Quotes from The Arm of the Starfish

Madeleine L'Engle ·  288 pages

Rating: (8.5K votes)


“You cannot see the past that did not happen any more than you can foresee the future.”
― Madeleine L'Engle, quote from The Arm of the Starfish


“If you’re going to care about the fall of the sparrow you can’t pick and choose who’s going to be the sparrow. It’s everybody, and you’re stuck with it.”
― Madeleine L'Engle, quote from The Arm of the Starfish


“Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done
For Heaven and the future’s sakes.”
― Madeleine L'Engle, quote from The Arm of the Starfish


“Rules are made for people, not people for rules,”
― Madeleine L'Engle, quote from The Arm of the Starfish


“If you accept any position of authority you have to know when to break or circumvent a rule. It’s the knowing when that’s important.”
― Madeleine L'Engle, quote from The Arm of the Starfish



“There always have been and there always will be people who have been corrupted into enjoying any excuse for cruelty.”
― Madeleine L'Engle, quote from The Arm of the Starfish


“if wishes were horses, beggars would ride.”
― Madeleine L'Engle, quote from The Arm of the Starfish


“I can’t do it for love of God, like Tom Tallis, or for heaven’s sake, as Mr. Frost said. But because I love people I have to act according to it—to the fact that I love them.”
― Madeleine L'Engle, quote from The Arm of the Starfish


“There’s something wrong about trying to heal with a surgeon’s knife.”
― Madeleine L'Engle, quote from The Arm of the Starfish


About the author

Madeleine L'Engle
Born place: in New York City, New York, The United States
Born date November 29, 1918
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“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
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