“We affect one another quite enough merely by existing. Whenever the stars cross, or is it comets? fragments pass briefly from one orbit to another. On rare occasions there is total collision, but most often the two simply continue without incident, neither losing more than a particle to the other, in passing.”
― Gore Vidal, quote from The City and the Pillar
“Ideally, of course, a relationship is best, but then how many people are capable of deep feeling? Practically none.”
― Gore Vidal, quote from The City and the Pillar
“Americans tend to play different roles, hoping that somehow they’ll stumble on the right one.”
― Gore Vidal, quote from The City and the Pillar
“Nothing that ever was changes. Yet nothing that is can ever be the same as what went before.”
― Gore Vidal, quote from The City and the Pillar
“عاد وحيداً و سعيداً ، مع ثلاثة كؤوسٍ موضوعةٍ أمامه على الطاوله : اثنان فارغان ، وواحد نصف مملوء و عليه آثار أحمر شفاه . رتَّبَ الكؤوس لتُشكِّلَ مثلثاً ، لكنه حين حاولَ ان يرتِّبها على شكلِ مربِّعٍ فشل . لماذا ؟ لأنَّ ثلاثة كؤوس يجب أن تكون قادرةً على تشكيلِ مربَّع . و شعر بالحزن .”
― Gore Vidal, quote from The City and the Pillar
“يبدو أن كثيرين من الجنوبيين يكتبون . ربما بسبب الحرب الأهلية . يجب الحصول على مأساة لكي نحصل على أدب .”
― Gore Vidal, quote from The City and the Pillar
“As the late afternoon sun shone in Shaw's face and a soft flower-scented wind cooled him, his unhappiness turned to a detachment that was not at all unpleasant. He was utterly alone in the world. This knowledge thrilled him.”
― Gore Vidal, quote from The City and the Pillar
“In the cool weak light the nightflames all had died, and the silent streets echoed death and desolation. Worlorn’s day. Yet it was twilight.”
― George R.R. Martin, quote from Dying of the Light
“How is it that from beauty I have derived a type of unloveliness?—from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born.”
― Edgar Allan Poe, quote from Berenice
“I read. The more you read, the more the world opens up to you... and the happier you are and more comforted you feel. It's up to you. No you is educated who cannot educate himself.”
― Mark Helprin, quote from Freddy and Fredericka
“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians
“Ik koos het bestaan niet, maar ik besta. Een ongerijmdheid die verantwoordelijk voor zichzelf is, dat ben ik.”
― Simone de Beauvoir, quote from The Blood of Others
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.