“Her husband had archaic ideas about jewels; a man bought them for his wife in acknowledgement of things he could not gracefully utter.”
― Willa Cather, quote from A Lost Lady
“He came to be very glad that he had known her, and that she had had a hand in breaking him in to life. He has known pretty women and clever ones since then,-- but never one like her, as she was in her best days. Her eyes, when they laughed for a moment into one`s own, seemed to promise a wild delight that he has not found in life. "I know where it is," they seemed to say, "I could show you!”
― Willa Cather, quote from A Lost Lady
“Oh, but it is bleak!” she murmured. “Suppose we should have to stay here all next winter, too,… and the next! What will become of me, Niel?” There was fear, unmistakable fright in her voice. “You see there is nothing for me to do. I get no exercise. I don’t skate; we didn’t in California, and my ankles are weak. I’ve always danced in the winter, there’s plenty of dancing at Colorado Springs. You wouldn’t believe how I miss it. I shall dance till I’m eighty.… I’ll be the waltzing grandmother! It’s good for me, I need it.” They”
― Willa Cather, quote from A Lost Lady
“I could feel his heart pump and his muscles strain," she said, "when he balanced himself and me on the rocks. I knew that if we fell, we’d go together; he would never drop me".”
― Willa Cather, quote from A Lost Lady
“Niel felt tonight that the right man could still save her, even now. She was still her own indomitable self, going through her old part,--but only the stage hands were left to listen to her. All those who had shared in fine undertakings and bright occasions were gone.”
― Willa Cather, quote from A Lost Lady
“. . . she had always the power of suggesting things much lovelier than herself, as the perfume of a single flower may call up the whole sweetness of spring.”
― Willa Cather, quote from A Lost Lady
Willa Cather
Born place: in Back Creek Valley, Virginia, The United States
Born date December 7, 1873
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“The box was beginning to feel like another person in my house, a person with too much power for the space she took up.”
― Diane Chamberlain, quote from The Midwife's Confession
“With hidden powers of unknown extent apparently at his disposal, Curwen was not a man who could safely be warned to leave town.”
― H.P. Lovecraft, quote from The Case of Charles Dexter Ward
“An observer who is sitting eccentrically on the disc K' is sensible of a force which acts outwards in a radial direction, and which would be interpreted as an effect of inertia (centrifugal force) by an observer who was at rest with respect to the original reference-body K. But the observer on the disc may regard his disc as a reference body which is “at rest”; on the basis of the general principle of relativity he is justified in doing this. The force acting on himself, and in fact on all other bodies which are at rest relative to the disc, he regards as the effect of a gravitational field.”
― Albert Einstein, quote from Relativity: The Special and the General Theory
“I cannot write myself. What, after all, is this "I" who would write himself? Even as he would enter into the writing, the writing would take the wind out of his sails, would render him null and void -- futile; a gradual dilapidation would occur, in which the other's image, too, would be gradually involved (to write on something is to outmode it), a disgust whose conclusion could only be: what's the use? what obstructs amorous writing is the illusion of expressivity: as a writer, or assuming myself to be one, I continue to fool myself as to the effects of language: I do not know that the word "suffering" expresses no suffering and that, consequently, to use it is not only to communicate nothing but even, and immediately, to annoy, to irritate (not to mention the absurdity). Someone would have to teach me that one cannot write without burying "sincerity" (always the Orpheus myth: not to turn back). What writing demands, and what any lover cannot grant it without laceration, is to sacrifice a little of his Image-repertoire, and to assure thereby, through his language, the assumption of a little reality. All I might produce, at best, is a writing of the Image-repertoire; and for that I would have to renounce the Image-repertoire of writing -- would have to let myself be subjugated by my language, submit to the injustices (the insults) it will not fail to inflict upon the double Image of the lover and of his other.
The language of the Image-repertoire would be precisely the utopia of language: an entirely original, paradisiac language, the language of Adam -- "natural, free of distortion or illusion, limpid mirror of our sense, a sensual language (die sensualische Sprache)": "In the sensual language, all minds converse together, they need no other language, for this is the language of nature.”
― Roland Barthes, quote from A Lover's Discourse: Fragments
“Every time I brought a baby home from the hospital I felt that this was the reason God had given me life. So I could raise my babies and give my family a life they would always remember, a life that would teach them to do the same thing for the people they loved one day.”
― Karen Kingsbury, quote from Reunion
Autobiography
Fixing Delilah
Drop of Doubt
Forgiveness and Perm...
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