“Personally, I'm a lazy kind of guy, and leaving the door open on the mystical saves me work. I don't have to stress my brain trying to explain the unexplainable. It's magic. End of discussion.”
― Janet Evanovich, quote from Wicked Appetite
“Diesel was about to place the cockroach on the casket, and my purse rocked out with “Thriller” again.
“Excuse me,” I said. And I answered my phone.
“I’m beginning to appreciate Hatchet,” Wulf said to Diesel.
Diesel smiled. “She has her moments. And she makes cupcakes.”
I disconnected and stuffed my phone into my pocket.
“Well?” Diesel asked.
“It was Glo. Her broom ran away again.”
“I would appreciate it if we could get on with this without more interruption,” Wulf said in his eerily quiet voice, his eyes riveted on mine.
“Lighten up,” I said to Wulf. “Glo lost her broom again. This is a big deal for her. And what have we got here anyway…a dead guy and a Stone. Do you think they can wait for three minutes longer?”
Diesel gave a bark of laughter, and Wulf looked like her was trying hard not to sigh.
- Diesel, Lizzy, and Wulf, page 306-307.”
― Janet Evanovich, quote from Wicked Appetite
“What are you doing back at the bakery?” I asked [Diesel]. “Did you know Wulf was here?”
“No. I knew food was here.”
― Janet Evanovich, quote from Wicked Appetite
“Diesel rocked back on his heels and grinned at the monkey. “Carl?”
“Eep!” The monkey stood, squinted at Diesel, and gave him the finger.
“Looks like you know each other,” I said.
“Our paths crossed in Trenton,” Diesel said. “How did he get here?”
“Monkey Rescue,” Glo told him. “He was abandoned.”
“Figures,” Diesel said.
The monkey gave him the finger again.
“Does he do that all the time?” I asked Diesel.
“Not all the time.”
“I got him by mistake,” Glo said. “And now we don’t know what to do with him.”
“You could turn him loose and let him go play in traffic.” Diesel said.
- Lizzy, Shirley, Diesel, and Carl, pages 132-134.”
― Janet Evanovich, quote from Wicked Appetite
“Did you bring the charms?” Wulf asked Diesel.
Diesel took the charms from his pocket and held them in his palm so Wulf could see.
“They have an excellent selection of baby carriages at Target,” I whispered to Diesel.
“Not now,” Diesel said. “Get a grip.”
“Was I bad? DO I need to get punished? Maybe I need a good paddling.”
Wulf looked like he was thinking about rolling his eyes, and Diesel wrapped an arm around my shoulders and dragged me to him.
“We’ll get to that later,” Diesel said.
“I’d be happy to paddle the wench if you’re too bust.” Hatchet said.
Diesel cut his eyes to him, and Hatchet took a step back.
-Lizzy, Diesel, and Hatchet, page 304.”
― Janet Evanovich, quote from Wicked Appetite
“Your life isn't out of control. It's expanded.”
― Janet Evanovich, quote from Wicked Appetite
“Diesel sucked air. "You keep fondling me like that, and I might have to marry you."
"I'm not fondling you. I'm looking for the keys!"
"Could you look a little more gently? You're scaring my boys.”
― Janet Evanovich, quote from Wicked Appetite
“You took your clothes off?"
"You didn't notice?"
"No! Jeez Louise, I don't even know you."
"If you look under the covers, you'll know me better."
"I don't want to know you better!"
"That's a big fib," Diesel said.”
― Janet Evanovich, quote from Wicked Appetite
“This is part of the problem with the world today,” Diesel said. “People don’t believe in the mystical.”
― Janet Evanovich, quote from Wicked Appetite
“I would have graduated higher, but I flunked gravy.”
― Janet Evanovich, quote from Wicked Appetite
“So much for the sexy moment, I thought. Saved by monkey gas.”
― Janet Evanovich, quote from Wicked Appetite
“I’m not spectral, but I’ve been told I can be pretty damn phenomenal.”
― Janet Evanovich, quote from Wicked Appetite
“Mankind adores its betrayers, and murders its saviors.”
― Taylor Caldwell, quote from Captains and the Kings
“Women were all the same. They promised to burn things and then didn’t.”
― Agatha Christie, quote from A Pocket Full of Rye
“Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it?
The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film.
This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire.
Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?”
― Naomi Wolf, quote from The Beauty Myth
“The violation of the inner person is the greatest territorial crime of all.”
― George Orwell, quote from Keep the Aspidistra Flying
“So are you and Marcus finally getting along?" he asked.
"She threatened to castrate me," Marcus said.
I nodded. "Sure did."
Will blinked and stiffened uncomfortably. "Oh."
"That's not nice, Ell," Kate scolded. "Boys need those.”
― Courtney Allison Moulton, quote from Wings of the Wicked
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