Walter Moers · 688 pages
Rating: (7.2K votes)
“Lest soviel ihr könnt! Lest Straßenschilder und Speisekarten, lest die Anschläge im Bürgermeisteramt, lest von mir aus Schundliteratur - aber lest! Lest! Sonst seid ihr verloren!”
― Walter Moers, quote from Rumo & His Miraculous Adventures
“Rumo!" said Rumo.
"That's right!" Smyke exclaimed. "You Rumo, me Smyke."
"You Rumo, me Smyke." Rumo repeated eagerly.
"No, no." Smyke chuckled.”
― Walter Moers, quote from Rumo & His Miraculous Adventures
“If flatness were funny, a dinner plate would be hilarious.”
― Walter Moers, quote from Rumo & His Miraculous Adventures
“Approaching the forest from the west was no army, but a delegation of Grailsundanian master surgeons on their way to an appendix conference . . . But that isn't the craziest part of the story - oh, no, my boy, for approaching from the east was a party of itinerant watchmakers bound for the pocket-watch fair at Wimbleton . . . But not even that is the craziest part of the story! For apporaching from the south were over a hundred armourers and locksmiths on their way to Florinth, where some power-hungry prince had commissioned them to build a monstrous war machine . . . Well, that would be enough crazy coincedences for an averagely crazy story but the battle of Nurn Forest involved the most improbable coincedences in the history of Zamonia. For entering the forest, this time from the north came a delegation of alchemists.”
― Walter Moers, quote from Rumo & His Miraculous Adventures
“Einen Rumo zu spielen, bedeutete einerseits, das Schicksal herauszufordern und alles - wirklich alles - zu riskieren. Andererseits versprach es die Möglichkeit eines haushohen Sieges. So kam Rumo zu seinem Namen. (Rumo & Die Wunder im Dunkeln, S. 39)”
― Walter Moers, quote from Rumo & His Miraculous Adventures
“It'll be okay." She didn't know if it would be okay or not. She somehow doubted it, but what else was there to say?”
― Suzanne Weyn, quote from The Bar Code Tattoo
“But, we fear what we don't understand, and I didn't understand the feelings I had for Blaine.”
― S.L. Jennings, quote from Fear of Falling
“He could tell Fleming he was a musician but he could not communicate what the music said to him or said to the people he played it for. The music told itself, it made some obscure connection for which there were no words. The music was its own story, but a man could dip into the vast reservoir of folk and blues lines and phrases and images and construct his own story: though upon performing it and without it losing any relevance to his own life it now belonged to the audience as well. It was something he could not fathom. The old songs with juryrigged verses like bodies cobbled up out of bones from a thousand skeletons. Songs about death and lost love and rambling down the line because sometimes down the line was the only place left. Songs that treated the most desperate of loss with a dark sardonic humour. "I'm going where the climate suits my clothes", the song said, not saying the frustration and despair that created it, saying that in the sheer lonesomeness of the sound, in the old man's driving banjo. There was an eerie timelessness about it that said it could have been written a thousand years ago, or it could have been an unfinished song about events that had not yet played themselves out.”
― William Gay, quote from Provinces of Night
“Affectionate violence. For when a hug just won't do. That's a Hallmark card for you.”
― Lauren Beukes, quote from The Shining Girls
“I thought that if I accomplished enough, that somehow I would be let off the hook in the future. Like I didn’t have to keep striving and achieving because I had done that already, and it would add up to being enough.”
― Portia de Rossi, quote from Unbearable Lightness: A Story of Loss and Gain
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