Three Comrades
Quotes from the Book
I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another.
But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony--Forgive me, comrade; how could you be my enemy?
We are not youth any longer. We don’t want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces.
It is very queer that the unhappiness of the world is so often brought on by small men.
We were all at once terribly alone; and alone we must see it through.
We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial—I believe we are lost.
This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.
How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is.
He fell in October 1918, on a day that was so quiet and still on the whole front, that the army report confined itself to the single sentence: All quiet on the Western Front. He had fallen forward and lay on the earth as though sleeping. Turning him over one saw that he could not have suffered long; his face had an expression of calm, as though almost glad the end had come.
We are little flames poorly sheltered by frail walls against the storm of dissolution and madness, in which we flicker and sometimes almost go out…we creep in upon ourselves and with big eyes stare into the night…and thus we wait for morning.
We came to realise - first with astonishment, then bitterness, and finally with indifference - that intellect apparently wasn't the most important thing...not ideas, but the system; not freedom, but drill. We had joined up with enthusiasm and with good will; but they did everything to knock that out of us.
We have so much to say, and we shall never say it.
Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony—Forgive me, comrade; how could you be my enemy?
Bombardment, barrage, curtain-fire, mines, gas, tanks, machine-guns, hand-grenades - words, words, but they hold the horror of the world.
I want that quiet rapture again. I want to feel the same powerful, nameless urge that I used to feel when I turned to my books. The breath of desire that then arose from the coloured backs of the books, shall fill me again, melt the heavy, dead lump of lead that lies somewhere in me and waken again the impatience of the future, the quick joy in the world of thought, it shall bring back again the lost eagerness of my youth. I sit and wait.
We're no longer young men. We've lost any desire to conquer the world. We are refugees. We are fleeing from ourselves. From our lives. We were eighteen years old, and we had just begun to love the world and to love being in it; but we had to shoot at it. The first shell to land went straight for our hearts. We've been cut off from real action, from getting on, from progress. We don't believe in those things any more; we believe in the war.
At school nobody ever taught us how to light a cigarette in a storm of rain, nor how a fire could be made with wet wood-nor that it is best to stick a bayonet in the belly because there it doesn't get jammed, as it does in the ribs.
A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, a single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture chambers in their hundreds of thousands. A hospital alone shows what war is.
They are more to me than life, these voices, they are more than motherliness and more than fear; they are the strongest, most comforting thing there is anywhere: they are the voices of my comrades.
To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and again and often forever.
It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces.
You take it from me, we are losing the war because we can salute too well.
Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out on themselves. Whoever survives the country wins. That would be much simpler and more than just this arrangement, where the wrong people do the fighting
The things men did or felt they had to do.
Sweet dreams though the guns are booming.
Katczinsky says it is all to do with education - it softens the brain.
Our thoughts are clay, they are moulded with the changes of the days;--when we are resting they are good; under fire, they are dead. Fields of craters within and without.
I am no longer a shuddering speck of existence, alone in the darkness;--I belong to them and they to me; we all share the same fear and the same life...I could bury my face in them, in these voices, these words that have saved me and will stand by me.
It is too dangerous for me to put these things into words. I am afraid they might then become gigantic and I be no longer able to master them.
Did you know?
- The German title, "Im Westen nichts Neues," translates literally as "Nothing New in the West."
- The novel was first serialized in the Berlin newspaper Vossische Zeitung from November to December 1928 before appearing as a book in 1929.
- The standard English translation was made by A. W. Wheen and published in 1929.
- The book sold roughly 2.5 million copies in 22 languages within its first eighteen months in print.
- Under the Nazi regime the novel was banned and publicly burned as anti-war, defeatist propaganda.
- The 1930 American film adaptation won two Academy Awards, and a later 2022 German film adaptation won four.
About Erich Maria Remarque
More by Erich Maria Remarque
All books by Erich Maria Remarque →About the book
"All Quiet on the Western Front" is Erich Maria Remarque's classic anti-war novel of the First World War, told in the first person by Paul Bäumer, a young German soldier who enlists straight from school with his classmates after being urged on by patriotic rhetoric. Moving between the front-line trenches, field hospitals, and brief, disorienting leave at home, the book records the daily reality of the war: bombardment, gas, hunger, comradeship, and sudden death. Rather than dramatizing grand battles, it stays close to the physical and emotional experience of the ordinary infantryman.
At its center is the theme of a generation destroyed by war. Remarque shows how the young men who survive the shells are hollowed out by what they endure, cut off from the civilian world and from any future they might once have imagined. The novel dwells on the gulf between the romantic, nationalistic ideals taught in the classroom and the dehumanizing horror of combat, and on the bonds of comradeship that become the soldiers' only remaining source of meaning.
First serialized in the Berlin newspaper Vossische Zeitung in late 1928 and published as a book in 1929, the novel became an international bestseller, selling millions of copies in dozens of languages within its first years. It was adapted into an Academy Award-winning film in 1930 and remains one of the most widely read works of war literature. Under the Nazi regime the book was banned and burned as defeatist, a mark of how directly its unsentimental view of war challenged militarist propaganda.
Key characters
- Paul BäumerNarrator and protagonist; a sensitive young German soldier who enlists from school
- Stanislaus "Kat" KatczinskyOlder, resourceful mentor to the younger soldiers; a former cobbler
- Albert KroppPaul's classmate and the clearest thinker in the group
- Haie WesthusPhysically strong soldier, a peat-digger before the war
- Friedrich MüllerClassmate who enlisted with Paul; practical-minded
Book details
- First published
- 1929
- Length
- 250 pages
- Reading time
- 4 hours
- Author
- Erich Maria Remarque
- Genre
- Classics
- Goodreads rating
- 4.12 (534k ratings) →
- First line
- “This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it.”
Movie & TV adaptations
- IMDb
- IMDb
- IMDb
If you liked this, read…
- 1Johnny Got His GunAnother searing anti-war novel focused on the bodily cost of WWI combat
- 2A Farewell to ArmsHemingway's WWI novel of disillusionment with war and its rhetoric
- 3The Things They CarriedClose-up, humane portrait of ordinary soldiers and the weight they carry
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