“Mathias shrugged. After all, a criminal lawyer is not concerned with facts. He is concerned with probabilities. It is the novelist who is concerned with facts, whose job it is to say what a particular man did do on a particular occasion: the lawyer does not, cannot be expected to go further than show what the ordinary man would be most likely to do under presumed circumstances.”
― Richard Hughes, quote from A High Wind in Jamaica
“Being nearly four years old, she was certainly a child: and children are human (if one allows the term "human" a wide sense): but she had not altogether ceased to be a baby: and babies are of course not human--they are animals, and have a very ancient and ramified culture, as cats have, and fishes, and even snakes: the same in kind as these, but much more complicated and vivid, since babies are, after all, one of the most developed species of the lower vertebrates.
In short, babies have minds which work in terms and categories of their own which cannot be translated into the terms and categories of the human mind.
It is true that they look human--but not so human, to be quite fair, as many monkeys.
Subconsciously, too, every one recognizes they are animals--why else do people always laugh when a baby does some action resembling the human, as they would at a praying mantis? If the baby was only a less-developed man, there would be nothing funny in it, surely.”
― Richard Hughes, quote from A High Wind in Jamaica
“Laura lay on her back in the faint light of the open hatch. She had discarded her blanket; and the vest which did duty for a night-gown was rucked right up under her arms. Jonsen wondered how anything so like a frog could ever conceivably grow into the billowy body of a woman. He bent down and attempted to pull down the vest: but at the first touch Laura rolled violently over onto her stomach, then drew her knees up under her, thrusting her pointed rump up at him; and continued to sleep in that position, breathing noisily.”
― Richard Hughes, quote from A High Wind in Jamaica
“Emily and Rachel had their hair cut short, and were allowed to do everything the boys did - to climb trees, swim, and trap animals and birds: they even had two pockets in their frocks.”
― Richard Hughes, quote from A High Wind in Jamaica
“You can never count on them. They say what they think you want them to say, and then they say what the opposing council wants them to say, too, if they like his face.”
― Richard Hughes, quote from A High Wind in Jamaica
“Life seemed suddenly a little empty, for never again could there happen to her something so dangerous, so sublime.”
― Richard Hughes, quote from A High Wind in Jamaica
“It is a fact that it takes experience before one can realize what is a catastrophe and what is not. Children have little faculty of distinguishing between disaster and the ordinary course of their lives.”
― Richard Hughes, quote from A High Wind in Jamaica
“It would have surprised Mrs. Thornton very much to have been told that hitherto she had meant practically nothing to her children. She took a keen interest in Psychology (the Art Babblative, Southey calls it). She was full of theories about their upbringing which she had not time to put into effect; but nevertheless she thought she had a deep understanding of their temperaments and was the center of their passionate devotion.”
― Richard Hughes, quote from A High Wind in Jamaica
Richard Hughes
Born place: in Weybridge, Surrey, The United Kingdom
Born date April 19, 1900
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“respectful. Sure, his hair might be a little mussed for Principal Barkin’s liking. And those T-shirts. Principal Barkin wasn’t sure about those T-shirts.”
― Mac Barnett, quote from The Terrible Two Get Worse
“Ceza kaldırılabilir; ama suç insanın içinde sonsuza kadar yaşar.”
― Ovid, quote from The Metamorphoses
“You think loyalty can be bought?” “Don’t you?”
― Gail Carriger, quote from Waistcoats & Weaponry
“The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.”
― Margery Williams Bianco, quote from The Velveteen Rabbit
“There are no happy endings, just happy days, happy moments. The only real ending is death, and trust me, no one dies happy. And the price of not dying is that things change all the time, and the only thing you can count on is that there's not a thing you can do about it.”
― Jonathan Tropper, quote from How To Talk To A Widower
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