“No guinea of earned money should go to rebuilding the college on the old plan just as certainly none could be spent upon building a college upon a new plan: therefore the guinea should be earmarked "Rags. Petrol. Matches." And this note should be attached to it. "Take this guinea and with it burn the college to the ground. Set fire to the old hypocrisies. Let the light of the burning building scare the nightingales and incarnadine the willows. And let the daughters of educated men dance round the fire and heap armful upon armful of dead leaves upon the flames. And let their mothers lean from the upper windows and cry, "Let it blaze! Let it blaze! For we have done with this 'education!”
― Virginia Woolf, quote from Three Guineas
“...the value of education is among the greatest of all human values...”
― Virginia Woolf, quote from Three Guineas
“The questions that we have to ask and to answer about that procession during this moment of transition are so important that they may well change the lives of men and women forever. For we have to ask ourselves, here and now, do we wish to join that procession, or don't we? On what terms shall we join that procession? Above all, where is it leading us, the procession of educated men?...Let us never cease from thinking--what is this "civilisation" in which we find ourselves? What are these ceremonies and why should we take part in them? What are these professions and why should we make money out of them? Where in short is it leading us, the procession of the sons of educated men?”
― Virginia Woolf, quote from Three Guineas
“Though we see the same world, we see it through different eyes.”
― Virginia Woolf, quote from Three Guineas
“What we have to do now, then, Sir, is to lay your request before the daughters of educated men and to ask them to help you to prevent war, not by advising their brothers how they shall protect culture and intellectual liberty, but simply by reading and writing their own tongue in such a way as to protect those rather abstract goddesses themselves.”
― Virginia Woolf, quote from Three Guineas
“quels soucis de gloire, quel intérêt, quelles satisfactions, et elles sont nombreuses, la lutte lui apporte?
Sans la guerre il n y aurait pas de débouchés pour les nombreuses qualités viriles développées par la lutte; se battre ainsi demeure une caractéristique du sexe masculin [...] c est, disent certains la contrepartie de l instinct maternel, qu il ne peuvent, eux, partager”
― Virginia Woolf, quote from Three Guineas
“en tant que femme je n ai pas de pays.
En tant que femme je ne désire aucun pays.
Mon pays a moi, femme, c est le monde entier.”
― Virginia Woolf, quote from Three Guineas
“Feminism', we have had to destroy.”
― Virginia Woolf, quote from Three Guineas
“Tal como consta por experiencia, y hay muchos hechos que lo demuestran, las hijas de los hombres con educación siempre han ejercido el pensamiento sobre la marcha; no bajo verdes lámparas en mesas de estudio, no en claustros de aisladas universidades. Han pensado mientras vigilaban el puchero, mientras mecían la cuna. Así conquistaron para nosotras el derecho a nuestra flamante moneda de seis peniques. A nosotras nos corresponde seguir pensando. ¿Cómo vamos a gastar los seis peniques? Debemos pensar”
― Virginia Woolf, quote from Three Guineas
“Take this guinea then and use it, not to burn the house down, but to make its windows blaze. And let the daughters of uneducated women dance round the new house, the poor house, the house that stands in a narrow street where omnibuses pass and the street hawkers cry their wares, and let them sing, ‘We have done with war! We have done with tyranny!’ And their mothers will laugh from their graves, ‘It was for this that we suffered obloquy and contempt! Light up the windows of the new house, daughters! Let them blaze!”
― Virginia Woolf, quote from Three Guineas
“For,” the outsider will say, “in fact, as a woman, I have no country. As a woman I want no country.”
― Virginia Woolf, quote from Three Guineas
Virginia Woolf
Born place: in Kensington, Middlesex, England, The United Kingdom
Born date January 25, 1882
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“It was physical, enhanced with complicated emotions and powerful poisons. I even felt like I wanted to crash, yet I was still feeling the high, the memory burning my chest every time I thought about it.”
― Jettie Woodruff, quote from Suit
“Forks are absurd, he scoffed. They insult your food. They make it think you're killing it twice.”
― Clare B. Dunkle, quote from The Hollow Kingdom
“Her face was fair and pretty, with eyes like two bits of night sky, each with a star dissolved in the blue.”
― George MacDonald, quote from The Princess and the Goblin
“Naomi Misora, are you familiar with the murder investigation going in Los Angeles as we speak?"
[...]
"I am not so skilled that I can keep track of all the murder investigations happening in Los Angeles."
"Oh? I am."
He'd returned her sarcasm with a boast.”
― NisiOisiN, quote from Death Note: Another Note - The Los Angeles BB Murder Cases
“She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm.
So much for the natural relation between the sexes.
But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life.
They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.”
― Marilyn French, quote from The Women's Room
Rapture
Another Fine Myth
Maitreyi
Raja Gidh / راجه گدھ
Flags of Our Fathers
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