“Maybe ever’body in the whole damn world is scared of each other.”
― John Steinbeck, quote from Of Mice and Men
“I got you to look after me, and you got me to look after you, and that's
why.”
― John Steinbeck, quote from Of Mice and Men
“As happens sometimes, a moment settled and hovered and remained for much more than a moment. And sound stopped and movement stopped for much, much more than a moment.”
― John Steinbeck, quote from Of Mice and Men
“A guy needs somebody―to be near him. A guy goes nuts if he ain't got nobody. Don't make no difference who the guy is, long's he's with you. I tell ya, I tell ya a guy gets too lonely an' he gets sick.”
― John Steinbeck, quote from Of Mice and Men
“Guy don't need no sense to be a nice fella. Seems to me sometimes it jus' works the other way around. Take a real smart guy and he ain't hardly ever a nice fella.”
― John Steinbeck, quote from Of Mice and Men
“His ear heard more than what was said to him, and his slow speech had overtones not of thought, but of understanding beyond thought.”
― John Steinbeck, quote from Of Mice and Men
“Trouble with mice is you always kill 'em. ”
― John Steinbeck, quote from Of Mice and Men
“Just like heaven. Ever’body wants a little piece of lan’. I read plenty of books out here. Nobody never gets to heaven, and nobody gets no land. It’s just in their head. They’re all the time talkin’ about it, but it’s jus’ in their head.”
― John Steinbeck, quote from Of Mice and Men
“We know what we got, and we don't care whether you know it or not.”
― John Steinbeck, quote from Of Mice and Men
“I can still tend the rabbits, George? I didn't mean no harm, George.”
― John Steinbeck, quote from Of Mice and Men
“We could live offa the fatta the lan'.”
― John Steinbeck, quote from Of Mice and Men
“In every bit of honest writing in the world, there is a base theme. Try to understand men, if you understand each other you will be kind to each other. KNOWING A MAN WELL NEVER LEADS TO HATE and nearly always leads to love. There are shorter means, many of them. There is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme. TRY TO UNDERSTAND EACH OTHER!”
― John Steinbeck, quote from Of Mice and Men
“Ain’t many guys travel around together,” he mused. “I don’t know why. Maybe ever’body in the whole damn world is scared of each other.”
― John Steinbeck, quote from Of Mice and Men
“George's voice became deeper. He repeated his words rhythmically as though he had said them many times before. 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. They come to a ranch an' work up a stake, and the first thing you know they're poundin' their tail on some other ranch. They ain't got nothing to look ahead to.”
― John Steinbeck, quote from Of Mice and Men
“Lennie begged, "Le's do it now. Le's get that place now."
"Sure right now. I gotta. We gotta.”
― John Steinbeck, quote from Of Mice and Men
“Guys like us got nothing to look ahead to.”
― John Steinbeck, quote from Of Mice and Men
“I ought to of shot that dog myself, George. I shouldn't ought to of let no stranger shoot my dog.”
― John Steinbeck, quote from Of Mice and Men
“I ain't got no people. I seen the guys that go around on the ranches alone. That ain't no good. They don't have no fun. After a long time they get mean. They get wantin' to fight all the time. . . 'Course Lennie's a God damn nuisance most of the time, but you get used to goin' around with a guy an' you can't get rid of him.”
― John Steinbeck, quote from Of Mice and Men
“At about 10 o'clock in the morning the sun threw a bright dust-laden bar through one of the side windows and in and out of the beam flies shot like rushing stars.”
― John Steinbeck, quote from Of Mice and Men
“Says he foun' he jus' got a little piece of a great big soul. Says a wilderness ain't no good, 'cause his little piece of a soul wasn't no good 'less it was with the rest, an' was whole.”
― John Steinbeck, quote from Of Mice and Men
“Well, I never seen one guy take so much trouble for another guy. I just like to know what your interest is.”
― John Steinbeck, quote from Of Mice and Men
“Crooks stood up from his bunk and faced her. "I had enough," he said coldly. "You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more."
She turned on him in scorn. "Listen, Nigger," she said. "You know what I can do to you if you open your trap?"
Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself.
She closed on him. "You know what I could do?"
Crooks seemed to grow smaller, and he pressed himself against the wall. "Yes, ma'am."
"Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny."
Crooks had reduced himself to nothing. There was no personality, no ego--nothing to arouse either like or dislike. He said, "Yes, ma'am," and his voice was toneless.
For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two.”
― John Steinbeck, quote from Of Mice and Men
“A water snake glided smoothly up the pool, twisting its periscope head from side to side; and it swam the length of the pool and came to the legs of a motionless heron that stood in the shadows. A silent head and beak lanced down and plucked it out by the head, and the beak swallowed the little snake while its tail waved frantically.”
― John Steinbeck, quote from Of Mice and Men
“Evening of a hot day started the little wind to moving among the leaves. The shade climbed up the hills toward the top. On the sand banks the rabbits sat as quietly as little gray, sculptured stones.”
― John Steinbeck, quote from Of Mice and Men
“Lennie said quietly, "It ain't no lie. We're gonna do it. Gonna get a little place an' live on the fatta the lan'.”
