“- Não gosto de pretos, Kindzu.
- Como? Então gosta de quem? Dos brancos?
- Também não.
- Já sei: gosta de indianos, gosta da sua raça.
- Não. Eu gosto de homens que não tem raça. É por isso que eu gosto de si, Kindzu.”
― Mia Couto, quote from Sleepwalking Land
“Agora, eu via o meu país como uma dessas baleias que vêm agonizar na praia. A morte nem sucedera e já as facas lhe roubavam pedaços, cada um tentando o mais para si”
― Mia Couto, quote from Sleepwalking Land
“Afinal, em meio da vida sempre se faz a inexistente conta: temos mais ontens ou mais amanhãs?”
― Mia Couto, quote from Sleepwalking Land
“A morte, afinal, é uma corda que nos amarra as veias. O nó está lá desde que nascemos. O tempo vai esticando as pontas da corda, nos estancando pouco a pouco.”
― Mia Couto, quote from Sleepwalking Land
“Porque esta guerra não foi feita para vos tirar do país mas para tirar o país de dentro de vós.”
― Mia Couto, quote from Sleepwalking Land
“Quem não tem amigo é que viaja sem bagagem”
― Mia Couto, quote from Sleepwalking Land
“Aquele momento confirmava: o melhor da vida é o que não há-de vir.”
― Mia Couto, quote from Sleepwalking Land
“Foi por isso que fizeram esta guerra, para envenenar o ventre do tempo, para que o presente parisse monstros em lugar de esperança. (...) Porque esta guerra não foi feita para vos tirar do país mas para tirar o país de dentro de vós.”
― Mia Couto, quote from Sleepwalking Land
“O que faz andar a estrada? É o sonho. Enquanto a gente sonhar a estrada permanecerá viva. É para isso que servem os caminhos, para nos fazerem parentes do futuro.”
― Mia Couto, quote from Sleepwalking Land
“Talvez, quem sabe, cumprisse o que sempre fora: sonhador de lembranças, inventor de verdades. Um sonâmbulo passeando entre o fogo. Um sonâmbulo como a terra em que nascera.”
― Mia Couto, quote from Sleepwalking Land
“As mulheres, em instante, ficaram tema. Mulheres é bom quando não há amor, disse. Porque o amor é esquivadiço. A gente lhe monta casa, ele nasce no quintal. Vale a pena uma puta, miúdo. Gastamos o bolso, não o peito.”
― Mia Couto, quote from Sleepwalking Land
“Agora, já o barquinho balouça. Aos poucos se vai tornando leve como mulher ao sabor da carícia e se solta do colo da terra, já livre, navegável.”
― Mia Couto, quote from Sleepwalking Land
“Afinal, eu estava como dizia o cantador da aldeia: no sossego, sou cego; na timaca (confusão) não vejo”
― Mia Couto, quote from Sleepwalking Land
“grão a grão o papa se enche de galinhas”
― Mia Couto, quote from Sleepwalking Land
“After us, there was no more world to receive anyone.”
― Mia Couto, quote from Sleepwalking Land
“A guerra é uma cobra que usa os nossos próprios dentes para nos morder.”
― Mia Couto, quote from Sleepwalking Land
“A gente vai chegando à morte como um rio que desencorpa no mar: uma parte está nascendo e, simultânea, a outra já se assombra no sem-fim.”
― Mia Couto, quote from Sleepwalking Land
“E ao ouvir os sonhos de Tuahir, com os ruídos da guerra por trás, ele vai pensando: não inventaram ainda uma pólvora suave, maneirosa, capaz de explodir os homens sem lhes matar. Uma pólvora que, em avessos serviços, gerasse mais vida. E do homem explodido nascessem os infinitos homens que lhes estão por dentro.”
― Mia Couto, quote from Sleepwalking Land
“Aquele lugar lhe deixava um frio interior. Afinal, todos queremos no peito o nó de um outro peito, o devolver da metade que perdemos ao nascer.”
― Mia Couto, quote from Sleepwalking Land
“Tudo o resto se passou em silêncio como se perto já não se escutassem. O amor que trocaram é assunto para duas vidas inteiras, abandonadas para sempre num barquito sem rumo.”
― Mia Couto, quote from Sleepwalking Land
“Fui para o convés, molhado até dentro dos olhos.”
