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The Bear and the Nightingale

by Katherine Arden

"The Bear and the Nightingale" is a historical fantasy set at the edge of the medieval Russian wilderness, where winter lasts most of the year. It follows Vasilisa "Vasya" Petrovna, the youngest daughter of the boyar Pyotr… more

First published 2017 · 336 pages · English

28 quotes ★ 4.08 (242,720) Fiction

Quotes from the Book

All my life,” she said, “I have been told ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me.
Nothing changes, Vasya. Things are, or they are not. Magic is forgetting that something ever was other than as you willed it.
We who live forever can know no courage, nor do we love enough to give our lives.
He is full of desire. Desire and fear. He does not know what he desires, and he does not admit his fear. But he feels both, strong enough to strangle.
I do not understand “damned.” You are. And because you are, you can walk where you will, into peace, oblivion, or pits of fire, but you will always choose.
I’d rather my sons living, and my daughters safe, than a chance at glory for unborn descendants.
Sleep is cousin to death, Vasya. And both are mine.
I gave everything for you, Vasilisa Petrovna.' 'Not everything,' said Vasya. 'Since clearly your pride is intact, as well as your illusions.
I do not like half answers.' 'Stop asking half questions, then,' he said, and smiled with sudden charm.
Vasya felt cold despite the steam. “Why would I choose to die?” “It is easy to die,” replied the bannik. “Harder to live.
You are too attached to things as they are,” said Morozko, combing the mare’s withers. He glanced down idly. “You must allow things to be what best suits your purpose. And then they will.” Vasya,
He picked up a twist of straw and began to rub her down. In the space of a blink, the twist of straw became a brush of boar’s hair. The mare stood with her ears flopping, loose-lipped with enjoyment. Vasya went nearer, fascinated. “Did you change the straw? Was that magic?” “As you see.” He went on with his grooming. “Can you tell me how you do it?” She came up beside him and peered eagerly at the brush in his hand. “You are too attached to things as they are,” said Morozko, combing the mare’s withers. He glanced down idly. “You must allow things to be what best suits your purpose. And then they will.” Vasya,
Am I a child? Always someone else must decide for me. But this I will decide for myself.
Solovey will take me to the ends of the earth if I ask it. I am going into the world, Alyosha. I will be no one's bride, neither of man nor of God. I am going to Kiev and Sarai and Tsargrad, and I will look upon the sun on the sea.
It is a cruel task, to frighten people in God’s name.
If this is the last decision I can ever make, at least it is my decision. Let me go, Alyosha. I am not afraid.
Married! Not to retreat, but to be the mistress of a lord's domain; not to be safe in a convent, but to live as some lord's breeding sow.
His voice was like snow at midnight.
It is for the best was on the tip of the priest's tongue. But he thought again of years, of childbearing and exhaustion. The wildness gone, the hawk's grace chained up... He swallowed. It is for the best. The wildness was sinful.
He picked her up and sank onto the warm oven-bench with her in his arms. He was gentle. His breath was the winter wind, but his flesh was warm, and his heart beat under her hand.
But the rip in her blouse was large, her hunger vast, and her patience negligible even under better circumstances.
Nay, it is the coming storm. The first sign is fear. The second is always fire. Your people are afraid, and now the fires burn.
There was a time, not long ago When flowers grew all year When days were long And nights star-strewn And men lived free from fear
Now hear me. Before the end, you will pluck snowdrops at midwinter, die by your own choosing, and weep for a nightingale.
I remember more and see more than you, she said. And will for a considerable time. We do not speak to many, and the spirit of horses does not reveal himself to anyone. There is magic in your bones. You must reckon with it.
She is not afraid, Konstantin thought dourly. She does not fear God; she fears nothing. He saw it in her silences, her fey glance, the long hours she spent in the forest. In any case, no good Christian maid ever had eyes like that, or walked with such grace in the dark.
You left me this mad girl, and I love her well. She is braver and wilder than any of my sons.
You will walk a long road,” said Morozko. “If you have not the courage to meet it, better—far better—for you to die quiet in the snow. Perhaps I meant you a kindness.

Did you know?

  • It is Katherine Arden's debut novel and the first book of the Winternight trilogy.
  • It was published by Del Rey on January 10, 2017.
  • The novel draws heavily on Russian folklore, including the frost demon Morozko.
  • It was a finalist for the 2018 Locus Award for Best First Novel.
  • Arden began drafting the book while working on a farm in Hawaii after college.
  • The Winternight trilogy was later a Hugo Award finalist for Best Series in 2020.

About Katherine Arden

Katherine Arden is an American author who studied French and Russian at Middlebury College and spent time living in Moscow, experiences that shaped her interest in Russian literature and fairy tales. The Bear and the Nightingale was her debut novel; she also writes the Small Spaces series for younger readers and lives in Vermont.

More about the author →

About the book

"The Bear and the Nightingale" is a historical fantasy set at the edge of the medieval Russian wilderness, where winter lasts most of the year. It follows Vasilisa "Vasya" Petrovna, the youngest daughter of the boyar Pyotr Vladimirovich, a wild girl who can see the household and forest spirits of old Russian folklore that others have forgotten. When Vasya's father brings home a fiercely devout new wife from Moscow, and a charismatic priest named Konstantin arrives to turn the villagers away from honoring their household spirits, those protective spirits begin to weaken and an ancient evil stirs in the forest.

At its heart the novel weaves Russian fairy tales, particularly the figure of Morozko the frost demon, into a coming-of-age story about a girl who refuses the narrow roles of marriage or the convent offered to her. Its central themes are the collision between pagan folk tradition and encroaching Orthodox Christianity, the danger of fear and zealotry, and a young woman's insistence on her own freedom and power in a world that would confine her.

Published in 2017 as Katherine Arden's debut, the book launched the acclaimed Winternight trilogy and drew wide praise for its atmospheric prose and its immersion in Russian folklore. It was a finalist for the 2018 Locus Award for Best First Novel and helped establish Arden as a notable new voice in fantasy, with the trilogy later becoming a Hugo Award finalist for Best Series.

Key characters

  • Vasilisa (Vasya) PetrovnaWild young heroine who can see the old spirits
  • Pyotr VladimirovichVasya's father, a Russian boyar
  • MorozkoThe frost demon of Russian folklore
  • Konstantin NikonovichA zealous, charismatic priest sent to the village
  • Anna IvanovnaVasya's devout stepmother from Moscow
  • DunyaThe family's old nurse and teller of fairy tales

Book details

First published
2017
Length
336 pages
Reading time
6 hours
Genre
Fiction
Goodreads rating
4.08 (243k ratings)
First line
“It was late winter in northern Rus', the air sullen with wet that was neither rain nor snow.”

Series & reading order

  1. 1 The Bear and the Nightingale
  2. 2 The Girl in the Tower
  3. 3 The Winter of the Witch

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