eyes. (132)”
― Eduardo Galeano, quote from Genesis
“The F word turns me on, she whispered.
The F word?
Food
He threw back his head and laughed. It rumbled up out of his chest and felt so good it startled him. For the first time in years,his laughter was spontaneous. It wasn`t tinged with bitterness and cynicism.”
― Sandra Brown, quote from Envy
“The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.”
― Charles de Lint, quote from The Blue Girl
“if wishes were horses, beggars would ride.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“Noel shook his head. "You think better of this scene than I do, Ruby. Don't you see how fake those girls are? Let it go. Have a laugh about it when you're older. Forget that junk."
I wanted to believe him, to skip off to some punk-rock hangout and develop ironic distance and start over in a universe where it didn't matter what any of these people thought about me. But I couldn't.
I just loved them.”
― E. Lockhart, quote from The Boyfriend List: 15 Guys, 11 Shrink Appointments, 4 Ceramic Frogs and Me, Ruby Oliver
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