“We affect one another quite enough merely by existing. Whenever the stars cross, or is it comets? fragments pass briefly from one orbit to another. On rare occasions there is total collision, but most often the two simply continue without incident, neither losing more than a particle to the other, in passing.”
― Gore Vidal, quote from The City and the Pillar
“Ideally, of course, a relationship is best, but then how many people are capable of deep feeling? Practically none.”
― Gore Vidal, quote from The City and the Pillar
“Americans tend to play different roles, hoping that somehow they’ll stumble on the right one.”
― Gore Vidal, quote from The City and the Pillar
“Nothing that ever was changes. Yet nothing that is can ever be the same as what went before.”
― Gore Vidal, quote from The City and the Pillar
“عاد وحيداً و سعيداً ، مع ثلاثة كؤوسٍ موضوعةٍ أمامه على الطاوله : اثنان فارغان ، وواحد نصف مملوء و عليه آثار أحمر شفاه . رتَّبَ الكؤوس لتُشكِّلَ مثلثاً ، لكنه حين حاولَ ان يرتِّبها على شكلِ مربِّعٍ فشل . لماذا ؟ لأنَّ ثلاثة كؤوس يجب أن تكون قادرةً على تشكيلِ مربَّع . و شعر بالحزن .”
― Gore Vidal, quote from The City and the Pillar
“يبدو أن كثيرين من الجنوبيين يكتبون . ربما بسبب الحرب الأهلية . يجب الحصول على مأساة لكي نحصل على أدب .”
― Gore Vidal, quote from The City and the Pillar
“As the late afternoon sun shone in Shaw's face and a soft flower-scented wind cooled him, his unhappiness turned to a detachment that was not at all unpleasant. He was utterly alone in the world. This knowledge thrilled him.”
― Gore Vidal, quote from The City and the Pillar
“Standing at the prow of the pitching deck of the trawler, unscrewing the top of his flask, Frank Fontaine asked himself: Am I after fish—or a wild goose? Sure, he always dreamed about a big-paying long con, but this one was threatening to go on indefinitely—and though it was afternoon and supposedly summer, it was cold as a son of a bitch out here. Made a witch’s tit seem like a hot toddy. Was it worth giving up Gorland—becoming Fontaine? A city under the sea. It was becoming an obsession. Fontaine looked up at the streaming charcoal-colored clouds, wondered if it was going to storm again. Just being on this damn tub was too much like work. Talking to the men who picked up the fish for Rapture’s food supply, Fontaine had confirmed that Ryan had indeed built some gigantic underwater habitat, a kind of free-market utopia—and Fontaine knew what happened with utopias. Look at the Soviets—all those fine words about the proletariat had turned into gulags and breadlines. But a “utopia” was pure opportunity for a man like him. When this undersea utopia fell apart, he’d be there, with a whole society to feast on. Long as he didn’t step too hard on Ryan’s toes, he could build up an organization, get away with a pile of loot. But he had to get down to Rapture first … The trawler lurched, and so did Fontaine’s stomach. A small craft was being lowered over the side of the platform ship—a thirty-foot gig. Men descended”
― John Shirley, quote from BioShock: Rapture
“Interesting, isn’t it? What do you have to say about that, Fury? (Savitar)
They’re on crack. (Fury)
Anyone else on crack? (Savitar)”
― Sherrilyn Kenyon, quote from Dead After Dark
“That’s the wonderful thing about family: the bigger it is, the larger your heart grows.”
― Nancy Straight, quote from Blood Debt
“But I don’t know how to capture what takes place except by living each thing that now and at the instant happens to me and it’s not important what. I let the horse gallop free, fiery from pure, noble joy. I, who run nervously and only reality delimits me. And when the day comes to an end I hear the crickets and I become full of thousands of tiny, clamouring birds. And each thing that happens to me I live here, taking note of it. Because I want to feel in my inquiring hands the living and trembling of what is today.”
― Clarice Lispector, quote from The Stream of Life
“This one girl here, Devon, she’s from Detroit. She’s brand-new too. One day I was about to leave to the grocery store, which is like a ten-minute walk away. She asked me to pick up a sandwich for her (which was kind of annoying), so I was like, “Why don’t you come with me?”
She was like, “I can’t, ’cause I can’t walk very far.”
I was like, “It’s not even ten minutes. Come on, don’t be lazy—if anything it’ll be a mini workout.”
She was like, “Ever since I got shot, it hurts when I walk uphill.”
(The walk on the way back is pretty much all on an incline.)
I asked her why she got shot. I thought . . . Detroit? Ghetto, right? Probably domestic abuse, or a drug-related thing.
She goes, “I got in a fight over a parking space, and the guy shot me in both of my knees.”
― Asa Akira, quote from Insatiable: Porn - A Love Story
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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