“There was a silence. Then Paul looked at Alex.
'She knows Chesterton.'
'She lives,' said Alex.”
“There are billions of men in the world, probably millions near my age. Maybe hundreds who are compatible with me. Maybe at least a dozen who would want to date me. There's got to be at least five on the continent whom I could probably marry. So why am I so hung up on this one guy?”
“I shall have twenty cats and talk to them all," she said, picking up the volume of poetry. "My cats and I shall have fish every day for dinner." Her imagination taking flight, she finished, dropping the book into the box, "And I shall memorize every line in this book and paint it in calligraphy on my living room walls.”
“Some scars never heal. And he sounds like he has a lot of them.'
'But Christ had scars too, even on His risen Body. Wounds in this life become glory in the next.”
“She couldn’t picture anyone falling madly in love with such a person as Fish. What a name, Fish...Fish: think cold, slippery, detached. Benedict: think dry scholarly monk from the Dark Ages. Denniston: think English preparatory school, stolid country squire. Nothing about his name sounded the least bit romantic.”
“Because I liked you better than it suits a girl to say,
It irked you and I promised to throw the thought away
To put the world between us, we parted stiff and dry
'Goodbye' and you: 'Forget me'.
'No fear I will' said I.
Now here where clover whitens
The dead man's knoll you pass
And now tall flower to meet you
Starts in the trefoiled grass
Halt by the headstone naming the heart no longer stirred
And say the girl that loved you
Was one who kept her word.”
“The world was still a turbulent and uncertain place. And there were serpents.
But serpents still make the world a place for adventures, Rose reminded herself.”
“Everyone stopped to blink at that for a second. I mean, come on. Impaled by a guided frozen turkey missile. Even by the standards of the quasi-immortal creatures of the night, that ain't something you see twice.
"For my next trick," I panted into the startled silence, "anvils.”
“Look at me, I believe in the craziest stuff and I have a really fun time.”
“It came charging toward me, several hundred pounds of angry-looking monster, and I did the only thing any reasonable wizard could have done.
I turned around and ran like hell.”
“He talked to her in the way that people tell lifelong secrets to fellow passengers in railway carriages.”
“Ogni oggetto in noi suol trasformarsi secondo le immagini ch’esso evoca e aggruppa, per così dire, attorno a sé. Certo un oggetto può piacere anche per se stesso, per la diversità delle sensazioni gradevoli che ci suscita in una percezione armoniosa; ma ben più spesso il piacere che un oggetto ci procura non si trova nell’oggetto per sé medesimo. La fantasia lo abbellisce cingendolo e quasi irraggiandolo d’immagini care. Né noi lo percepiamo più qual esso è, ma così, quasi animato dalle immagini che suscita in noi o che le nostre abitudini vi associano. Nell’oggetto, insomma, noi amiamo quel che vi mettiamo di noi, l’accordo, l’armonia che stabiliamo tra esso e noi, l’anima che esso acquista per noi soltanto e che è formata dai nostri ricordi.”
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