Quotes from Graveminder

“Sleep well, and stay where I put you.”
― Melissa Marr, quote from Graveminder

“Some mortals--like you--are already half in love with death. It is who you are, and I'll not make it harder on you by telling you things you don't need to know. Ask me again when you die. Then I'll tell you everything, anything, nothing.”
― Melissa Marr, quote from Graveminder

“Do you remember those days? Back porch, sunshine, mason jars" - she paused at remembered sweetness - "we were so foolish then...thinking there was a big ol' world out there to conquer.”
― Melissa Marr, quote from Graveminder

“He pulled something out of his pocket and tried to stick it in her arm. A needle. He'd offered her hope, but then he was trying to hurt her. Poison. She pushed him away. "That wasn't nice.”
― Melissa Marr, quote from Graveminder

“His face was pale, and he dropped to the floor so that he was half kneeling, half sitting before her. "Please. I can...help you."
"No." She wiped her mouth with the back of her hand. Her mind felt clearer now. Everything made more sense when she wasn't so hungry. "I don't think I want the help you have."
He cradled his bloody arm and tried to stand. "This isn't right. You aren't right. You aren't suppose to be here."

"But I am.”
― Melissa Marr, quote from Graveminder

“The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known..."
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate.”
― Melissa Marr, quote from Graveminder

“It's okay. You're going to save me, Miss Maylene." The girl gave her a genuine look of happiness. "I know it. I knew if I found you everything would be okay.”
― Melissa Marr, quote from Graveminder

“We can end this before anyone gets hurt." William held his hands out to sides as if to show her he was unarmed. "You don't want to hurt people, do you? You will if you don't come away with me. You know that."
"I'm not bad," Daisha whispered.
"I believe you." He held out a hand to her. He curled his fingers toward him in a beckoning gesture. "You can do the right thing here. Just come with me. We'll go meet some people who can help us."
"Her. The new Graveminder."
"No, not her. You and I can fix this all on our own.”
― Melissa Marr, quote from Graveminder

“The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known..."
"It doesn't matter now." The girl's attention was unwavering. "This is where you are.”
― Melissa Marr, quote from Graveminder

“Some people worked well with daily discipline, but she’d always been more of a need-a-deadline or consumed-by-vision artist.”
― Melissa Marr, quote from Graveminder

“Absently, she wondered if finding one’s place in the world always felt like this, as if an audible click could be heard”
― Melissa Marr, quote from Graveminder

About the author

Popular quotes

“Japan

Today I pass the time reading
a favorite haiku,
saying the few words over and over.

It feels like eating
the same small, perfect grape
again and again.

I walk through the house reciting it
and leave its letters falling
through the air of every room.

I stand by the big silence of the piano and say it.
I say it in front of a painting of the sea.
I tap out its rhythm on an empty shelf.

I listen to myself saying it,
then I say it without listening,
then I hear it without saying it.

And when the dog looks up at me,
I kneel down on the floor
and whisper it into each of his long white ears.

It’s the one about the one-ton
temple bell
with the moth sleeping on its surface,

and every time I say it, I feel the excruciating
pressure of the moth
on the surface of the iron bell.

When I say it at the window,
the bell is the world
and I am the moth resting there.

When I say it into the mirror,
I am the heavy bell
and the moth is life with its papery wings.

And later, when I say it to you in the dark,
you are the bell,
and I am the tongue of the bell, ringing you,

and the moth has flown
from its line
and moves like a hinge in the air above our bed.”
― Billy Collins, quote from Picnic, Lightning

“But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah.
Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right?
.......
I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.”
― Erica Jong, quote from Fear of Flying

“She couldn’t run away from him. She’d be running from her own heart.”
― Kerrelyn Sparks, quote from All I Want for Christmas is a Vampire

“The voice of the waves was now mixed with strange sounds; laughter, running feet and the clanging of great bells far out to sea. Snufkin lay still and listened. dreaming and remembering his trip round world. Soon I must set out again, he thought. But not yet.”
― Tove Jansson, quote from Finn Family Moomintroll

“Human beings sometimes find a kind of pleasure in nursing painful emotions, in blaming themselves without reason or even against reason.”
― Isaac Asimov, quote from Robots and Empire

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