Let's Pretend This Never Happened: A Mostly True Memoir
Quotes from the Book
I try to make myself realize that I have learned the difference between right and wrong. That there is such a thing as right and wrong. But instead I've learned that these are things - this "right", this "wrong"- these are things that we are told. Simply told to believe. These are things we have not tested. And while most of the things we are told may be true, it is not until we have tested them, taunted them, flaunted them, that we truly know they are right. Or wrong. Or true. Or false. Or somewhere in-the-fucking-between. And I think I know now a little better which is which. And I also know I'll never quit testing this world. I'll never rely on common knowledge. Or common denominators. Or even common sense, for that matter.
And sometimes the show can't go on.
I am not an alcoholic. I'm a social catalyst. People pay me to illustrate for other partygoers the chemical process involved in transforming from one persona into another drunker, more fun one. It's a matter of going from dull point A to exciting point B. And I'm a raving success at it. So successful that sometimes I wind up at Mysterious Point C.
Blackouts can be fun if approached with the right mindset. You just can't sweat the fact that you've lost a small portion of your life for all eternity. Occasionally, little bubbles of memory will float up like surreal Mylar party balloons at unexpected times throughout the net day and start piecing together a colorful, if incomplete, version of reality.
More than anything I wish he were here with me. "A relationship is an accumulation of shared history," he'd said to me once. And here I was making history without him. It's lonely. And I can't wait to go home. Parts of me are showing through my Aqua, and I'm having a hard time keeping them separate.
Secrets that reside in the mind of one person aren't really secrets. They're unspoken fears.
...once you've crawled into what's commonly thought of as the sordid underbelly of life, you realize it's all just different versions of normal.
...no matter how beneficial a disappearing act might be for me, I could never tear myself away from a show in progress. Even when the plot's tragic ending is apparent to the entire audience. Perhaps there's a deus ex machina that will lower from the ceiling and turn the whole debacle into a romantic comedy. never can tell. Paid the full ticket price, might as well stay.
I think it's a little presumptuous on his part to think that I would want to talk to him anyway. I mean, sure, I went home with him, probably slept with him, ate breakfast with him, and wore his clothes to work the next day. None of this I see as necessarily flirtatious on my part.
I'm a drag queen. I'm a celebrity trapped in a normal person's body.
. . . New York doesn't leave a lot of time for pondering forks in the road. People who have paused to gather their wits often find themselves suddenly waking up in a cookie-cutter beige apartment in Hoboken. I will not ever leave New York. I don't know how long it takes to become a true New Yorker, but I assume that if I die here ... that would qualify me.
We’re having Thanksgiving at our place,” he said. “An old-fashioned Thanksgiving.” “With drag queens and hookers and cranberry sauce?” I asked breathlessly. “Just like at Grandma’s,” he replied.
There's a strange lack of knowledge about the role of drag queens in our culture. I attribute this to the appalling state of our country's education system. Others might blame an utter lack of interest. Who am I to judge?
But there's something flirty/sexy about his voice that's appealing to my inner romantic comedy actress. Then again, maybe it's just his penthouse apartment I'm hearing. My inner gold digger frequently beats the crap out of my inner Meg Ryan.
There's a strange lack of knowledge about the role of drag queens in our culture. I attribute this to the appalling state of our country's educational system. Others might blame an utter lack of interest. Who am I to judge?
Because holding onto someone is not the same as keeping them close." - I Am Not Myself These Days
My arm reaches up. I don't know if I'm reaching for the pipe or for him. I want to touch his skin. I want to breathe in what he breathes. The yellow swirl. I want to be the yellow swirl. I want him to breathe me in, be sent riding on oxygen molecules deep into lungs. I want to travel through his body, seeing what makes him happy, attaching myself to whatever place in him sparks to life on my arrival. His blood. His tissues. His muscles. I want to burrow inside the folds like a wind-blown dusting of snow so that each time I melt away, he seeks me out again. There's no delineation between the pipe and the smoke and his body. It's all whole, I want in. I want him. 'Please,' I say softly, 'let me try.' Without letting go of the pipe, he swings his hand holding the lighter with incredible force, backhanding my face. My jaw pops. The lighter swings back under the pipe undulating back and forth, inhaling the curl as it rises from the tar, exactly the same as before he hit me, only now he's staring at me, hating me.
And then when you wake up, there's a moment of sheer terror in your body. Every bit of softness leaves your muscles, and you greet the day like it was the apocalypse.
So. I’ll keep dancing in my costumes. Day and night. And I won’t sleep as much as I should. And I will drink more than I should. And maybe, as I’m twirling and glittering, playing a retarded game of hide and seek in the middle of an open field, maybe, just maybe, whatever happens next will be bigger, and I will forget that which seems so huge to me right now.
Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.
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About Josh Kilmer-Purcell
Book details
- Author
- Josh Kilmer-Purcell
- Genre
- Nonfiction
- Goodreads rating
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