― Mia Couto, quote from Sleepwalking Land
“Cinzas, se nos olhos dela dormitavam, em brasas se acenderam.”
― Mia Couto, quote from Sleepwalking Land
“Aqui só há outroras, isto é água riscando fósforos.”
― Mia Couto, quote from Sleepwalking Land
“Great discoveries, Ganapathi, are often the result of making the wrong mistake at the right time.”
― Shashi Tharoor, quote from The Great Indian Novel
“He smelled of cold. Like ice and snow on the harshest days of winter.”
― Amanda Hocking, quote from Frostfire
“to Freyja.” and Odin is like “Can I at least have the octohorse?” and Loki is like “Only if I don’t have to do what you say anymore.” and Odin is like “FINE.” and Loki is like “HAHA, I PRANKED YOU THAT HORSE CAME OUT OF MY HORSE VAGINA.” And Odin is like “Ew, ick. I still want the horse though.” So the moral of the story is that only a sucker pays full price for masonry. Oh, speaking of which let me tell you about another really gross thing Loki had sex with . . . FENRIR IS A DILF So one day, Loki’s wandering around Jotunheim and he sees this chick Angrboða pronounced ANGER BOW THE and he is like “Well, I know she’s pretty ugly and her name is kinda like a reference book entry for THE ANGER BOW but you know what? I’m gonna tap that and have three kids with that and all three of those kids are going to be horrible beasts that bring on the apocalypse. I see no problems with this.” So for now, let’s just focus on the first kid: a giant wolf named Fenrir. Now Loki brings baby Fenrir to Asgard and the Aesir all instantly know that this wolf is gonna be the death of them mainly because it is a GIANT WOLF NAMED FENRIR. But instead of doing anything about it they decide to see if they can just raise it as their own presumably because they don’t want to hurt Loki’s feelings. So this god Tyr the god of single combat and being awesome gets put in charge of feeding Fenrir because he’s the only person with sufficient testicular mass to actually go near the wolf and Fenrir gets bigger and bigger and holy shit bigger until the gods start to be like “Uhh . . . we should really do something about this wolf.” So what they do is they make a big metal chain. This chain is so incredibly massive that they don’t feel right until they give it a name that name is Leyding. So they go up to Fenrir like “Hey, man I bet you totally can’t break out of this chain.” And Fenrir is like “Okay, bring it.” So they tie him up and he pretty much just breaks the chains like cobwebs and he gets famous because of that and the gods are like “Fuck, that backfired. Okay, let’s make a better chain.” so they make a chain that is TWO TIMES AS STRONG and they name it Dromi and they go back to Fenrir like “Bet you can’t break THIS chain.” And Fenrir is like “I don’t know if I want to let you tie me up again.” And the gods are like “Don’t you want to be double famous?” and Fenrir is like “Ugh, okay.” So he lets them tie him up again and he flexes a little, but the chain doesn’t break so then he kicks the chain, and it does break and the gods are all like “Okay we definitely need a better chain. Somebody call some dwarves.” So the dwarves are like “Okay the mistake you guys have been making is you have been trying to make a chain out of actual things that exist such as metal instead of abstract concepts such as the sound of a cat’s footfall.” So what the dwarves do is they take the sound of a cat’s footfall along with the roots of a mountain the sinews of a bear the beard of a woman— remember, these are dwarves— and the breath of a fish, and the spit of a bird so that’s why you can’t hear cats walking around and mountains don’t have roots and fish don’t breathe, and birds don’t spit but I think bears still probably have sinews and I have definitely met me some bearded ladies so I guess the dwarves were not that thorough. But anyway somehow they manage to distill all this shit into THE ULTIMATE”
― Cory O'Brien, quote from Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology
“When the landscape of real life gets ugly, we can pick up a book of fantasy and find a beautiful world, all green and filled with sunshine. When we can’t find an end to something sad, there’s always a novel where everything turns out okay and makes us feel better about things. And even though we know they’re made up, we think that maybe there’s just a possibility, in spite of all the ugliness around us, we really do have a chance to make it all work out. Because we read it. And we wanted it to be real.”
― Dan Skinner, quote from Memorizing You
“My mind crept back to the last time I’d seen her naked, moving on top of me. And then it went to the moment she shot me. The memory of being shot by a woman pretty much kills any sexual urge you have toward her. And if it doesn’t, you have issues.”
― Steve McHugh, quote from Crimes Against Magic
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