Madeleine L'Engle · 288 pages
Rating: (8.5K votes)
“You cannot see the past that did not happen any more than you can foresee the future.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“If you’re going to care about the fall of the sparrow you can’t pick and choose who’s going to be the sparrow. It’s everybody, and you’re stuck with it.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done
For Heaven and the future’s sakes.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“Rules are made for people, not people for rules,”
― Madeleine L'Engle, quote from The Arm of the Starfish
“If you accept any position of authority you have to know when to break or circumvent a rule. It’s the knowing when that’s important.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“There always have been and there always will be people who have been corrupted into enjoying any excuse for cruelty.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“if wishes were horses, beggars would ride.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“I can’t do it for love of God, like Tom Tallis, or for heaven’s sake, as Mr. Frost said. But because I love people I have to act according to it—to the fact that I love them.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“There’s something wrong about trying to heal with a surgeon’s knife.”
― Madeleine L'Engle, quote from The Arm of the Starfish
“Dream is the personalized myth, myth the depersonalized dream; both myth and dream are symbolic in the same general way of the dynamic of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problems and solutions sown are directly valid for all mankind”
― Joseph Campbell, quote from The Hero With a Thousand Faces
“I cannot let the fear of the past color the future.”
― Julie Kagawa, quote from The Eternity Cure
“Humm humm haaa. Rahmumm humm haaaa," intoned Opal, finishing her chant. "Peace be inside me, tolerance all around me, forgiveness in my path. Now, Mervall, show me where the filthy human is so that I may feed him his organs.”
― Eoin Colfer, quote from The Time Paradox
“He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited:
"O sweet treasures, discovered to my sorrow." She did not understand.
"It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did."
"Was he a priest too?"
"A soldier," he said.
Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering.
"I am always in this state," he said.
And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask:
"And now?"
"And now nothing," he said. "It is enough for me that you know."
He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads.
Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?"
"I reach my end, for artless I surrendered to one who is my undoing and my end," he said.
She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.”
― Gabriel García Márquez, quote from Of Love and Other Demons
“No longer was she an heiress from another world; she was the woman he had wanted to possess the moment he saw her, and she was sitting beside him, her hair cascading over his arm like a thick satin waterfall”
― Judith McNaught, quote from Paradise
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