David Eddings · 644 pages
Rating: (13.9K votes)
“Centuries pass when nothing happens, and then in a few short years events of such tremendous importance take place that the world is never the same again .... Now's the time to be alive-- to see it happen, to be a part of it. That makes the blood race, and each breath is an adventure.”
― David Eddings, quote from The Belgariad, Vol. 1: Pawn of Prophecy / Queen of Sorcery / Magician's Gambit
“Life without any wonder left in it is flat and stale.”
― David Eddings, quote from The Belgariad, Vol. 1: Pawn of Prophecy / Queen of Sorcery / Magician's Gambit
“Some day, Prince Kheldar, you will fall in love," the queen said with a little smirk, "and the twelve kingdoms will stand around and chortle over the fall of so notorious a bachelor.”
― David Eddings, quote from The Belgariad, Vol. 1: Pawn of Prophecy / Queen of Sorcery / Magician's Gambit
“His stories were not always new, but there was in the telling of them a special kind of magic. His voice could roll like thunder or hush down into a zepherlike whisper. He could imitate the voices of a dozen men at once; whistle so like a bird that the birds themselves would come to him to hear what he had to say; and when when he imitated the howl of a wolf, the sound could raise the hair on the backs of his listeners' necks and strike a chill into their hearts like the depths of a Drasnian winter. He could make the sound of rain and of wind and even, most miraculously, the sound of snow falling.”
― David Eddings, quote from The Belgariad, Vol. 1: Pawn of Prophecy / Queen of Sorcery / Magician's Gambit
“Torak's dead."
"Really?" Aunt Pol said. "Have you seen his grave? Have you opened the grave and seen his bones?”
― David Eddings, quote from The Belgariad, Vol. 1: Pawn of Prophecy / Queen of Sorcery / Magician's Gambit
David Eddings
Born place: in Spokane, Washington, The United States
Born date July 7, 1931
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“I’m a firm believer in equality at all times—”
“At all times?” She glanced at the cuffs clipped to his leathers. “Why do I find that hard to believe?” And why the heck was she arguing with him. Mine, mine, mine.
“At all times,” he repeated. “However, in the bedroom or in the club, I am a lot more equal than you.”
― Cherise Sinclair, quote from Dark Citadel
“The work of art still has something in common with enchantment: it posits its own, self-enclosed area, which is withdrawn from the context of profane existence, and in which special laws apply. Just as in the ceremony the magician first of all marked out the limits of the area where the sacred powers were to come into play, so every work of art describes its own circumference which closes it off from actuality.”
― Theodor W. Adorno, quote from Dialectic of Enlightenment: Philosophical Fragments
“Miss Brobity’s Being, young man, was deeply imbued with homage to Mind. She revered Mind, when launched, or, as I say, precipitated, on an extensive knowledge of the world. When I made my proposal, she did me the honour to be so overshadowed with a species of Awe, as to be able to articulate only the two words, “O Thou!” meaning myself. Her limpid blue eyes were fixed upon me, her semi-transparent hands were clasped together, pallor overspread her aquiline features, and, though encouraged to proceed, she never did proceed a word further. I disposed of the parallel establishment by private contract, and we became as nearly one as could be expected under the circumstances. But she never could, and she never did, find a phrase satisfactory to her perhaps-too-favourable estimate of my intellect. To the very last (feeble action of liver), she addressed me in the same unfinished terms.”
― Charles Dickens, quote from The Mystery of Edwin Drood
“said softly, framing his son’s face”
― Marie Force, quote from Maid for Love
“Even when one is no longer attached to things, it's still something to have been attached to them; because it was always for reasons which other people didn't grasp...' There are the places in memory you do not wish to go with others.”
― Edmund de Waal, quote from The Hare With Amber Eyes: A Family's Century of Art and Loss
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