“Never pause unless you have a reason for it, but when you pause, pause as long as you can.”
― W. Somerset Maugham, quote from Theatre
“You don't know the difference between truth and make-believe. You never stop acting. It's second nature to you. You act when there's a party here. You act to the servants, you act to father, you act to me. To me you act the part of the fond, indulgent, celebrated mother. You don't exist, you're only the innumerable parts you've played. I've often wondered if there was ever a you or if you were never anything more than a vehicle for all these other people that you've pretended to be. When I've seen you go into an empty room I've sometimes wanted to open the door suddenly, but I've been afraid to in case I found nobody there.”
― W. Somerset Maugham, quote from Theatre
“People don't want reasons to do what they'd like to. They want excuses.”
― W. Somerset Maugham, quote from Theatre
“It’s hard not to be impatient with the absurdity of the young; they tell us that two and two make four as though it had never occurred to us, and they’re disappointed if we can’t share their surprise when they have discovered that a hen lays an egg. There’s a lot of nonsense in their ranting and raving, but it’s not all nonsense. One ought to sympathize with them; one ought to do one’s best to understand. One has to remember how much has to be forgotten and how much has to be learnt when for the first time one faces life. It’s not very easy to give up one’s ideals, and the brute facts of every day are bitter pills to swallow. The spiritual conflicts of adolescence can be very severe and one can do little to resolve them.”
― W. Somerset Maugham, quote from Theatre
“Those words, though heaven only knew how often she had heard them, still gave her her thrill. They braced her like a tonic. Life acquired significance. She was about to step from the world of make-believe into the world of reality.”
― W. Somerset Maugham, quote from Theatre
“When I've seen you go into an empty room I've sometimes wanted to open the door suddenly, but I've been afraid to in case I found nobody there.”
― W. Somerset Maugham, quote from Theatre
“The public are a lot of jackasses. If you yell and scream and throw yourself about you'll always get a lot of damned fools to shout themselves silly. Just barnstorming, that's what you've been doing the last four nights. It was false from beginning to end."
"False? But I felt every word of it."
"I don't care what you felt, you weren't acting it. Your performance was a mess. You were exaggerating; you were over-acting; you didn't carry conviction for a moment. It was about as rotten a piece of ham acting as I've ever seen in my life.”
― W. Somerset Maugham, quote from Theatre
“Aloof on her mountain top she considered the innumerable activities of men. She had a wonderful sense of freedom from all earthly ties, and it was such an ecstasy that nothing in comparison with it had any value. She felt like a spirit in heaven.”
― W. Somerset Maugham, quote from Theatre
“We are not called to be safe, we are simply promised that when we are in danger, God is right there with us. And there is no better place to be than in His hands.”
― Katie J. Davis, quote from Kisses from Katie: A Young Woman's Journey of Faith A Remote Village A Love without Limits
“After turning it in her mind for some time, she came to the conclusion, that she had been taking part in a great drama, which was, in itself, but one great system of robbery and wrong. 'Yes,' she said, 'the rich rob the poor, and the poor rob one another.' True, she had not received labor from others, and stinted their pay, as she felt had been practised against her; but she had taken their work from them, which was their only means to get money, and was the same to them in the end. For instance–a gentleman where she lived would give her a dollar to hire a poor man to clear the new-fallen snow from the steps and side-walks. She would arise early, and perform the labor herself, putting the money into her own pocket. A poor man would come along, saying she ought to have let him have the job; he was poor, and needed the pay for his family. She would harden her heart against him, and answer–'I am poor too, and I need it for mine.' But, in her retrospection, she thought of all the misery she might have been adding to, in her selfish grasping, and it troubled her conscience sorely; and this insensibility to the claims of human brotherhood, and the wants of the destitute and wretched poor, she now saw, as she never had done before, to be unfeeling, selfish and wicked.”
― Sojourner Truth, quote from Narrative of Sojourner Truth
“...and where the Ferris wheel carried its passengers high and brought them low and raised them high and brought them low again, as if it were not merely a carnival ride but also a metaphor for the basic pattern of human experience.”
― Dean Koontz, quote from Saint Odd
“For another thing, we’re under martial law, so I can do very nearly whatever the fuck I want. Including march through your precious little ship there towing you along behind in a ball gag and lacy underwear. So your warrant bullshit? You can roll that up and fuck it. Now tell me why I’m here.”
“You know just ’cause you can do something, it doesn’t mean you should. I don’t look great in frills.”
― quote from Nemesis Games
“The iPod, like the Walkman cassette player before it,C allows us to listen to our music wherever we want. Previously, recording technology had unlinked music from the concert hall, the café, and the saloon, but now music can always be carried with us. Michael Bull, who has written frequently about the impact of the Walkman and the iPod, points out that we often use these devices to “aestheticize urban space.”4 We carry our own soundtrack with us wherever we go, and the world around us is overlaid with our music. Our whole life becomes a movie, and we can alter the score for it over and over again: one minute it’s a tragedy and the next it’s an action film. Energetic, dreamy, or ominous and dark: everyone has their own private movie going on in their heads, and no two are the same. That said, the twentieth-century philosopher Theodor Adorno, ever the complainer, called this situation “accompanied solitude,” a situation where we might be alone, but we have the”
― David Byrne, quote from How Music Works
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
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