Quotes from The Sunflower

Richard Paul Evans ·  334 pages

Rating: (8.1K votes)


“Chocolate is God's apology for brocolli”
― Richard Paul Evans, quote from The Sunflower


“Love is never convenient-and rarely painless”
― Richard Paul Evans, quote from The Sunflower


“Feelings can be like wild animals-we underrate how fierce they are until we've opened their cage”
― Richard Paul Evans, quote from The Sunflower


“We carry around in our heads these pictures of what our lives are supposed to look like, painted by the brush of out intentions. It's the great, deep secret of humanity that in the end none of our lives look the way we thought they would. As much as we wish to believe otherwise, most of life is a reaction to circumstances.”
― Richard Paul Evans, quote from The Sunflower


“We spend our life building higher fences and stronger locks, when the gravest dangers are already inside”
― Richard Paul Evans, quote from The Sunflower



“I don't want to go to Peru."
How do you know? You've never been there."
I've never been to hell either and I'm pretty sure I don't want to go there.”
― Richard Paul Evans, quote from The Sunflower


“such fickle days of love when pain and ecstasy share the same hour”
― Richard Paul Evans, quote from The Sunflower


“Днес чух една американска тийнейджърка да казва, че е също толкова ощетена, колкото и нашите деца, защото родителите й можели да й купят само стара кола. Няма по бедни от онези, които не осъзнават изобилието на своя живот.”
― Richard Paul Evans, quote from The Sunflower


“The surest way to minimize your own burdens is to carry someone else's.”
― Richard Paul Evans, quote from The Sunflower


“As much as I have schemed and planned to the contrary, the most central experinces of my life have all been accidents.”
― Richard Paul Evans, quote from The Sunflower



About the author

Richard Paul Evans
Born place: in Salt Lake City, Utah, The United States
Born date October 11, 1962
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“Her eyes flashed up at him, then back down at the box. She opened it eagerly. Inside lay the cameo necklace he had seen the new housemaid pawn at a shop in Weavering Street. “You bought it back for me,” she breathed, eyes shining. “You have no idea what this means—it was a gift from my father.” He nodded. “There is more.” She looked inside the box again. Under the cameo lay a piece of thick paper. She extracted it and handed him the box to hold. She turned the paper over, revealing the small watercolor of Lime Tree Lodge. Her brow puckered. “Thank you, but you might have kept it. I wouldn’t have minded.” He tucked his chin as though offended, and insisted, “I spent a great deal of money on it.” “On this?” She raised her fair brows, incredulous. “Not on the painting. On Lime Tree Lodge itself.” She stared at him, stunned. “You didn’t . . .” “I did.” “But . . . my solicitor told me some vicar was very keen on buying it.” “He was. But I was keener.” “How did you . . . Forgive me, but I know you needed every shilling for Fairbourne Hall and to repair your ship.” “True.” “Then, how?” “I sold my ship. The damage did not lower its value as much as I had feared, and it brought a good price. Besides, I have no need of it any longer.”
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