Quotes from Seven Tears Into the Sea

Terri Farley ·  279 pages

Rating: (2.8K votes)


“Morning's great that way. You can cry yourself to sleep and wake up wondering what the fuss was over.”
― Terri Farley, quote from Seven Tears Into the Sea


“It never seemed fair that just when you're old enough to do anything you want, you can't. You have to start working, so there's no time. And if there is time, you're not working, so there's no money.”
― Terri Farley, quote from Seven Tears Into the Sea


“Beckon The Sea,
I'll Come To The....
Shed Seven Tears,
Perchance Seven Years....”
― Terri Farley, quote from Seven Tears Into the Sea


“Gwen?"
"Yes."
"You know why we have to be together, don't you?"
"..."
"I'm your selkie.”
― Terri Farley, quote from Seven Tears Into the Sea


“Courtship? Had I said courtship? What did I think, that this was Jane freakin' Eyre?”
― Terri Farley, quote from Seven Tears Into the Sea



“I was doing it again, and I do NOT ogle strangers.”
― Terri Farley, quote from Seven Tears Into the Sea


“It's true that the two halves were no longer hinged. They weren't clinging to each other, but each was a cream-colored wing with a rosy flush inside. I held one half in each hand. If I took this shell across the room or across the universe, and the other one stayed here, they'd still be two halves of a whole, and anyone would know they belonged together.”
― Terri Farley, quote from Seven Tears Into the Sea


“Waves broke, then sighed as if they were searching, not finding, then coming back, never giving up the search, returning again and again.”
― Terri Farley, quote from Seven Tears Into the Sea


About the author

Terri Farley
Born place: California, The United States
See more on GoodReads

Popular quotes

“Now, if the Councils, the Fathers, and even experience show us that the best means of remedying the irregularities of Christians is by making them call to mind the obligations of their Baptism, and persuading them to renew the vows they made then, is it not only right that we should do it in a perfect manner, by this devotion and consecration of ourselves to Our Lord through His holy Mother? I say "in a perfect manner," because in thus consecrating ourselves to Him, we make use of the most perfect of all means, namely, the Blessed Virgin.”
― St. Louis de Montfort, quote from True Devotion to Mary


“Tune, tune,” said Porch briskly. He turned to Orson. “And is there a word for today?” Orson was the word person, spilling words out as if they were notes on a staff. “Rebarbative,” said Orson promptly. “Causing annoyance or irritation. Mozart’s rebarbative music causes me to want to throw up.” Porch sighed. Orson preferred Schubert.”
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“Through the trees there was a motion, a person walking on the road. Isabelle watched as the girl - it was Amy - moving slowly and with her head down, came up the gravel driveway. The sight of her pained Isabelle. It pained her terribly to see her, but why?
Because she looked unhappy, her shoulders slumped like that, her neck thrust forward, walking slowly, just about dragging her feet. This was Isabelle's daughter; this was Isabelle's fault. She hadn't done it right, being a mother, and this youthful desolation walking up the driveway was exactly proof of that. But then Amy straightened up, glancing toward the house with a wary squint, and she seemed transformed to Isabelle, suddenly a presence to be reckoned with. Her limbs were long and even, her breasts beneath her T-shirt seemed round and right, neither large or small, only part of some pleasing symmetry; her face looked intelligent and shrewd. Isabelle, sitting motionless in her chair, felt intimidated.
And angry. The anger arrived in one quick thrust. It was the sight of her daughter's body that angered her. It was not the girl's unpleasantness, or even the fact that she had been lying to Isabelle for so many months, nor did Isabelle hate Amy for taken up all the space in her life. She hated Amy because the girl had been enjoying the sexual pleasures of a man, while she herself had not.”
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