Quotes from A Writer at War: Vasily Grossman with the Red Army

“We leafed through a series of the [1941 Soviet] Front newspaper. I came across the following phrase in a leading article: 'The much-battered enemy continued his cowardly advance.”
― Vasily Grossman, quote from A Writer at War: Vasily Grossman with the Red Army

“No one could understand; nor could she explain it herself. This senseless kindness is condemned in the fable about the pilgrim who warmed a snake in his boson. It is the kindness that has mercy on a tarantula that has bitten a child. A mad, blind kindness. People enjoy looking in stories and fables for examples of the danger of this kind of senseless kindness. But one shouldn't be afraid of it. One might just as well be afraid of a freshwater fish carried out by chance into the salty ocean. The harm from time to time occasioned a society, class, race or State by this senseless kindness fades away in the light that emanates from those who are endowed with it. This kindness, this stupid kindness, is what is most truly human in a human being. It is what sets man apart, the highest achievement of his soul. No it says, life is not evil.”
― Vasily Grossman, quote from A Writer at War: Vasily Grossman with the Red Army

“Grossman, perhaps tiring slightly of journalism, seems to have longed to convey his thoughts and feelings about the war in fictional form. At this stage, when the Soviet Union was fighting for its life, his ideas were very close to that of the Party line. It was only at Stalingrad, a year later, that his view of the Stalinist regime began to change. This outline, may well have formed part of the idea for The People Immortal, his novel written and published the following year...”
― Vasily Grossman, quote from A Writer at War: Vasily Grossman with the Red Army

“At war a Russian man puts on a white shirt. He may live in sin, but he dies like a saint.”
― Vasily Grossman, quote from A Writer at War: Vasily Grossman with the Red Army

“It was then that he started his novel The People Immortal, and when I read it later, many of its pages seemed to me very familiar. He found himself as a writer during the war. His pre-war books were nothing more than searching for his theme and language. He was a true internationalist and reproached me frequently for saying “Germans” instead of “Hitler’s men” when describing the atrocities of the occupiers.’ Ehrenburg was persuaded that it was Grossman’s all-embracing world view which made the xenophobic Stalin hate him.”
― Vasily Grossman, quote from A Writer at War: Vasily Grossman with the Red Army

“Edinolochniks [individual peasant farmers] are whitewashing their khatas [simple Ukrainian houses]. They look at us with a challenge in their eyes: ‘It’s Easter.’ The implication behind this strange remark in autumn was the hint that they were celebrating the arrival of the most joyful moment of the year. Some historians have suggested that the Germans, with black crosses on their vehicles, were seen as bringing Christian liberation to a population oppressed by Soviet atheism. Many Ukrainians did welcome the Germans with bread and salt, and many Ukrainian girls consorted cheerfully with German soldiers. It is hard to gauge the scale of this phenomenon in statistical terms, but it is significant that the Abwehr, the Germany Army intelligence department, recommended that an army of a million Ukrainians should be raised to fight the Red Army. This was firmly rejected by Hitler who was horrified at the suggestion of Slavs fighting in Wehrmacht uniform.”
― Vasily Grossman, quote from A Writer at War: Vasily Grossman with the Red Army

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“The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.”
― Richard Adams, quote from Watership Down

“When a doctor does go wrong he is the first of criminals.”
― Arthur Conan Doyle, quote from The Adventures of Sherlock Holmes

“Nolite te bastardes carborundorum. Don't let the bastards grind you down.”
― Margaret Atwood, quote from The Handmaid's Tale

“See, as much as you want to hold on to the bitter sore memory that someone has left this world, you are still in it”
― Jodi Picoult, quote from My Sister's Keeper

“His whole body shakes with the strain as he tries to lift something he knows he can't lift, something everybody knows he can't lift.

But, for just a second, when we hear the cement grind at our feet, we think, by golly, he might do it.”
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