Quotes from The Serpent's Shadow

“There’s my baby!” I cried, quite carried away. “There’s my Poochiekins!”
Ammit ran at me and leaped into my arms, nuzzling me with his rough snout.
“My lord Osiris!” Disturber lost the bottom of his scroll again, which unraveled around his legs. “This is an outrage!”
“Sadie,” Dad said firmly, “please do not refer to the Devourer of Souls as Poochiekins.”
― Rick Riordan, quote from The Serpent's Shadow

“Met them. Killed them. Got the T-shirt.”
― Rick Riordan, quote from The Serpent's Shadow

“I lifted my wand, hoping she would see this as a dramatic move, not a threat. “Why once, in my bunker at Charing Cross Station, I stalked the
deadly prey known as Jelly Babies.”
Neith’s eyes widened. “They are dangerous?”
“Horrible,” I agreed. “Oh, they seem small alone, but they always appear in great numbers. Sticky, fattening—quite deadly. There I was, alone
with only two quid and a Tube pass, beset by Jelly Babies, when…Ah, but never mind. When the Jelly Babies come for you…you will find out on
your own.”
She lowered her bow. “Tell me. I must know how to hunt Jelly Babies.”
I looked at Walt gravely. “How many months have I trained you, Walt?”
“Seven,” he said. “Almost eight.”
“And have I ever deemed you worthy of hunting Jelly Babies with me?”
“Uh…no.”
― Rick Riordan, quote from The Serpent's Shadow

“Lacy had warned me about Drew the first day of school. Apparently the two of them had gone to some summer camp together––blah, blah, I didn't really listen to teh details––and Drew had been just as much a tyrant there.

~Sadie Kane, about Lacy and Drew of Aphrodite cabin.”
― Rick Riordan, quote from The Serpent's Shadow

“If you’re listening to this, congratulations! You survived Doomsday.
I’d like to apologize straightaway for any inconvenience the end of the world may have caused you. The earthquakes, rebellions, riots,tornadoes, floods, tsunamis, and of course the giant snake who swallowed the sun—I’m afraid most of that was our fault. Carter and I decided we should at least explain how it happened.”
― Rick Riordan, quote from The Serpent's Shadow

“We speak with one voice,” Walt said. “Especially on this matter. No one hurts Sadie Kane.”
― Rick Riordan, quote from The Serpent's Shadow

“If anyone asks you if you’re taken,” I said, “the answer is yes.”
“I think I can live with that,” he promised.
“Good,” I said. “Because you don’t want to see me be cross.”
“Too late.”
“Shut up and dance, Walt.”
“Shut up and dance, Walt.”
We did—with the music of a psychotic griffin screaming behind us, and the sirens and horns of Brooklyn wailing below. It was quite romantic.”
― Rick Riordan, quote from The Serpent's Shadow

“A weapon, I told Horus. I need a weapon.
I reached into the Duat and pulled out an ostrich feather.
“Really?” I yelled.
Horus didn’t answer”
― Rick Riordan, quote from The Serpent's Shadow

“For what it’s worth: trust your feelings. I can’t promise that you’ll never get hurt again, but I can promise you the risk is worth it.”
― Rick Riordan, quote from The Serpent's Shadow

“Oh...my...god,"Drew whimpered."Who..."
Anubis ignored her (bless him for that) and held out his elbow for me - a sweet old-fashioned gesture.
" May I have this dance?"
"I suppose," I said,as non committally as I could. I looped my arm through his, and we left the Plastic Bags behind us, all of them muttering,"Oh my god! Oh my god!"
No ,actually, I wanted to say. He's my amazingly hot boy god. Find your own.”
― Rick Riordan, quote from The Serpent's Shadow

“dealing with any man means dealing with multiple personalities.”
― Rick Riordan, quote from The Serpent's Shadow

“All [Sadie’s] previous attempts [of making a shabti (an Egyptian avatar of one’s self)] had exploded or gone haywire, terrorizing Khufu and the initiates. Last week she’d created a magical Thermos with googly eyes that levitated around the room, yelling, “Exterminate! Exterminate!” until it smacked me in the head.”
― Rick Riordan, quote from The Serpent's Shadow

“Our problems started in Dallas, when the fire-breathing sheep destroyed the King Tut exhibit.”
― Rick Riordan, quote from The Serpent's Shadow

“How do I defeat Apophis?”
“I’m so glad you asked!” Thoth beamed at me with his multicolored eyes. “Unfortunately, I can’t tell you.”
I glanced at Walt. “Do you want to kill him, or should I?”
― Rick Riordan, quote from The Serpent's Shadow

“I see murky visions of other gods and rival magic."
That REALLY didn't sound good.
"What do you mean?" I asked. "what OTHER GODS?"
"I don't know, Sadie. But Egypt has always faced challenges from outside –– magicians from elsewhere, even gods from elsewhere. Just be vigilant."

