Bill Watterson · 128 pages
Rating: (13.4K votes)
“I don't think I'd have been in such a hurry to reach adulthood if I'd known the whole thing was going to be ad-libbed.”
― Bill Watterson, quote from The Revenge of the Baby-Sat
“The only permanent rule in Calvinball is that you can never play it the same way twice! (Calvin)”
― Bill Watterson, quote from The Revenge of the Baby-Sat
“I wish people were more like animals. Animals don't try to change you or make you fit in. They just enjoy the pleasure of your company. Animals aren't conditional about friendships. Animals like you just the way you are. They listen to your problems, they comfort you when you're sad, and all they ask in return is a little kindness.”
― Bill Watterson, quote from The Revenge of the Baby-Sat
“The score is still Q to 12!”
― Bill Watterson, quote from The Revenge of the Baby-Sat
“Susie: Hi Calvin! Aren't you excited about going to school? Look at all these great school supplies I got! I love having new notebooks and stuff!
Calvin:All I've got to say is they're not making me learn any foreign languages. If English is good enough for me, then by golly, it's good enough for the rest of the world! Everyone should just speak English or shut up, that's what I say!
Susie: You should maybe check the chemical content of your breakfast cereal.”
― Bill Watterson, quote from The Revenge of the Baby-Sat
“Ven' is the Nain word for 'and.' It was my first word, and so was added to my name at the age of three, when I first spoke it. That is the Nain tradition; each child's first word becomes an official part of his or her name. As a result, three of my brothers are Petar Da-da Polypheme, Osgod No! Polypheme, and Linus Poo-poo Polypheme.
Personally, I think the Nain should rethink this tradition.
As for my name, I think perhaps there should be a question mark after it - 'and?' - as if life is always posing the question of what I am to do next. I was born with more than my share of curiosity, and it gets me into a frightful amount of trouble. I want to know what comes next from the time I wake up in the morning, wondering what the day will hold, till the moment I fall asleep, imagining where my dreams will take me at night. It's like an itch; my skin or scalp hums with excitement whenever my curiosity starts to take over. And? And? And? Scratching it does nothing to help; the itch doesn't go away, and I just look like I have dandruff or fleas.”
― Elizabeth Haydon, quote from The Floating Island
“Whether or not you agree with the outcome, the tremendous amount that the Manhattan Project accomplished in such a short amount of time–just under three years–is astonishing. It makes you wonder what other kinds of things could be accomplished with that kind of determination, effort, and financial and political support. What if the kind of money, manpower, and resources that went into the Manhattan Project went into the fight against hunger? Cancer? Homelessness?”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“Everybody knows girls like the bad boys, and I’m thoroughly bad.”
― Jasinda Wilder, quote from Falling Under
“...he raised a hand to touch my face, a touch of promise, warm and sure, and as I struggled to smile back at him he kissed me. It felt so very right, so beautiful; tears pricked behind my lashes as life flowed through all my hollow limbs, and I lost all sense of place and time. It might have been a minute or an hour...”
― Susanna Kearsley, quote from The Splendour Falls
“Con los países pobres ocurre lo mismo que ocurre con los pobres de cada país: los medios masivos de comunicación sólo se dignan echarles una ojeada cuando ofrecen alguna desgracia espectacular que puede tener éxito en el mercado. ¿Cuántas personas deben ser destripadas por guerra o terremoto, o ahogadas por inundación, para que algunos países sean noticia y aparezcan por una vez en el mapa del mundo? ¿Cuántos espantos debe acumular un muerto de hambre para que las cámaras lo enfoquen por una vez en la vida? El mundo tiende a convertirse en el escenario de un gigantesco reality show. Los pobres, los desaparecidos de siempre, sólo aparecen en la tele como objeto de burla de la cámara oculta o como actores de sus propias truculencias. El desconocido necesita ser reconocido, el invisible quiere hacerse visible, busca raíz el desarraigado. Lo que no existe en la televisión, ¿existe en la realidad? Sueña el paria con la gloria de la pantalla chica, donde cualquier espantapájaros se transfigura en galán irresistible. Con tal de entrar en el olimpo donde los teledioses moran, algún infeliz ha sido capaz de pegarse un tiro ante las cámaras de un programa de entretenimientos. Últimamente, la llamada telebasura está teniendo, en unos cuantos países de América latina, tanto o más éxito que las telenovelas: la niña violada llora ante el periodista que la interroga como si la violara otra vez; este monstruo es el nuevo hombre elefante, miren, señoras y señores, no se pierdan este fenómeno increíble: la mujer barbuda busca novio; un señor gordo dice estar embarazado. Hace treinta y poco años, en Brasil, ya los concursos del horror convocaban multitudes de candidatos y ganaban enormes teleaudiencias: ¿Quién es el enano más bajito del país? ¿Quién es el narigón de nariz más larga, que la ducha no le moja los pies? ¿Quién es el desgraciado más desgraciado de todos? En los concursos de desgraciados, desfilaba por los estudios la corte de los milagros: la niña sin orejas, comidas por las ratas; el débil mental que había pasado treinta años encadenado a la pata de una cama; la mujer que era hija, cuñada, suegra y esposa del marido borracho que la había dejado inválida. Y cada desgraciado tenía su hinchada, que desde la platea gritaba, a coro:
-¡Ya ganó! ¡Ya ganó!”
― Eduardo Galeano, quote from Upside Down: A Primer for the Looking-Glass World
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