Quotes from The High King's Tomb

“Not all is certainty in our world, Karigan. If it were there'd be no opportunity for faith; and then it would be a very dull existence.”
― Kristen Britain, quote from The High King's Tomb

“Every moment of life mattered. Even the perfect snowflake that alighted on his palm and melted in seconds.”
― Kristen Britain, quote from The High King's Tomb

“There were more recent markings as well-initials scratched over the pictographs, some with dates. people were always wanting to announce their existence to the world in a way that would surpass the ages, creating some sort of immortality. For all Karigan knew, the more ancient carvings were just another incarnation of such an urge.”
― Kristen Britain, quote from The High King's Tomb

“her all the way to the crossroads, and I think it more than adequate.” Everyone gaped at her like she was mad. “Our goal,” she continued, “was to distract the king, was it not? To distract the king and those who serve him, to send them on a merry chase. It would have been nice to meet the lady, and to use her captivity to our advantage, but our first intention was to empty the tombs of its guards, yes?” Immerez calmed and nodded, and Sarge let out a breath of relief. Karigan’s own thoughts were awhirl. They kidnapped Estora just to distract the king? To empty the tombs? What were they up to? “Who are you?” she asked the woman. The woman did not answer, but withdrew a pendant from beneath her chemise. It was crudely made of iron, but shaped into a design Karigan knew well: a dead tree. “Second Empire,” she whispered. She glanced at the onlookers. “You’re all Second Empire?” Some drew out pendants like the woman’s, and others raised their hands, palms outward, to show the tattoo of the dead tree. The old woman smiled kindly”
― Kristen Britain, quote from The High King's Tomb

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“I'd had my suspicions, but they couldn't have prepared me for the truth.”
― Amanda Sun, quote from Ink

“Land and sea.
We may think of them as opposites; as complements. But there is a difference in how we think of them; the sea, and the land.
If we are walking around in a forest, a meadow or a town, we see our surroundings as being made up of individual elements. There are many different kinds of trees in varying sizes, those buildings, these streets. The meadow, the flowers, the bushes. Our gaze lingers on details, and if we are standing in a forest in the autumn, we become tongue-tied if we try to describe the richness around us. All this exists on land.
But the sea. The sea is something completely different. The sea is one.
We may note the shifting moods of the sea. What the sea looks like when the wind is blowing, how the sea plays with the light, how it rises and falls. But still it is always the sea we are talking about. We have given different parts of the sea different names for navigation and identification, but if we are standing before the sea, there is only one whole. The Sea.
If we are taken so far out in a small boat that no land is visible in any direction, we may catch sight of the sea. It is not a pleasant experience. The sea is a god, an unseeing, unhearing deity that does not even know we exist. We mean less than a grain of sand on an elephant's back, and if the sea wants us, it will take us. That's just the way it is. The sea knows no limits, makes no concessions. It has given us everything and it can take everything away from us.
To other gods we send our prayer: Protect us from the sea.”
― John Ajvide Lindqvist, quote from Harbor

“In my view, the West is not a concept to be explored, analyzed, or enlarged through a study of the history and great ideals that created it; it has always been an instrument. It is when we use it as instrument that does not exist in our own history and culture because we see it in Europe, and we legitimize our demands with Europe's prestige. In our own country, the concept of Europe justifies the use of force, radical political change, the ruthless severing of tradition. From improvement of women's rights to violation of human rights, from democracy to military dictatorship, many things are justified by an idea of the West that stresses this concept of Europe and reflects a positivist utilitarianism. Throughout my life I've heard all our daily habits, from table manners to sexual ethics, criticized and changed because "that's how they do it in Europe." It is something I have heard over and over: on the radio, on television, from my mother. It is not an argument based on reason and indeed precludes reason.”
― Orhan Pamuk, quote from Other Colors: Essays and A Story

“What was it about the Draven brothers that had you doing anything they wished of you. It wasn't just their voice,it was everything, every tiny little supernatural molecule they possessed had you jumping to whatever beat they set. It was their sheer strength. Their inbuilt authority and their never ending power to use at will. And I was hooked like a junkie.”
― quote from The Triple Goddess

“How long could a single night really be expected to last? How far could you stretch such a small collection of minutes? He was just a boy on a roof. She was just a girl in an elevator.”
― Jennifer E. Smith, quote from The Geography of You and Me

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