~Ruby & Sadie Kane about...? Possibly Greeks?”
― Rick Riordan, quote from The Serpent's Shadow

“In the Duat, Anubis looked as he always had, with his tousled dark hair and lovely brown eyes, but I’d never seen him filled with such rage. I realized that anyone who dared to hurt me would suffer his full wrath, and Walt wasn’t going to hold him back.”
― Rick Riordan, quote from The Serpent's Shadow

“Knowledge of any value can't be given. It must be sought and earned”
― Rick Riordan, quote from The Serpent's Shadow

“Besides, you're a cat. It's your nature to think you're the center of the universe.”
― Rick Riordan, quote from The Serpent's Shadow

“Stop smiling!” she ordered. “I can see you, Carter. Oh…and, uh, hullo, Walt.”
The pot monster made squeaky grinding noises as it stood up straight. One clunky arm rose and tried to fix Sadie’s nonexistent hair. Leave it to Sadie to be
self-conscious around boys, even when she’s made out of pots and duct tape.”
― Rick Riordan, quote from The Serpent's Shadow

“A person's shadow stood for his legacy, his impact on the world. Some people cast hardly any shadow at all. Some cast long, deep shadows that endured for centuries.”
― Rick Riordan, quote from The Serpent's Shadow

“You might not think a hippo could inspire terror. Screaming “Hippo!” doesn’t have the same impact as screaming “Shark!” But I’m telling you—as the Egyptian Queen careened to one side, its paddle wheel lifting completely out of the water, and I saw that monster emerge from the deep, I nearly discovered the hieroglyphs for accident in my pants.”
― Rick Riordan, quote from The Serpent's Shadow

“Suddenly his expression turned to alarm. He sprinted toward us. For a moment I had an absurd vision of myself on the cover of one of Gran’s old romance novels, where the damsel wilts into the
arms of one half-dressed beefy guy while another stands by,casting her longing looks. Oh, the horrible choices a girl must make! I wished I’d had a moment to clean up. I was still covered in dried river muck, twine, and grass, like I’d been tarred and feathered. Then Anubis pushed past me and gripped Walt’s shoulders.

Well…that was unexpected.”
― Rick Riordan, quote from The Serpent's Shadow

“She was so warm, her drenched clothes had almost dried. Her eyes were rolled back in her head. She started muttering, and I could’ve sworn she said, “Dung balls. Time to roll the dung balls.”
It might’ve been funny—except for the fact that she was dying.
“That’s Khepri talking,” Setne explained. “He’s the divine dung beetle, rolling the sun across the sky.”
I didn’t want to process that—the idea that the girl I liked had been possessed by a dung beetle and was now having dreams about pushing a giant sphere of flaming poo across the sky.”
― Rick Riordan, quote from The Serpent's Shadow

“If I were a flowerpot, I would've checked my hair.

~Carter Kane”
― Rick Riordan, quote from The Serpent's Shadow

“So let me get this straight,” Carter said. “The two guys you liked—one who was dying and one who was off-limits because he’s a god—are now one guy, who isn’t dying and isn’t off-limits. And you’re complaining.”
― Rick Riordan, quote from The Serpent's Shadow

“You never know!” Neith snapped. “The point is, I’ll survive the apocalypse. I can live off the land!” She jabbed a finger at me. “Did you know the palm tree has six different edible parts?”
“Um—”
“And I’ll never be bored,” Neith continued, “since I’m also the goddess of weaving. I have enough twine for a millennium of macramé!”
I had no reply, as I wasn’t sure what macramé was.”
― Rick Riordan, quote from The Serpent's Shadow

“No doubt Carter would describe the underground city in excruciating detail, with exact measurements of each room, boring history on every statue and hieroglyph, and background notes on the construction of the magical headquarters of the House of Life.

I will spare you that pain.

It's big. It's full of magic. It's underground.

