“But perhaps that's why we take snaps...to provide false evidence to underpin the false claim that we were happy. Because the thought that we weren't happy at least for some time during our lives is unbearable. Adults order children to smile in the photos, involve them in the lie, so we smile, we feign happiness.”
“Everyone knew that fat had become the new cancer, yet they bellyached about the dieting hysteria and applauded the "real" women's body. As though doing no exercise and being overfed was some kind of sensible mold.”
“But everything good in this shit world is either by prescription, sold out, or so expensive you have to sell your soul to taste it. Life is a restaurant you can't afford. Death the bill for the food you didn't even have a chance to eat. So you order the most expensive thing on the menu - you're in for it anyway, right? - and if you're lucky, you get a mouthful.”
“Are you dying?"
Cato lit his cigarette. "It's not acute, perhaps, but we're all dying, Harry.”
“A rat is neither good nor evil. It does what a rat has to do.”
“Let me say here and now that faith has never done me any good, only doubt. So that is what has become my testament.”
“Well, it is in fact possible to put things behind you, Rakel. The art of dealing with ghosts is to dare to look at them long and hard until you know that is what they are. Ghosts. Lifeless, powerless ghosts.”
“Life owes you, but sometimes you have to be your own fucking debt collector. And if we have to burn in hell for it, heaven's going to be sparsely populated.”
“And I didn’t want you to expose me as a deserter, someone who disappears. But things happened as they did anyway. What I wanted to say was that even if I wasn’t there for you, that doesn’t mean you weren’t important to me. We can’t live the lives we would like to. We’re prisoners of … things. Of who we are.” Oleg lifted his chin. “Of junk and shit.” “That, too.”
“Ja. Es ist wirklich möglich Dinge hinter sich zu lassen, Rakel. Es kommt bei diesen Gespenstern darauf an, sie lange und intensiv genug anzuschauen, damit man erkennt, dass es bloß Gespenster sind. Das ist die Kunst. Tote, ohnmächtige Trugbilder.”
“Jeder läuft in den Fußstapfen derer, die es vor ihm gab.”
“Life owes you, but sometimes you have to be your own fucking debt collector.”
“—Claro que a lo mejor por eso nos hacemos fotos —continuó Harry—. Para obtener pruebas falsas con las que poder fundamentar la afirmación falsa de que éramos felices. Porque pensar que nunca hemos sido felices se nos hace insoportable. Los adultos obligan a los niños a sonreír cuando les hacen fotos, los incluyen en la mentira; por eso sonreímos, fingimos felicidad. Pero Oleg nunca fue capaz de sonreír si no lo sentía, no era capaz de mentir, no tenía ese don.”
“A vida é um restaurante que não podemos frequentar. A morte é a conta da refeição que não tivemos sequer oportunidade de provar. Por isso, pedes o repasto mais caro na ementa, também já estás nas lonas, certo, e talvez consigas levar uma garfada à boca. p288”
“change of scene. A new start. And it worked.”
“In any conflict we instinctively take the side of those who look most like us.”
“She stroked his shoulder, up as far as his neck and back again. Over his chest. And he thought she must be able to feel his heart beating and that she was like the Pioneer TV they had stopped producing because it was too good, and you could see it was good because the black part of the picture was so black.”
“Such is the end of the evil-doer: the death of a sinner always reflects his life.”
“Nybakk’s shotgun in Oppsal was the easier option. Furthermore, a shotgun gave him more room to maneuver. To retrieve the rifle”
“Because the thought that we weren’t happy at least for some time during our lives is unbearable. Adults”
“strung a small white stone with a hole in it. ‘This is more precious”
“Both worry and stress reek of arrogance.”
“Some would say the Creator is a lamb. Some would say he's a lion. Some would say both. The fact is, he is neither a lamb nor a lion. These are fiction. Metaphors. Yet the Creator is both a lamb and a lion. These are both truths.”
“Dreams die in every life. Everyone gets old. There is promise in the beginning when life seems so bright. The promise fades when the years get short. But not Pham’s dream. He had pursued it across five hundred light-years and three thousand years of objective time. It was a dream of a single Humankind, where justice would not be occasional flickering light, but a steady glow across all of Human Space. He dreamed of a civilization where continents never burned, and where two-bit kings didn’t give children away as hostages. When Sammy had dug him out of the cemeterium at Lowcinder, Pham was dying, but not the dream. The dream had been bright as ever in his mind, consuming him.”
“Petunia Temminnick’s coming-out ball was pronounced a resounding success by all in attendance. There had been highly intoxicating punch, a variety of dances, good music, and intermission entertainment. No one knew why the beautiful Miss Pelouse had stripped, rolled about in the garden, and then chucked a cheese pie at the youngest Temminnick girl before being taken away in floods of tears, but it was surely the highlight of a most enjoyable evening.”
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