― John Steinbeck, quote from Of Mice and Men
“I see hundreds of men come by on the road an’ on the ranches with their bindles on their back an’ that same damn thing in their heads. Hundreds of them. They come, an’ they quit an’ go on; an’ every damn one of ‘em’s got a little piece of land in his head. An’ never a God damn one of ‘em ever gets it. Just like heaven. Ever’body wants a little piece of lan’. I read plenty of books out there. Nobody never gets to heaven, and nobody never gets no land. It’s just in their head.”
― John Steinbeck, quote from Of Mice and Men
“As happens sometimes, a moment settled and hovered and remained for much more than a moment. And sound stopped and movement stopped for much, much more than a moment. Then gradually time awakened again and moved sluggishly on.”
― John Steinbeck, quote from Of Mice and Men
“They come, an' they quit an' go on; an' every damn one of 'em's got a little piece of land in his head. An' never a God damn one of 'em ever gets it.”
― John Steinbeck, quote from Of Mice and Men
“I seen it over an' over—a guy talkin' to another guy and it don't make no difference if he don't hear or understand. The thing is, they're talkin', or they're settin' still not talkin'. It don't make no difference, no difference. [...] George can tell you screwy things, and it don't matter. It's just the talking. It's just bein' with another guy. That's all.”
― John Steinbeck, quote from Of Mice and Men
“Lennie rolled off the bunk and stood up, and the two of them started for the door. Just as they reached it, Curley bounced in.
"You seen a girl around here?" he demanded angrily.
George said coldly, "'Bout half an hour ago maybe."
"Well, what the hell was she doin'?"
George stood still, watching the angry little man. He said insultingly, "She said--she was lookin' for you."
Curley seemed really to see George for the first time. His eyes flashed over George, took in his height, measured his reach, looked at his trim middle. "Well, which way'd she go?" he demanded at last.
"I dunno," said George. "I didn't watch her go."
Curley scowled at him, and turning, hurried out the door.
George said, "Ya know, Lennie, I'm scared I'm gonna tangle with that bastard myself. I hate his guts. Jesus Christ! Come on. There won't be a damn thing left to eat.”
― John Steinbeck, quote from Of Mice and Men
“I do not think there can be any defense for the view that knowledge is ever undesirable.”
― Bertrand Russell, quote from Why I Am Not a Christian and Other Essays on Religion and Related Subjects
“Evrende acı olduğu kadar merhemi de vardır ve bu merhem unutuştur. - Sayfa 28”
― H.P. Lovecraft, quote from The Call of Cthulhu
“I wasn’t sure what to do. I knew that the main house was about a quarter mile up the drive. I could leave my car here and walk it. See what’s what. But what would be the point? I hadn’t been up here in six years. The retreat probably sold the land, and the new owner probably craved privacy. That might explain all this. Still it didn’t feel right. What would be the harm, I thought, in going up and knocking on the door of the main house? Then again, the thick chain and no trespassing signs were not exactly welcome mats. I was still trying to decide what to do when a Kraftboro police cruiser pulled up next to me. Two officers got out. One was short and stocky with bloated gym muscles. The other was tall and thin with slicked-back hair and the small mustache of a guy in a silent movie. Both wore aviator sunglasses, so you couldn’t see their eyes. Short and Stocky hitched up his pants a bit and said, “Can I help you?” They both gave me hard stares. Or at least I think they were hard stares. I mean, I couldn’t see their eyes. “I”
― Harlan Coben, quote from Six Years
“Margery," I blurted out in a passion of frustration. "I don't know what to make of you!"
Nor I you, Mary. Frankly, I cannot begin to comprehend the motives of a person who dedicates a large portion of her life to the contemplation of a God in whom she only marginally believes."
I felt stunned, as if she had struck me in the diaphragm. She looked down at me, trying to measure the effect of her words.
Mary, you believe in the power that the idea of God has on the human mind. You believe in the way human beings talk about the unknowable, reach for the unattainable, pattern their imperfect lives and offer their paltry best up to the beingless being that created the universe and powers its continuation. What you balk as it believing the evidence of your eyes, that God can reach out and touch a single human life in a concrete way." She smiled a sad, sad smile. "You mustn't be so cold, Mary. If you are, all you will see is a cold God, cold friends, cold love. God is not cold-never cold. God sears with heat, not ice, the heat of a thousand suns, heat that inflames but does not consume. You need warmth, Mary-you, Mary, need it. You fear it, you flirt with it, you imagine that you can stand in its rays and retain your cold intellectual attitude towards it. You imagine that you can love with your brain. Mary, oh my dear Mary, you sit in the hall and listen to me like some wild beast staring at a campfire, unable to leave, fearful of losing your freedom if you come any closer. It won't consume you; I won't capture you. Love does not do either. It only brings life. Please, Mary, don't let yourself be tied up by the bonds of cold academia."
Her words, the power of her conviction, broke over me like a great wave, inundating me, robbing me of breath, and, as they receded in the room, they pulled hard at me to folllow. I struggled to keep my footing against the wash of Margery's vision, and only when it began to lose its strength, dissipated against the silence in the room, was I seized by a sudden terror at the nearness of my escape.”
― Laurie R. King, quote from A Monstrous Regiment of Women
“The panel acts as a sort of general indicator that time or space is being divided. The durations of that time and the dimensions of that space are defined more by contents of the panel than by the panel itself.”
― Scott McCloud, quote from Understanding Comics: The Invisible Art
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