There. Sorted.”
― Rick Riordan, quote from The Serpent's Shadow

“Yes, an actual full-sized camel. If you find that confusing, just think how the criosphinx must have felt.
Where did the camel come from, you ask? I may have mentioned Walt’s collection of amulets. Two of them summoned disgusting camels. I’d
met them before, so I was less than excited when a ton of dromedary flesh flew across my line of sight, plowed into the sphinx, and collapsed on top
of it. The sphinx growled in outrage as it tried to free itself. The camel grunted and farted.
“Hindenburg,” I said. Only one camel could possibly fart that badly. “Walt, why in the world—?”
“Sorry!” he yelled. “Wrong amulet!”
The technique worked, at any rate. The camel wasn’t much of a fighter, but it was quite heavy and clumsy. The criosphinx snarled and clawed
at the floor, trying unsuccessfully to push the camel off; but Hindenburg just splayed his legs, made alarmed honking sounds, and let loose gas.
I moved to Walt’s side and tried to get my bearings.”
― Rick Riordan, quote from The Serpent's Shadow

“Maybe—just maybe—Sadie had my best interests at heart. (I just caught her making faces at me, so maybe not.)”
― Rick Riordan, quote from The Serpent's Shadow

“Somewhere behind me, Zia yelled, "Hippo!" Which I thought was a little late.

~Carter Kane”
― Rick Riordan, quote from The Serpent's Shadow

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Popular quotes

“The Clock on the Morning Lenape Building

Must Clocks be circles?
Time is not a circle.
Suppose the Mother of All Minutes started
right here, on the sidewalk
in front of the Morning Lenape Building, and the parade
of minutes that followed--each of them, say, one inch long--
headed out that way, down Bridge Street.
Where would Now be? This minute?
Out past the moon?
Jupiter?
The nearest star?

Who came up with minutes, anyway?
Who needs them?
Name one good thing a minute's ever done.
They shorten fun and measure misery.
Get rid of them, I say.
Down with minutes!
And while you're at it--take hours
with you too. Don't get me started
on them.

Clocks--that's the problem.
Every clock is a nest of minutes and hours.
Clocks strap us into their shape.
Instead of heading for the nearest star, all we do
is corkscrew.
Clocks lock us into minutes, make Ferris wheel
riders of us all, lug us round and round
from number to number,
dice the time of our lives into tiny bits
until the bits are all we know
and the only question we care to ask is
"What time is it?"

As if minutes could tell.
As if Arnold could look up at this clock on
the Lenape Building and read:
15 Minutes till Found.
As if Charlie's time is not forever stuck
on Half Past Grace.
As if a swarm of stinging minutes waits for Betty Lou
to step outside.
As if love does not tell all the time the Huffelmeyers
need to know.”
― Jerry Spinelli, quote from Love, Stargirl

“I have a little theory that I'd like to air here, if I may. What is it that you think makes you magicians?" More silence. Fogg was well into rhetorical-question territory now anyway. He spoke more softly. "Is it because you are intelligent? Is it because you are brave and good? Is is because you're special?

Maybe. Who knows. But I'll tell you something: I think you're magicians because you're unhappy. A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.

Most people carry that pain around inside them their whole lives, until they kill the pain by other means, or until it kills them. But you, my friends, you found another way: a way to use the pain. To burn it as fuel, for light and warmth. You have learned to break the world that has tried to break you.”
― Lev Grossman, quote from The Magicians

“...mediocre people find their way into positions of authority...because when it comes to even the most important positions, our selection decisions are a good deal less rational than we think.”
― Malcolm Gladwell, quote from Blink: The Power of Thinking Without Thinking

“His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train.

And it was this that awed him — the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge — movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, these images that burnt in him existed without beginning or ending, without the essential structure of time. Fixed in no-time, the slattern vanished, fixed, without a moment of transition.

His sense of unreality came from time and movement, from imagining the woman, when the train had passed, as walking back into the house, lifting a kettle from the hearth embers. Thus life turned shadow, the living lights went ghost again. The boy among the calves. Where later? Where now?

I am, he thought, a part of all that I have touched and that has touched me, which, having for me no existence save that which I gave to it, became other than itself by being mixed with what I then was, and is now still otherwise, having fused with what I now am, which is itself a cumulation of what I have been becoming. Why here? Why there? Why now? Why then?

The fusion of the two strong egotisms, Eliza’s inbrooding and Gant’s expanding outward, made of him a fanatical zealot in the religion of Chance. Beyond all misuse, waste, pain, tragedy, death, confusion, unswerving necessity was on the rails; not a sparrow fell through the air but that its repercussion acted on his life, and the lonely light that fell upon the viscous and interminable seas at dawn awoke sea-changes washing life to him. The fish swam upward from the depth.”
― Thomas Wolfe, quote from Look Homeward, Angel

“But if I hadn't shoved you off the boat back there,you'd be lost at sea now,wouldn't you? We'd all be lost! So thanks to me you're all standing on land."
(Pirates, its a good thing they're idiots)”
― Dave Barry, quote from Peter and the Starcatchers

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