“Comedy aims at representing men as worse, Tragedy as better than in actual life.”
― Aristotle, quote from Poetics
“With respect to the requirement of art, the probable impossible is always preferable to the improbable possible.”
― Aristotle, quote from Poetics
“A beginning is that which does not itself follow anything by causal necessity, but after which something naturally is or comes to be. An end, on the contrary, is that which itself naturally follows some other thing, either by necessity, or as a rule, but has nothing following it. A middle is that which follows something as some other thing follows it. A well constructed plot, therefore, must neither begin nor end at haphazard, but conform to these principles.”
― Aristotle, quote from Poetics
“Accordingly, the poet should prefer probable impossibilities to improbable possibilities.”
― Aristotle, quote from Poetics
“the greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.”
― Aristotle, quote from Poetics
“A likely impossibility is always preferable to an unconvincing possibility. The story should never be made up of improbable incidents; there should be nothing of the sort in it.”
― Aristotle, quote from Poetics
“The plot, then, is the first principle, and, as it were, the soul of a tragedy; Character holds the second place.”
― Aristotle, quote from Poetics
“For the essence of a riddle is to express true facts under impossible combinations.”
― Aristotle, quote from Poetics
“All human happiness or misery takes the form of action; the end for which we live is a certain kind of action.”
― Aristotle, quote from Poetics
“The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.” (VII)”
― Aristotle, quote from Poetics
“The poet should even act his story with the very gestures of his personages. Given the same natural qualifications, he who feels the emotions to be described will be the most convincing; distress and anger, for instance, are portrayed most truthfully by one who is feeling them at the moment. Hence it is that poetry demands a man with a special gift for it, or else one with a touch of madness in him; the former can easily assume the required mood, and the latter may be actually beside himself with emotion.”
― Aristotle, quote from Poetics
“Tragedy, however, is an imitation not only of a complete action, but also of incidents arousing pity and fear.”
― Aristotle, quote from Poetics
“De lo que hemos dicho se desprende que la tarea del poeta es describir no lo que ha
acontecido, sino lo que podría haber ocurrido, esto es, tanto lo que es posible como
probable o necesario. La distinción entre el historiador y el poeta no consiste en que
uno escriba en prosa y el otro en verso; se podrá trasladar al verso la obra de Herodoto, y
ella seguiría siendo una clase de historia. La diferencia reside en que uno relata lo que ha
sucedido, y el otro lo que podría haber acontecido. De aquí que la poesía sea más
filosófica y de mayor dignidad que la historia.”
― Aristotle, quote from Poetics
“Thus, since time immemorial, it has been customary to accept the criticism of art from a man who may or may not have been artist himself. Some believe that artist should create its art and leave it for critic to pass judgement over it. Whereas dramatists like Ben Jonson is of the view that to ‘judge of poets is only the faculty of poets; and not of all poets, but the best’. Only the best of poets have the right to pass judgments on the merit or defects of poetry, for they alone have experienced the creative process form beginning to end, and they alone can rightly understand it.”
― Aristotle, quote from Poetics
“the production of spectacular effects depends more on the art of the stage machinist than on that of the poet.”
― Aristotle, quote from Poetics
“And by this very difference tragedy stands apart in relation to comedy, for the latter intends to imitate those who are worse, and the former better, than people are now.”
― Aristotle, quote from Poetics
“the laughable is a species of what is disgraceful.”
― Aristotle, quote from Poetics
“Even a woman may be good, and also a slave; though the woman may be said to be an inferior being, and the slave quite worthless.”
― Aristotle, quote from Poetics
“The same distinction marks off Tragedy from Comedy; for Comedy aims at representing men as worse, Tragedy as better than in actual life. III”
― Aristotle, quote from Poetics
“Comedy, as we said, is an imitation of people of a lower sort, though not in respect to every vice; rather, what is ridiculous is part of what is ugly.”
― Aristotle, quote from Poetics
“Tragedy is an imitation not just of a complete action, but of events that evoke pity and fear.”
― Aristotle, quote from Poetics
“Daher ist die Dichtkunst Sache von phantasiebegabten oder von leidenschaftlichen Naturen; die einen sind wandlungsfähig, die anderen stark erregbar.”
― Aristotle, quote from Poetics
“A sign of this is what happens (10) in our actions, for we delight in contemplating the most accurately made images of the very things that are painful for us to see, such as the forms of the most contemptible insects and of dead bodies.”
― Aristotle, quote from Poetics
“For this reason poetry is more philosophical and more serious than history; poetry utters universal truths, history particular statements. The universal truths concern what befits a person of a certain kind to say or do in accordance with probability and necessity—and that is the aim of poetry, even if it makes use of proper names.* A particular statement tells us what (for example) Alcibiades* did or what happened to him. In the case of comedy this is already manifest: the poets make up the story on the basis of probability and then attach names to the characters at random;”
― Aristotle, quote from Poetics
“For the laughable is a sort of error and ugliness that is not painful and destructive, just as, evidently, a laughable mask is something ugly and distorted without pain.”
― Aristotle, quote from Poetics
“Character is that which reveals moral purpose, showing what kind of things a man chooses or avoids.”
― Aristotle, quote from Poetics
“Homero, más que ningún otro, nos ha enseñado a todos el arte de forjar mentiras de manera adecuada”
― Aristotle, quote from Poetics
“poetry utters universal truths, history particular statements”
― Aristotle, quote from Poetics
“A well constructed plot should, therefore, be single in its issue, rather than double as some maintain. The change of fortune should be not from bad to good, but, reversely, from good to bad.”
― Aristotle, quote from Poetics
Aristotle
Born place: in Stageira, Greece
Born date February 16, 0384
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“God bless the book people for their boundless knowledge absorbed from having words instead of friends.”
― Mackenzi Lee, quote from The Gentleman's Guide to Vice and Virtue
“I fought; I fought for the immortal soul the preachers had taught me to believe in. I do not know whether I ever believed in it—I had never seen God, and He had never spoken to me—but I fought for it anyway, and I fought for Alexander.”
― Amelia Atwater-Rhodes, quote from In the Forests of the Night
“Layne - “Do you have a gun or do you need me to get you one?”
Colt – “My wife was kidnapped and nearly shot in the head, man. I got guns everywhere”
― Kristen Ashley, quote from Golden Trail
“Regret couldn't fix what he's broken. Apologies couldn't bring back what he's lost. What we'd lost.”
― Rachel Vincent, quote from My Soul to Keep
“well-armed and fierce-faced, threatening despite their small stature. Simon stared at the trolls. The trolls stared at Simon. “They’ve all heard of ye, Simon,” Haestan boomed; the three riders looked up, startled by his loud voice, “—but no one’s hardly seen ye yet.” The trolls looked the tall guardsman up and down in alarm, then clucked at their mounts and rode on hurriedly, disappearing around the mountain face. “Gave them some gossip,” Haestan chuckled. “Binabik told me about his home,” Simon said, “but it was hard to understand what he was saying. Things are never quite what you think they’re going to be, are they?” “Only th’ good Lord Usires knows all answers,” Haestan nodded. “Now, if y’would see y’r small friend, we’d best move on. Walk careful now—and not so close t’edge, there.” • • • They made their way slowly down the looping path, which alternately narrowed and widened as it traversed the mountainside. The sun was high overhead, but hidden in a nest of soot-colored clouds, and a biting wind swooped along Mintahoq’s face. The mountaintop above was white-blanketed in ice, like the high peaks across the valley, but at this lower height the snow had fallen more patchily. Some wide drifts lay across the path, and others nestled among”
― Tad Williams, quote from Stone of Farewell
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