“I have to live if I want to be remembered.”
― Suzanne Young, quote from A Need So Beautiful
“You’ll make a sucky father someday,” I tell him with a smile. “I feel sorry for the kid that doesn’t get to burst into light to get out of your house.”
He chokes out a laugh. “Is it my sarcasm?”
“Definitely. And that obnoxious accent.”
― Suzanne Young, quote from A Need So Beautiful
“I'm out, surrounded in dark. But in the distance there is a small glow, a tiny light. Suddenly I'm standing alone, the space starting to brighten as the light grows.”
― Suzanne Young, quote from A Need So Beautiful
“Have you seen my daughter?”
“Daughter?” I’m the worst liar ever. I stare at Sarah’s tall, imposing father and try to smile. “She’s getting us a table?”
He narrows his gray eyes, and then tightens his mouth. “Is that a question or a statement?”
“Statement?” I’m so blowing this.
He exhales and nods. “Well, then. I guess I’ll see you in the banquet room.”
Harlin grins as Sarah’s father walks away. “You are so subtle, Charlotte. Are you a ninja?”
“Shut up.”
“I’m sure he didn’t find that at all suspicious.”
“Harlin!”
He laughs and kisses the top of my head. “I’ll stop,” he says. “But where is Sarah? You might want to find her before we sit down for chicken with that man. What will you say if he asks you to pass the mashed potatoes? Mashed potatoes?” Harlin finishes, imitating my voice.”
― Suzanne Young, quote from A Need So Beautiful
“Jeremy takes the money and heads toward the back bedroom to get dressed.
“Chinese? I’ll come with,” Henry calls, but then pauses to look at us, one eyebrow raised.
Harlin laughs and puts his arm around me. “Don’t even say it,” he warns. “You’ll embarrass her.” But he always says it.
“Charlotte,” Henry begins in a mock parental tone, “when two people love each other, they may have certain urges. Protection is an important—”
“Oh my God!” I cover my ears and laugh. I wait until his lips have stopped moving before I drop my arms.”
― Suzanne Young, quote from A Need So Beautiful
“I can't believe you just did that,: I say when I can finally breathe again.
"I can't believe I didn't do it before now," he counters.”
― Dahlia Adler, quote from Just Visiting
“I’d fought like hell to keep the upper hand between us to protect her, to keep her out of the path of those who would hurt one to destroy the other. I couldn’t lose control and risk losing something more important—the one person who’d come into my life and made it worth living.”
― Meredith Wild, quote from Hard Limit
“Per quanto contraddittorio possa sembrare, non c’è nulla di più vero che chi ha sempre fatto la scelta giusta non sa nemmeno la metà sulla natura e i modi di operare la scelta giusta, di chi ha fatto le scelte sbagliate.”
― Thomas Hardy, quote from A Pair of Blue Eyes
“In the time between the two wars, a British colonial officer said that with the invention of the airplane the world has no secrets left. However, he said, there is one last mystery. There is a large country on the Roof of the World, where strange things happen. There are monks who have the ability to separate mind from body, shamans and oracles who make government decisions, and a God-King who lives in a skyscraper-like palace in the Forbidden City of Llhasa.”
― Heinrich Harrer, quote from Seven Years in Tibet (Paladin Books)
“Mas don Rigoberto sabia que não havia outro remédio, tinha que se resignar e esperar. Provavelmente as únicas brigas do casal ao longo de todos os anos que estavam juntos foram causadas pelos atrasos de Lucrecia sempre que iam sair, para onde fosse, um cinema, um jantar, uma exposição, fazer compras, uma operação bancária, uma viagem. No começo, quando começaram a morar juntos, recém-casados, ele pensava que sua mulher demorava por mera inapetência e desprezo pela pontualidade. Tiveram discussões, desavenças, brigas por causa disso. Pouco a pouco, do Rigoberto, observando-a, refletindo, entendeu que esses atrasos da esposa na hora de sair para qualquer compromisso não eram uma coisa superficial, um desleixo de mulher orgulhosa. Obedeciam a algo mais profundo, um estado ontológico da alma, porque, sem que ela tivesse consciência do que lhe ocorria, toda vez que precisava sair de algum lugar, da sua própria casa, a de uma amiga que estava visitando, o restaurante onde acabara de jantar, era dominada por uma inquietação recôndita, uma insegurança, um medo obscuro, primitivo, de ter que ir embora, sair dali, mudar de lugar, e então inventava todo tipo de pretextos - pegar um lenço, trocar a bolsa, procurar as chaves, verificar se as janelas estavam bem fechadas, a televisão desligada, se o fogão não estava acesso ou o telefone fora do gancho -, qualquer coisa que atrasasse por alguns minutos ou segundos a pavorosa ação de partir.
Ela sempre foi assim? Quando era pequena também? Não se atreveu a perguntar. Mas já havia constatado que, com o passar dos anos, esse prurido, mania ou fatalidade se acentuava, a tal ponto que Rigoberto às vezes pensava, com um calafrio, que talvez chegasse o dia que Lucrecia, com a mesma benignidade do personagem de Melville, ia contrair a letargia ou indolência metafísica de Bartleby e decidir não mais sair da sua casa, quem sabe do seu quarto e até da sua cama. "Medo de abandonar o ser, de perder o ser, de ficar sem seu ser", pensou mais uma vez. Era o diagnóstico que havia chegado em relação aos atrasos da esposa.”
― Mario Vargas Llosa, quote from The Time of the Hero
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