“We affect one another quite enough merely by existing. Whenever the stars cross, or is it comets? fragments pass briefly from one orbit to another. On rare occasions there is total collision, but most often the two simply continue without incident, neither losing more than a particle to the other, in passing.”
― Gore Vidal, quote from The City and the Pillar
“Ideally, of course, a relationship is best, but then how many people are capable of deep feeling? Practically none.”
― Gore Vidal, quote from The City and the Pillar
“Americans tend to play different roles, hoping that somehow they’ll stumble on the right one.”
― Gore Vidal, quote from The City and the Pillar
“Nothing that ever was changes. Yet nothing that is can ever be the same as what went before.”
― Gore Vidal, quote from The City and the Pillar
“عاد وحيداً و سعيداً ، مع ثلاثة كؤوسٍ موضوعةٍ أمامه على الطاوله : اثنان فارغان ، وواحد نصف مملوء و عليه آثار أحمر شفاه . رتَّبَ الكؤوس لتُشكِّلَ مثلثاً ، لكنه حين حاولَ ان يرتِّبها على شكلِ مربِّعٍ فشل . لماذا ؟ لأنَّ ثلاثة كؤوس يجب أن تكون قادرةً على تشكيلِ مربَّع . و شعر بالحزن .”
― Gore Vidal, quote from The City and the Pillar
“يبدو أن كثيرين من الجنوبيين يكتبون . ربما بسبب الحرب الأهلية . يجب الحصول على مأساة لكي نحصل على أدب .”
― Gore Vidal, quote from The City and the Pillar
“As the late afternoon sun shone in Shaw's face and a soft flower-scented wind cooled him, his unhappiness turned to a detachment that was not at all unpleasant. He was utterly alone in the world. This knowledge thrilled him.”
― Gore Vidal, quote from The City and the Pillar
Gore Vidal
Born place: in West Point, New York, The United States
Born date October 3, 1925
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“Peter lifted his head. Hook's hair was tangled around his face like a lion's mane and his eyes were painfully clear, all teasing and mirth gone from his mouth.
He took Peter's chin in his hand, his fingers calloused but gentle, and kissed him.
Everything in the world grew quiet and Peter's body grew loud. The caress of Hook's fingertips under his chin made his pulse catch, his throat flushing, shoulders tightening. He could only seem to breathe in, breathe Hook in deeper. Hook's lips were dry, and he tasted like salt and sweet wine. He smelled like gunpowder and the sea and he was everywhere, shifting closer across the leaves, his other arm snaking around Peter's waist, the iron claw pressed flat between his shoulder blades.
Peter dug his fingers into fistfuls of earth, trying to ground himself as Hook pulled them together, tipping Peter's head back with the gentle thrust of his kiss, a momentum that threatened to tilt them both to the ground. Peter was impossibly hot, hot to his fingertips and toes and his skin was crawling with the need to be touched, the shock of that need.
Sweat caught at the back of his shirt. His skin was stark canvas begging for ink, and Hook's touch was going to stain him forever. It was too much, too sudden. Peter recoiled, yanking a knife from his boot and holding it between them. He didn't mean it as a threat, just a way to make distance where none had been.”
― Austin Chant, quote from Peter Darling
“We lived among people whose poverty could be seen in the length of their faces, in their tired speech and in the heaviness of their eyes.”
― T. Greenwood, quote from Undressing the Moon
“Ani DiFranco’s songs, as it turns out, are best described as guitar picking played as background music while Ani, an angry, dreadlocked feminist lesbian, spouts diatribes against men. The music created that perfect mood of politically charged man-hating that I always go for on a first date. Ladies, if you’re looking to start a date off right, you can’t go wrong with Ani.”
― Josh Sundquist, quote from We Should Hang Out Sometime: Embarrassingly, a True Story
“Hey, you burn through a lot of energy when you contain this much awesome.” She winked,”
― Elizabeth Hunter, quote from The Scribe
“Fue así como ocurrió. Lo que antes parecía puro azar adquirió de repente una dimensión diferente.”
― Stieg Larsson, quote from Stieg Larsson's Millennium Trilogy Deluxe Boxed Set
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