“We affect one another quite enough merely by existing. Whenever the stars cross, or is it comets? fragments pass briefly from one orbit to another. On rare occasions there is total collision, but most often the two simply continue without incident, neither losing more than a particle to the other, in passing.”
― Gore Vidal, quote from The City and the Pillar
“Ideally, of course, a relationship is best, but then how many people are capable of deep feeling? Practically none.”
― Gore Vidal, quote from The City and the Pillar
“Americans tend to play different roles, hoping that somehow they’ll stumble on the right one.”
― Gore Vidal, quote from The City and the Pillar
“Nothing that ever was changes. Yet nothing that is can ever be the same as what went before.”
― Gore Vidal, quote from The City and the Pillar
“عاد وحيداً و سعيداً ، مع ثلاثة كؤوسٍ موضوعةٍ أمامه على الطاوله : اثنان فارغان ، وواحد نصف مملوء و عليه آثار أحمر شفاه . رتَّبَ الكؤوس لتُشكِّلَ مثلثاً ، لكنه حين حاولَ ان يرتِّبها على شكلِ مربِّعٍ فشل . لماذا ؟ لأنَّ ثلاثة كؤوس يجب أن تكون قادرةً على تشكيلِ مربَّع . و شعر بالحزن .”
― Gore Vidal, quote from The City and the Pillar
“يبدو أن كثيرين من الجنوبيين يكتبون . ربما بسبب الحرب الأهلية . يجب الحصول على مأساة لكي نحصل على أدب .”
― Gore Vidal, quote from The City and the Pillar
“As the late afternoon sun shone in Shaw's face and a soft flower-scented wind cooled him, his unhappiness turned to a detachment that was not at all unpleasant. He was utterly alone in the world. This knowledge thrilled him.”
― Gore Vidal, quote from The City and the Pillar
Gore Vidal
Born place: in West Point, New York, The United States
Born date October 3, 1925
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“When you leave a job, one of the hardest decisions you have to make on cleaning out your desk is what to do with the coffinlike cardboard tray holding 958 fresh-smelling business cards. You can’t throw them out— they and the nameplate and a few sample payroll stubs are proof to yourself that you once showed up at that building every day and solved complicated, utterly absorbing problems there; unfortunately, the problems themselves, though they once obsessed you, and kept you working late night after night, and made you talk in your sleep, turn out to have been hollow: two weeks after your last day that already have contracted into inert pellets one-fiftieth of their former size; you find yourself unable to create the sense of what was really at stake, for it seems to have been the Hungarian 5/2 rhythm of the lived workweek alone that kept each fascinating crisis inflated to its full interdepartmental complexity. But coterminously, while the problems you were paid to solve collapse, the nod of the security guard, his sign-in book, the escalator ride, the things on your desk, the site of colleagues’ offices, their faces seen from characteristic angles, the features of the corporate bathroom, all miraculously expand: and in this way what was central and what was incidental end up exactly reversed.”
― Nicholson Baker, quote from The Mezzanine
“I had stood and stared at the webbing of steel then wished for a hole to climb through. The wires had just unraveled without setting off the klaxon. I remembered thinking with a horrible kind of panic that I had somehow done withcraft, and was convinced I was the blackest kind of evil. Then I realized how ridiculous I was being, and figured it was a coincidental gift from the universe, or something.”
― Penelope Fletcher, quote from Demon Girl
“And that feeling is there, inside me - being small, with all the confusion and worry and longing - but also the peace and safety. And now I'm here, giving that feeling to Lucy. She is an angel - light and sweet and delicate and lovely. That is so there in her. But it's also in Spencer, in my dad lying with me as a child on the futon, It's even in me. Sure, I buried it. I buried and buried it and turned away from everything light and sweet and delicate and lovely and became so scared and scarred and burdened and fucked up. But that goodness is still there, inside - it must be.”
― Nic Sheff, quote from Tweak: Growing Up On Methamphetamines
“Do you know what it is?' [Toby] said thoughtfully. 'It's that they haven't had anything really awful happen to them. No wonder they seem so superficial and unfeeling.'
It was certainly an interesting theory, ... [but] surely one didn't need to have suffered in order to possess empathy for those who had? All it required was a bit of imagination and a well-stocked library.”
― quote from The FitzOsbornes in Exile
“Well, the way I see it, honey, love's love, whatever shape it comes in.”
― Tiffany Baker, quote from The Little Giant of Aberdeen County
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