“Tallstar stiffened and his neck fur bristled. 'Windclan was driven from the forest once,' he hissed. 'Never again. Our territory is ours, and we'll fight for it. Is Thunderclan with us?”
― Erin Hunter, quote from Secrets of the Clans
“I would not have survived that dark time if it weren't for Cloudtail. He gave me another destiny, and I knew that no matter what I looked like, I would be all right. As long as Cloudtail loved me, I was no longer Lostface, but Brightheart.”
― Erin Hunter, quote from Secrets of the Clans
“I decided at that moment that we would find a way to be together. The future was terrifying, but we would face it together...our pelts brushing,our tails twined. Our hearts in love,forever. -CrowfeatherXLeafpool. Secrets of the Clans pg.122”
― Erin Hunter, quote from Secrets of the Clans
“A plant similar to sorrel. The leaf can be chewed up and applied”
― Erin Hunter, quote from Secrets of the Clans
“There is no Clan in the forest so true or so brave. I respect and admire the other Clans, but my heart is here, with ThunderClan- the Clan of heroes, the Clan of compassion, the Clan of destiny.”
― Erin Hunter, quote from Secrets of the Clans
“Who’s that?” he exclaimed. “She’s the most beautiful cat I’ve ever seen! Why is she so sad? Oh, my whiskers, is she bleeding too? What on earth is wrong with your Twolegs? Why don’t they take better care of you?”
― Erin Hunter, quote from Secrets of the Clans
Erin Hunter
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“And there's nowhere I'd rather be than with you.”
― K.A. Tucker, quote from Ten Tiny Breaths
“Who are you? Where do you fit into poetry and myth? Do you know who I think you are, Ramsay? I think you are Fifth Business. You don't know what that is? Well, in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano, always the heroine, often a fool; and a tenor who always plays the lover to her; and then you must have a contralto, who is a rival to the soprano, or a sorceress or something; and a basso, who is the villain or the rival or whatever threatens the tenor.
"So far, so good. But you cannot make a plot work without another man, and he is usually a baritone, and he is called in the profession Fifth Business, because he is the odd man out, the person who has no opposite of the other sex. And you must have Fifth Business because he is the one who knows the secret of the hero's birth, or comes to the assistance of the heroine when she thinks all is lost, or keeps the hermitess in her cell, or may even be the cause of somebody's death if that is part of the plot. The prima donna and the tenor, the contralto and the basso, get all the best music and do all the spectacular things, but you cannot manage the plot without Fifth Business! It is not spectacular, but it is a good line of work, I can tell you, and those who play it sometimes have a career that outlasts the golden voices. Are you Fifth Business? You had better find out.”
― Robertson Davies, quote from Fifth Business
“Better, I thought, not to touch at all than to touch and bring hurt upon myself and others. Better to do nothing than to make a move and have it be the wrong one. But even deciding to not touch or to be nothing is a decision, Vanyel, and by deciding not to touch, so as to avoid hurt, I then hurt those who tried to touch me.” He”
― Mercedes Lackey, quote from Magic's Pawn
“Henry, this isn't about us. I mean it is, but they don't define you by the button you wear. They define you by what you do, by what your actions say about you. And coming here, despite your parents, says a lot to them- and me. And they're Americans first. They don't see you as the enemy. They see you as a person.”
― Jamie Ford, quote from Hotel on the Corner of Bitter and Sweet
“When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.”
― Simone de Beauvoir, quote from The Second Sex
Possession
A Court of Thorns an...
Where She Went
The Secret
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