“If you became mine, I wouldn’t let you go.” His words were clipped, as if he was biting back frenzy. “Understand me, if I’m your first lover— I will be your last.” The ringing tone of finality chilled me. “And I would kill any man who thought to touch what was mine.”
― Kresley Cole, quote from The Professional: Part 2
“Seriously, you have no idea how much your situation is affecting me. I’ve been stress-eating my way across Greece.”
I frowned. “You don’t stress-eat—”
“Cock, Natalie. I was stress-eating cock. There, you made me say it, happy now?”
“Opa!”
“Twat.”
“Bitch.”
― Kresley Cole, quote from The Professional: Part 2
“Don’t close me out.” He curled his finger under my chin, all tenderness, even as he said, “How could I close you out when I never let you in?”
― Kresley Cole, quote from The Professional: Part 2
“In all these interludes with Sevastyan, I hadn’t been Natalie. I’d been Natalya. And that brainless hussy didn’t seem to know better.”
― Kresley Cole, quote from The Professional: Part 2
“You’re a smart girl. You’re going to replay everything we’ve done, and you’re going to reach the same conclusion I have.” He moved in close, leaning down to kiss my jawline and lower.
“And wh- what conclusion is that?” When had he discovered how sensitive my neck was? With one spot in particular. . .
He pressed his lips directly to my pulse point, making my knees weak. “Eto ne izbezhno dlya nas.” You and I are inevitable.”
― Kresley Cole, quote from The Professional: Part 2
Kresley Cole
Born place: The United States
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“ーEscribí algo para ti, ーla corrigió con una sonrisa y comenzó a tocar.
Ella escuchó emocionada; comenzó lento, sencillo, su control sobre el arco producía un sonido armónico. La melodía la lleno tan fresca y dulce como el agua, tan esperanzadora y adorable como un amanecer. Miró a sus dedos fascinada por el movimiento tan exquisito que hacia que las notas salieran del violín. El sonido se volvió mas profundo conforme el arco se movía mas rápido, el antebrazo de Jem se desplazaba hacia adelante y atrás, su delgado cuerpo parecía difuminarse con el movimiento de su hombro. Sus dedos se deslizaban cuidadosamente arriba y abajo, el tono de la música profundizó, como nubes de tormenta reuniéndose en un horizonte brillante, un río que se convertía en torrente. Las notas se estrellaban a sus pies aumentando el sonido, el cuerpo entero de Jem parecía moverse en sintonía con los sonidos que emanaban del instrumento, a pesar de que ella sabia que sus pies se encontraban firmes en el suelo. Su corazón encontró la paz con la música, los ojos de Jem estaban cerrados, las comisuras de sus labios mostraban un gesto de dolor. Una parte de ella quería correr a sus pies, rodearlo con sus brazos; la otra otra parte no quería que se detuviera la música, el hermoso sonido de él. Era como si él hubiera tomado su arco utilizándolo como un pincel para pintar, creando un lienzo en el cual su alma se muestra claramente. Cuando las ultimas notas se alzaron más y más alto, llegando a tocar el paraíso, Tessa estuvo consciente de que su rostro estaba húmedo, pero no fue hasta que la ultima nota dejo de sonar y él bajo el violín cuando se dio que estaba llorando.”
― Cassandra Clare, quote from The Infernal Devices: Clockwork Princess
“We who have been hunted through the rapids of life, torn from our former roots, always driven to the end and obliged to begin again, victims and yet also the willing servants of unknown mysterious powers, we for whom comfort has become an old legend and security, a childish dream, have felt tension from pole to pole of our being, the terror of something always new in every fibre. Every hour of our years was linked to the fate of the world. In sorrow and in joy we have lived through time and history far beyond our own small lives, while they knew nothing beyond themselves. Every one of us, therefore, even the least of the human race, knows a thousand times more about reality today than the wisest of our forebears. But nothing was given to us freely; we paid the price in full.”
― Stefan Zweig, quote from The World of Yesterday
“...For that matter, men are perhaps indifferent to power.... What fascinates them in this idea, you see, is not real power, it's the illusion of being able to do exactly as they please. The king's power is the power to govern, isn't it? But man has no urge to govern--he has an urge to compel, as you said. To be more than a man, in a world of men. To escape man's fate, I was saying. Not powerful--all-powerful. The visionary disease, of which the will to power is only the intellectual justification, is the will to god-head--every man dreams of being god.”
― André Malraux, quote from Man's Fate
“singing to the radio when you drive”
― Barbara Ann Kipfer, quote from 14,000 Things to Be Happy About
“The yarn forms the stitches, the knitting forges the friendships, the craft links the generations.” —Karen Alfke, “Unpattern” designer and knitting instructor LYDIA HOFFMAN”
― Debbie Macomber, quote from The Shop on Blossom Street
In a Glass Grimmly
War Crimes
Elephant Whisperer
The Genius of Dogs:...
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