Denise Kiernan · 373 pages
Rating: (19.2K votes)
“They fought to smile through the lines and the mud and the long hours, dancing under the stars and under the watchful eyes of their government, an Orwellian backdrop for a Rockwellian world.”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“Case in point: On one of their first dates, he brought her a box of Ivory Flakes soap. Who needs flowers? Roses fade, but flaky soap available from the PX lasted months. Having Ivory Flakes was a rarity in itself, and also saved her valuable time—one less line to stand in, only to find that the grocer was out. Again. That was romance, as far as Colleen was concerned. Maybe this guy was a keeper after all.”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“I hope for some sort of peace—but I fear that machines are ahead of morals by some centuries and when morals catch up perhaps there’ll be no reason for any of it. I hope not. But we are only termites on a planet and maybe when we forge too deeply into the planet there will be a reckoning—who knows?”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“A dictator decrees,” she later wrote, “a president asks Congress for permission to organize.”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“The "hillbilly" girls were generating more enriched Tubealloy per run than the PhDs had...The District Engineer understood perfectly. Those girls...had been trained like soldiers. Do what you're told. Don't ask why.”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“Whether or not you agree with the outcome, the tremendous amount that the Manhattan Project accomplished in such a short amount of time–just under three years–is astonishing. It makes you wonder what other kinds of things could be accomplished with that kind of determination, effort, and financial and political support. What if the kind of money, manpower, and resources that went into the Manhattan Project went into the fight against hunger? Cancer? Homelessness?”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“The more she thought about it, the more she realized: Oak Ridgers had kept the most amazing secret ever.”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“On occasion, people who tried to write family members living at Site X by addressing the letters to “Oak Ridge” got those letters returned to sender with a note reading simply: “There is no such place as Oak Ridge, Tennessee.”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“In 1942, a new secret came to this part of the world. The earth trembled and shook and made way for an unprecedented alliance of military, industrial, and scientific forces, forces that combined to create the most powerful and controversial weapon known to mankind. This weapon released the power present in the great unseen of the time, unleashing the energy of the basic unit of matter known as the atom. Author”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“She deemed Fermi’s work inconclusive, and in late 1934, she published her views on Fermi’s findings in an article titled “Über Das Element 93” (On Element 93), in which she proposed an idea that seemed unrealistic”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“seemed to know what was going on, not even the”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“The most ambitious war project in military history rested squarely on the shoulders of tens of thousands of ordinary people, many of them young women.”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
Denise Kiernan
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“wafting through the open door of a brightly lit office down the musty, darkened corridor of the backstage.”
― Christopher Rice, quote from A Density of Souls
“I would die again for you, Lucinda," he murmured.
"I don't want you to die for me. I want you to live." Pulling his face down, she kissed him. Again and again, until he kissed her back with growing passion and until his body stopped shuddering. "I love you," she whispered against his mouth, knowing he wouldn't—couldn't—say it, himself.
And then he surprised her.
"I love you, Lucinda," he whispered back. "I wish I could be what you want.”
“She lifted her head to look him in his deep blue eyes. "You are what I want, Robert. Even before I knew.”
― Suzanne Enoch, quote from England's Perfect Hero
“The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting.
But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms:
"I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good.
Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.”
― quote from Art and Fear: Observations on the Perils (and Rewards) of Artmaking
“I hardly think it wise to put the idea of flying into the heads of impressionable teenagers who are already battling the challenges of lunacy.”
― Julie Halpern, quote from Get Well Soon
“By simply believing that their lives could be transformed, they succeeded in converting their thoughts into reality.’ It”
― Ashwin Sanghi, quote from The Krishna Key
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