Tehanu

Why are men afraid of women?" If your strength is only the other's weakness, you live in fear," Ged said. "Yes; but women seem to fear their own strength, to be afraid of themselves." "Are they ever taught to trust themselves?" Ged asked, and as he spoke Therru came in on her work again. His eyes and Tenar's met. "No," she said. "Trust is not what we're taught." She watched the child stack the wood in the box. "If power were trust," she said. "I like that word. If it weren't all these arrangements - one above the other - kings and masters and mages and owners - It all seems so unnecessary. Real power, real freedom, would lie in trust, not force." "As children trust their parents," he said.

What is a woman's power then?" she asked. "I don't think we know." "When has a woman power because she's a woman? With her children, I suppose. For a while..." "In her house, maybe." She looked around the kitchen. "But the doors are shut," she said, "the doors are locked." "Because you're valuable." "Oh yes. We're precious. So long as we're powerless.

You are beautiful," Tenar said in a different tone. "Listen to me, Therru. Come here. You have scars, ugly scars, because an ugly, evil thing was done to you. People see the scars. But they see you, too, and you aren't the scars. You aren't ugly. You aren't evil. You are Therru, and beautiful. You are Therru who can work, and walk, and run, and dance, beautifully, in a red dress.

If women had power, what would men be but women who can't bear children? And what would women be but men who can?" "Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?" "A queen's only a she-king," said Ged. She snorted. "I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.

What's wrong with men?" Tenar inquired cautiously. As cautiously, lowering her voice, Moss replied, "I don't know, my dearie. I've thought on it. Often I've thought on it. The best I can say it is like this. A man's in his skin, see, like a nut in its shell." She held up her long, bent, wet fingers as if holding a walnut. "It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. It's all him and nothing else, inside.

Ours is only a little power, seems like, next to theirs," Moss said. "But it goes down deep. It's all roots. It's like an old blackberry thicket. And a wizard's power's like a fir tree, maybe, great and tall and grand, but it'll blow right down in a storm. Nothing kills a blackberry bramble.

The best I can say, it's like this. A man's in his skin, see, like a nut in its shell ... It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. A woman's a different thing entirely. Who knows where a woman begins and ends? Listen mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark ... I go back into the dark! Before the moon I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares ask questions of the dark? Who'll ask the dark its name?

If women had power what would men be but women who can't bear children? And what would women be but men who can?

She thought about how it was to have been a woman in the prime of life, with children and a man, and then to lose all that, becoming old and a widow, powerless. But even so she did not feel she understood his shame, his agony of humiliation. Perhaps only a man could feel so. A woman got used to shame.

You're a respectable woman, dearie, and her reputation is a woman's wealth." "Her wealth," Tenar repeated in the same blank way; then she said it again: "Her wealth. Her treasure. Her hoard. Her value...

What are we so afraid of? Why don't we let 'em tell us we're afraid? What is it they're afraid of?" She picked up the stocking she had been darning, turned it in her hands, was silent awhile; finally she said, "What are they afraid of us for?

A man gives out, dearie. A woman takes in.

If we hide, Therru, we feed him. We will eat. And we will starve him. Come with me.

The heavy work requiring muscle and the skilled work with crops and sheep was done by Ged, Shandy, and Tenar, while the two old men who had been there all their lives, his father's men took him about and told him how they managed it all, and truly believed they were managing it all, and shared their believe with him.

But because she was not a girl now, she was not awed, but only wondered at how men ordered their world into this dance of masks, and how easily a woman might learn to dance it.

The child stared at her or at nothing, trying to breathe, and trying again to breathe, and trying again to breathe.

You seemed, in your power, as free as man can be. But at what cost? What made you free? And I... I was made, moulded like clay, by the will of the women serving the Old Powers, or serving the men who made all services and ways and places, I no longer know which. Then I went free, with you, for a moment, and with Ogion. But it was not my freedom. Only it gave me a choice; and I chose. I chose to mould myself like clay to the use of a farm and a farmer and our children. I made myself a vessel. I know its shape. But not the clay. Life danced me. I know the dances. But I don't know who the dancer is.

As a child in Atuan, Tenar had learned how to learn. There seemed always to be a great deal to be learned, more than she would have believed when she was a prentice-priestess or the pupil of a mage.

Tăcerea era ca o prezență între ei. Femeia înălță capul și se uită la Șoiman. - Ei - vorbi ea - în care pat să dorm, Ged? Al copilului sau al tău? El își trase răsuflarea. Vorbi cu glas scăzut. - Al meu, dacă vrei. - Vreau. Tăcerea îl stăpânea. Tenar putea vedea efortul pe care-l făcea ca să se smulgă din ea. - Dacă o să ai răbdare cu mine ... - Am avut răbdare cu tine vreme de douăzeci și cinci de ani - zise ea. Se uită la el și începu să râdă.

..all I understand about living is having your work to do, and being able to do it. That's the pleasure, and the glory, and all. And if you can't do the work, or it's taken from you, then what's any good? You have to have something...

A woman's a different thing entirely. Who knows where a woman begins and ends? Listen, mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark.

She bathed in the water she had heated (...) and crept into bed beside the little, warm, silky silence that was Therru asleep.